Amadeus · 1984 — 第 17 / 25 章 · 4'06" · B2

Mozart Argues Opera With the Court, Explained:fed to the teeth

The court tells Mozart his taste is the problem, not his talent: "Even with the politics taken out, it would still remain a vulgar farce." Mozart fires back that opera should be about real people, not dead legends, and insults the court's refinement. He apologizes, admits he is vulgar, and is told, "You are passionate, but you do not persuade."

あらすじ

The court keeps pressing Mozart on his choice of Figaro. They grant his talent but question his judgment, calling the opera a vulgar farce. Mozart answers that opera should speak of real people, not gods and legends, and says he is fed to the teeth with elevated themes. He apologizes and calls himself a vulgar man. The Emperor tells him he is passionate but does not persuade.

ArgumentsPersuasionComplainingPersuadingBoss & employeeB2slowbritish
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注目の表現

fed to the teethennoblea vulgar farcegovern your tongue

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このシーンの表現

fed to the teeth

utterly tired of

Mozart says he is fed to the teeth with elevated themes.

I'm fed to the teeth with this.

このシーンの他の表現

  • ennoble

    make more noble

  • a vulgar farce

    a crude, ridiculous comedy

  • govern your tongue

    watch what you say

  • do not persuade

    fail to convince

  • elevated

    lofty or refined

このシーンのメモ一覧

55 行のセリフに 19 件のメモ

表現 · B2a perfect harmony

a flawless blend

It's not noise. It's a perfect harmony!
表現 · C1no one doubts ...

nobody questions

No one doubts your talent. It's your literary judgment that's in question.
表現 · C1be in question

being questioned

No one doubts your talent. It's your literary judgment that's in question.
表現 · C1a vulgar farce

a crude, ridiculous comedy

The count dismisses Figaro as a vulgar farce.

Even with the politics taken out,it would still remain a vulgar farce.
文法 · C1Even with the politics taken out

with + noun + participle: The with-phrase sets a condition: politics removed.

Even with the politics taken out,it would still remain a vulgar farce.
表現 · C1waste something on something

spend effort on

Why waste your spirit on such rubbish?
表現 · C1elevated + noun

lofty or refined

The count urges Mozart to choose more elevated themes.

Surely you can choose more elevated themes.
表現 · C1be fed to the teeth with

utterly tired of

Mozart says he is fed to the teeth with elevated themes.

I am fed to the teeth with these...
表現 · C1ennoble someone

make more noble

The count claims opera exists to ennoble its audience.

Opera is here to ennoble us,Mozart.
文法 · C1as if they shit marble

as if clause: As if introduces an exaggerated, ironic comparison.

People so lofty,they sound as if they shit marble!
発音as if they

As if they blends into one run.

People so lofty,they sound as if they shit marble!
スラング · C2shit marble

a crude image of extreme refinement — extremely vulgar and exaggerated; never in formal speech

People so lofty,they sound as if they shit marble!
表現 · C1govern one's tongue

watch what you say

Mozart is told to govern his tongue after the insult.

Govern your tongue,Mozart! How dare you!
表現 · C1do not persuade

fail to convince

The emperor grants passion but denies persuasion.

...but you do not persuade.
発音not persuade

The t in not is often dropped before persuade.

...but you do not persuade.
表現 · B1on one's knees

kneeling

There's a servant on his knees. Do you know why?
表現 · B1it will fit

it will go in

To see if it will fit!
表現 · B1all one can

as much as possible

I think we should help Mozart all we can.
表現 · A1excuse me

pardon me

Excuse me...

「Mozart Argues Opera With the Court」を読み解く

What's really going on

The argument is about who gets to define serious art. The court's case is measured and condescending: Mozart's talent is granted, his judgment is not, and Figaro is dismissed as a vulgar farce even after the politics are removed. Mozart's reply is the real provocation - he tells them to stop writing about gods and legends and to put ordinary people on stage, and he loses his temper doing it. "People so lofty, they sound as if they shit marble!" is the line that turns an aesthetic debate into an offense. His apology is sincere but does not retreat from the point, and the Emperor's verdict, "you do not persuade," is the court's way of saying that being right is not the same as winning. What he wants next, to perform the opening, is a practical answer to a social defeat.

Theme

PhilosophyThe court and Mozart disagree on what opera is for: ennobling myths or ordinary people, and neither side can convince the other.
PowerTaste is enforced from above; Mozart can argue but the Emperor's judgment decides what reaches the stage.

このチャプターで学べること

  • Fed to the teeth is a strong British way to say fed up.
  • Ennoble means to raise someone morally.
  • Even with concedes a point before criticising.
  • The crude joke is his honesty and his mistake.

発音のポイント

  • as if they — As if they blends into one run.
  • not persuade — The t in not is often dropped before persuade.
Even with the politics taken out,it would still remain a vulgar farce.

The court's core objection: even stripped of dangerous politics, Figaro is low entertainment, so Mozart's judgment rather than his talent is on trial.

Opera is here to ennoble us,Mozart.

The court's aesthetic creed - opera should lift the audience toward higher things, which is exactly the duty Mozart is refusing.

People so lofty,they sound as if they shit marble!

Mozart's insult to the court's taste: their supposed refinement sounds absurd when phrased plainly, turning their high art into ridicule.

His Majesty has been more than patient,"Signore".

A pointed reminder that Mozart is arguing with power, not with equals, and that patience is a gift he is exhausting.

...but you do not persuade.

The Emperor's cool verdict: passion is not influence, and Mozart has failed to bring the court to his side.

このシーンについての質問

Why does the court reject Figaro's subject?

They call it a vulgar farce, not just a political risk. Even with the politics removed, they consider the material too low for the stage, so the dispute is about taste as much as censorship.

What does Mozart argue opera should be about?

Real people and ordinary life rather than gods and legends. He is fed up with elevated subjects and wants the servant measuring his wedding bed, not Hercules or Orpheus.

Why does the Emperor say Mozart does not persuade?

Because Mozart wins arguments by insulting the court rather than bringing it over. Passion convinces no one here; the Emperor is judging effectiveness, not sincerity.

Why does Mozart want to perform the opening?

Words have failed, so he wants the music to make his case directly. It is a practical move - if the court hears the opening, he believes it will understand the opera.

What is the ballet dispute at the end?

Someone reminds the room that the Emperor specifically forbade a ballet in the opera. It suggests a fresh conflict coming, and the courtiers quietly plan to protect Mozart from the Emperor's anger.

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