Amadeus · 1984 — 第 24 / 25 章 · 3'55" · B1

Salieri Helps Mozart Write the Requiem, Explained:cheer someone up

Salieri calls while Mozart is ill and leaves his share of the receipts, with a message: finish by tomorrow night and another hundred ducats is his. Mozart insists it is too soon and that he feels wrong staying there. He wants to return to Vienna, then begins dictating the Requiem, asking, "Do you have me?"

あらすじ

Salieri comes to Mozart's lodging, where Constanze says Mozart is asleep. He leaves the money that is Mozart's share and passes on the offer of another hundred ducats for finishing by tomorrow night. Mozart finds the deadline too soon and says he feels wrong staying there, then starts dictating the Requiem, bar by bar, checking that Salieri has it.

Comforting a friendAsking for helpAskingExplainingRivalsB1slowbritishClean
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注目の表現

cheer someone upbetter notconsigned toDo you have me?

00:00 / 03:55
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いま
  1. ❝ 独白Mozart's final dictation4 行練習ページ ↗
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このシーンの表現

cheer someone up

make someone feel happier

A visitor hands over the fee and says it should cheer the sick Mozart up.

A surprise visit should cheer her up.

このシーンの他の表現

  • better not

    it is wiser not to

  • consigned to

    handed over to something bad

  • Do you have me?

    are you following me

  • feel wrong

    feel uneasy or out of place

  • too soon

    not enough time has passed

このシーンのメモ一覧

49 行のセリフに 25 件のメモ

表現 · A2come in

enter

- Can we come in? - Better not. He's sleeping.
発音come in

Come in links into one sound, 'co-min'.

- Can we come in? - Better not. He's sleeping.
表現 · B1become dizzy

to feel faint and light-headed

He became dizzy,that's all.
表現 · B1..., won't you?

will you, right?

- Well,tell him we came by,won't you? - Of course.
表現 · B1come by

visit, drop in

Unable to see him, the visitors ask that Mozart be told they came by.

- Well,tell him we came by,won't you? - Of course.
表現 · B1someone's share

his portion

Give him this. That's his share.
表現 · B1cheer someone up

make someone feel happier

A visitor hands over the fee and says it should cheer the sick Mozart up.

- That should cheer him up. - Indeed!
表現 · B1finish by (a time)

complete before a deadline

And if you finish by tomorrow night...
文法 · B1if you finish by tomorrow night

conditional clause: The if-clause sets the condition, and by marks the deadline.

And if you finish by tomorrow night...
表現 · A2another (number) of something

a further hundred

...he will pay you another hundred ducats.
表現 · A2too soon

not enough time has passed

Told the work must be done by tomorrow night, Salieri answers that it is too soon.

It's too soon.
発音Could I

Could I blends into 'could-eye' when spoken fast.

Could I help you?
表現 · B1being (somewhere)

staying in this place

I feel wrong being here.
表現 · B1Where did I stop?

where was I

- Where did I stop? - The end of the "Recordare".
文法 · B1would you translate

hypothetical would: Would makes the question a polite hypothetical rather than a real event.

How would you translate that?
表現 · B1believe in something

accept as real

- Do you believe in it? - What?
表現 · B2a (thing) which never dies

never goes out

A fire which never dies,burning you forever.
文法 · B2which never dies,burning you forever

relative clause + participle: The which-clause defines the fire, and the participle adds how it burns forever.

A fire which never dies,burning you forever.
発音burning you

Burning you links across, so the -ng slides into you.

A fire which never dies,burning you forever.
表現 · B1end in (something)

finish on

- Come,let's begin. - We ended in F major.
表現 · A2start with something

begin with

Start with the voices.
スラング · B1Basses

bass voices — Choir jargon for the bass section, not everyday talk.

- Basses first. Second beat of the... - Time?
スラング · B2Common time

4/4 time — Music jargon for 4/4 time, used in rehearsal.

Common time. Second beat of the first measure.
表現 · A2Show me.

let me see it

Do you have me? Show me.
発音Do you have

Do you often reduces to a quick 'd'ya' sound in fast speech.

Do you have me? Show me.

「Salieri Helps Mozart Write the Requiem」を読み解く

What's really going on

The scene is built on an act of charity that Salieri cannot quite make clean. He comes to the door, is kept outside, and leaves money and a message rather than a visit; the offering is real, but the deadline attached to it turns help into pressure. Mozart's refusal is physical, not financial: "I feel wrong being here." What survives the illness and the money is the music, and the scene moves into the famous dictation, with Salieri taking down the Requiem as Mozart speaks it. That collaboration is the film's sharpest irony - the rival who plots his ruin is also the only one who can follow the score. "Do you have me? Show me" is both instruction and proof that, for a few minutes, the two work as one.

Theme

Death & griefThe Requiem is dictated from a sickbed, and Mozart's talk of fire that never dies turns the commission into his own death.
BetrayalSalieri helps write the Requiem while privately working to destroy Mozart, so every kindness carries a second meaning.

このチャプターで学べること

  • The dying Mozart still cares about getting the notes right.
  • Too soon rejects the deadline more calmly than a flat no.
  • Consigned to turns a curse into something like a verdict.
  • Do you have me is a check-in, not a question about ownership.
  • Cheer someone up puts the pronoun in the middle.

発音のポイント

  • come in — Come in links into one sound, 'co-min'.
  • Could I — Could I blends into 'could-eye' when spoken fast.
  • burning you — Burning you links across, so the -ng slides into you.
  • Do you have — Do you often reduces to a quick 'd'ya' sound in fast speech.
I feel wrong being here.

Mozart's sense that his place in Salzburg - and his life - is no longer livable, a physical unease he can only state, not explain.

A fire which never dies,burning you forever.

Mozart's image of hell in the Confutatis, and the line that connects the Requiem's text to his own dread.

...he will pay you another hundred ducats.

The patron's added offer, relayed as money for speed; the reward is doubled exactly as the deadline tightens.

Do you have me? Show me.

The composer's test: not just listening, but playing back what he has written, confirming the music has been understood.

That's too soon. Tomorrow night...

Mozart's protest that the deadline is impossible, said before he agrees to anything.

He became dizzy,that's all.

Constanze's minimizing explanation at the door, keeping the severity of Mozart's condition private.

How would you translate that?

A question about text, not music - Mozart testing whether the meaning of the Requiem is understood, not just its notes.

このシーンについての質問

Why does Salieri leave money for Mozart?

It is Mozart's share of the receipts, and Salieri adds a message about another hundred ducats if the Requiem is finished by the next night. The gift comes with pressure attached.

Why does Mozart want to leave Salzburg?

He says he feels wrong being there. It is less a plan than a symptom - he cannot rest where he is, and the unease is part of his decline.

Why does Mozart dictate the Requiem to Salieri?

He is too ill to write it out himself. Salieri can follow the score, so Mozart speaks the notes bar by bar while Salieri takes them down.

What does Do you have me mean?

It asks whether the listener has followed and remembered what was said. In the scene Mozart uses it to check that Salieri has the notes right before moving on.

Why does Mozart ask Salieri whether he believes in hell?

He is setting the words of the Requiem against what the two men actually believe. It is less a theological question than a way of testing Salieri while he dictates.

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