enter
- Can we come in? - Better not. He's sleeping.Amadeus · 1984 — 第 24 / 25 章 · 3'55" · B1
Salieri calls while Mozart is ill and leaves his share of the receipts, with a message: finish by tomorrow night and another hundred ducats is his. Mozart insists it is too soon and that he feels wrong staying there. He wants to return to Vienna, then begins dictating the Requiem, asking, "Do you have me?"
Salieri comes to Mozart's lodging, where Constanze says Mozart is asleep. He leaves the money that is Mozart's share and passes on the offer of another hundred ducats for finishing by tomorrow night. Mozart finds the deadline too soon and says he feels wrong staying there, then starts dictating the Requiem, bar by bar, checking that Salieri has it.
注目の表現
cheer someone upbetter notconsigned toDo you have me?
このシーンの表現
make someone feel happier
A visitor hands over the fee and says it should cheer the sick Mozart up.
A surprise visit should cheer her up.
it is wiser not to
handed over to something bad
are you following me
feel uneasy or out of place
not enough time has passed
49 行のセリフに 25 件のメモ
enter
- Can we come in? - Better not. He's sleeping.Come in links into one sound, 'co-min'.
- Can we come in? - Better not. He's sleeping.to feel faint and light-headed
He became dizzy,that's all.will you, right?
- Well,tell him we came by,won't you? - Of course.visit, drop in
Unable to see him, the visitors ask that Mozart be told they came by.
- Well,tell him we came by,won't you? - Of course.his portion
Give him this. That's his share.make someone feel happier
A visitor hands over the fee and says it should cheer the sick Mozart up.
- That should cheer him up. - Indeed!complete before a deadline
And if you finish by tomorrow night...conditional clause: The if-clause sets the condition, and by marks the deadline.
And if you finish by tomorrow night...a further hundred
...he will pay you another hundred ducats.not enough time has passed
Told the work must be done by tomorrow night, Salieri answers that it is too soon.
It's too soon.Could I blends into 'could-eye' when spoken fast.
Could I help you?staying in this place
I feel wrong being here.where was I
- Where did I stop? - The end of the "Recordare".hypothetical would: Would makes the question a polite hypothetical rather than a real event.
How would you translate that?accept as real
- Do you believe in it? - What?never goes out
A fire which never dies,burning you forever.relative clause + participle: The which-clause defines the fire, and the participle adds how it burns forever.
A fire which never dies,burning you forever.Burning you links across, so the -ng slides into you.
A fire which never dies,burning you forever.finish on
- Come,let's begin. - We ended in F major.begin with
Start with the voices.bass voices — Choir jargon for the bass section, not everyday talk.
- Basses first. Second beat of the... - Time?4/4 time — Music jargon for 4/4 time, used in rehearsal.
Common time. Second beat of the first measure.let me see it
Do you have me? Show me.Do you often reduces to a quick 'd'ya' sound in fast speech.
Do you have me? Show me.The scene is built on an act of charity that Salieri cannot quite make clean. He comes to the door, is kept outside, and leaves money and a message rather than a visit; the offering is real, but the deadline attached to it turns help into pressure. Mozart's refusal is physical, not financial: "I feel wrong being here." What survives the illness and the money is the music, and the scene moves into the famous dictation, with Salieri taking down the Requiem as Mozart speaks it. That collaboration is the film's sharpest irony - the rival who plots his ruin is also the only one who can follow the score. "Do you have me? Show me" is both instruction and proof that, for a few minutes, the two work as one.
I feel wrong being here.Mozart's sense that his place in Salzburg - and his life - is no longer livable, a physical unease he can only state, not explain.
A fire which never dies,burning you forever.Mozart's image of hell in the Confutatis, and the line that connects the Requiem's text to his own dread.
...he will pay you another hundred ducats.The patron's added offer, relayed as money for speed; the reward is doubled exactly as the deadline tightens.
Do you have me? Show me.The composer's test: not just listening, but playing back what he has written, confirming the music has been understood.
That's too soon. Tomorrow night...Mozart's protest that the deadline is impossible, said before he agrees to anything.
He became dizzy,that's all.Constanze's minimizing explanation at the door, keeping the severity of Mozart's condition private.
How would you translate that?A question about text, not music - Mozart testing whether the meaning of the Requiem is understood, not just its notes.
It is Mozart's share of the receipts, and Salieri adds a message about another hundred ducats if the Requiem is finished by the next night. The gift comes with pressure attached.
He says he feels wrong being there. It is less a plan than a symptom - he cannot rest where he is, and the unease is part of his decline.
He is too ill to write it out himself. Salieri can follow the score, so Mozart speaks the notes bar by bar while Salieri takes them down.
It asks whether the listener has followed and remembered what was said. In the scene Mozart uses it to check that Salieri has the notes right before moving on.
He is setting the words of the Requiem against what the two men actually believe. It is less a theological question than a way of testing Salieri while he dictates.
次のチャプター · 第 25 章doubling the voicesMozart's Last Dictation
第 1 章trained monkeySalieri Begins His Confession
第 2 章seek him outSalieri Recalls His Answered Vow
第 3 章fiendMozart's Backwards Proposal
第 4 章beyond his abilitiesSalieri Hears the Voice of God
第 5 章down to businessMozart Meets the Emperor
第 6 章made me muteSalieri Teases Cavalieri About Mozart
第 7 章take it too hardToo Many Notes, Mozart
第 8 章the fault is mineSalieri Learns Mozart Had Katerina
第 9 章come flockingMozart Refuses the Committee
第 10 章slips through his fingersConstanze Brings Mozart's Originals
第 11 章taking dictationSalieri Reads Mozart's Manuscripts
第 12 章achieve mediocritySalieri Declares War on God
第 13 章explode like a bombMozart Borrows Money From Salieri
第 14 章stuffs me like a gooseLeopold Visits Mozart in Vienna
第 15 章sick to death ofLorl Offers to Be Mozart's Maid
第 16 章go mad forMozart Defends Figaro to the Emperor
第 17 章fed to the teethMozart Argues Opera With the Court
第 18 章take this up withMozart's Figaro Ballet Fight
第 19 章accept the factSalieri Explains the Emperor's Yawns
第 20 章with your own handsSalieri's Plan to Kill Mozart
第 21 章a lost causeMozart Begs the Baron for Money
第 22 章in my noodleConstanze Hides the Requiem
第 23 章killing meThe Messenger Demands the Requiem
再生中 · 第 24 章cheer someone upSalieri Helps Mozart Write the Requiem
第 25 章doubling the voicesMozart's Last Dictation