Amadeus · 1984 — 第 7 / 25 章 · 4'41" · B2

Too Many Notes, Mozart, Explained:take it too hard

The Emperor congratulates Mozart with faint praise: "A good effort." When pressed, he lands on the verdict that has followed the opera ever since - "Too many notes" - and Salieri politely agrees. Mozart fires back, "Which few did you have in mind?" Then the talk shifts from music to marriage.

あらすじ

After a performance of his opera, Mozart waits for the Emperor's verdict. Joseph offers polite praise first - "A good effort" - then admits the music seems a touch crowded, and finally delivers the famous judgment: "Too many notes." Mozart protests and asks which notes should go. The scene then turns domestic as the Weber family arrives and the Emperor urges Mozart to marry Constanze and stay in Vienna.

Talking to the bossCriticism & layoffsConfrontingSuggestingBoss & employeeB2slowbritishClean
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注目の表現

take it too hardingeniouscut a fewhow shall one say

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このシーンの表現

take it too hard

be too upset by it

The emperor softens his criticism by telling Mozart not to take it too hard.

Don't take it too hard.

このシーンの他の表現

  • ingenious

    cleverly inventive

  • cut a few

    remove a small number

  • how shall one say

    how should I put it

  • isn't it

    question tag

  • really liked it

    genuinely enjoyed it

このシーンのメモ一覧

56 行のセリフに 19 件のメモ

表現 · B1a good effort

a decent attempt

Well,"Herr Mozart". A good effort.
表現 · B2decidedly + adjective

definitely

Well,decidedly that.
表現 · A2quite + adjective

fairly new

...quite new tonight. - It is new.
表現 · B1question tag

question tag

Mozart presses for agreement with the tag question isn't it.

- It is,isn't it,sire? - Yes,indeed.
表現 · A1like something

enjoyed it

So then,you liked it? You really liked it,sire?
表現 · B2how shall one say

how should I put it

The emperor searches for a polite word and lands on too many notes.

How shall one say...?
発音just as

Just as blends across the words.

There are just as many notes as I required,neither more nor less.
表現 · A2in fact

actually

My dear fellow,there are in fact...
文法 · B2so many notes the ear can hear

relative clause: An omitted relative clause describes how many notes the ear can take.

...only so many notes the ear can hear in an evening.
文法 · B1aren't I

question tag: Aren't I is the tag question used after I am.

I think I'm right in saying that, aren't I,court composer?
表現 · B1take something too hard

be too upset by it

The emperor softens his criticism by telling Mozart not to take it too hard.

Young man,don't take it too hard. Your work is ingenious.
表現 · B2be ingenious

cleverly inventive

The emperor calls the work ingenious while still criticising it.

Young man,don't take it too hard. Your work is ingenious.
表現 · B1quality + noun

work of good quality

It's quality work.
表現 · B1cut a few

remove a small number

The emperor tells Mozart to cut a few notes as if editing a letter.

And there are simply too many notes. Just cut a few and it'll be perfect.
表現 · B2be enchanted

pleased to meet you

- Enchanted,madame. - Sire,such an honor!
表現 · B2be someone's fiancée

a woman engaged to be married

- She's the fiancée of "Herr Mozart". - Really?
表現 · B2not give a damn

not care at all

Nothing. He can marry who he pleases, I don't give a damn.
発音don't give

The t in don't is often dropped.

Nothing. He can marry who he pleases, I don't give a damn.
スラング · B2damn

care (in the negative) — mildly vulgar; casual speech only

Nothing. He can marry who he pleases, I don't give a damn.

「Too Many Notes, Mozart」を読み解く

What's really going on

The Emperor's praise is a trap of manners. "A good effort" sounds kind, but it grades Mozart like a student, and the room can hear the criticism coming. When the verdict arrives - "Too many notes" - it is not a musical judgment at all: it is a court deciding how much art it is willing to sit through. Salieri's answer, "On the whole, yes, Majesty," is the quiet center of the scene; he agrees with the Emperor while the audience knows what he thinks of Mozart. Mozart makes it worse for himself with "Which few did you have in mind?", a question no courtier would ask. The comedy and the cruelty are the same gesture: taste used as a weapon, and a genius who will not pretend otherwise.

Theme

PowerThe Emperor dictates taste and timeliness; his casual verdict on notes decides how Mozart's genius is received at court.
PrideMozart refuses to accept the criticism politely, turning a social moment into a public argument he cannot win.

このチャプターで学べること

  • Take it too hard means being upset more than necessary.
  • Cut a few means remove a small number.
  • How shall one say buys time before a delicate word.
  • Neither more nor less is a firm, polite refusal.

発音のポイント

  • just as — Just as blends across the words.
  • don't give — The t in don't is often dropped.
There are just as many notes as I required,neither more nor less.

Mozart's defense: every note is deliberate, so the criticism is not about trimming but about refusing his music as written.

And there are simply too many notes. Just cut a few and it'll be perfect.

The Emperor's famous verdict - he treats a finished work like a draft and offers editing advice as if it were obvious.

Young man,don't take it too hard. Your work is ingenious.

The softening after the blow: praise for Mozart's ingenuity bundled with a reminder that he is young and should accept the judgment.

Well,of course I did! It's very good!

The Emperor's initial praise, warm but vague - he approves of the work in the abstract before he can name what bothers him.

An excellent effort! You have shown us something...

More courtly encouragement that carefully stops short of real enthusiasm, praising the effort rather than the achievement.

このシーンについての質問

Why does the Emperor say there are too many notes?

He is not really counting. It is a court judgment about how demanding the music is, expressed as if it were a simple excess that could be trimmed for comfort.

Was the Emperor right about the music?

The line is remembered as the court's failure, not Mozart's. The opera has lasted, and the remark survives as shorthand for people unable to hear what they are judging.

Why does Salieri agree with the Emperor?

He is court composer and is asked directly what an audience can take. Agreeing costs him nothing publicly and keeps him in favor while Mozart argues.

Why does Mozart ask which few notes should be cut?

He knows the criticism is meaningless, so he turns it back on the Emperor as a literal question. It is a pointed joke that no one at court can answer.

Why does the Emperor advise Mozart to marry Constanze?

He seems to like Constanze and wants Mozart settled in Vienna. His advice is also a way of keeping a useful young composer where the court can employ him.

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