a decent attempt
Well,"Herr Mozart". A good effort.Amadeus · 1984 — 第 7 / 25 章 · 4'41" · B2
The Emperor congratulates Mozart with faint praise: "A good effort." When pressed, he lands on the verdict that has followed the opera ever since - "Too many notes" - and Salieri politely agrees. Mozart fires back, "Which few did you have in mind?" Then the talk shifts from music to marriage.
After a performance of his opera, Mozart waits for the Emperor's verdict. Joseph offers polite praise first - "A good effort" - then admits the music seems a touch crowded, and finally delivers the famous judgment: "Too many notes." Mozart protests and asks which notes should go. The scene then turns domestic as the Weber family arrives and the Emperor urges Mozart to marry Constanze and stay in Vienna.
注目の表現
take it too hardingeniouscut a fewhow shall one say
このシーンの表現
be too upset by it
The emperor softens his criticism by telling Mozart not to take it too hard.
Don't take it too hard.
cleverly inventive
remove a small number
how should I put it
question tag
genuinely enjoyed it
56 行のセリフに 19 件のメモ
a decent attempt
Well,"Herr Mozart". A good effort.definitely
Well,decidedly that.fairly new
...quite new tonight. - It is new.question tag
Mozart presses for agreement with the tag question isn't it.
- It is,isn't it,sire? - Yes,indeed.enjoyed it
So then,you liked it? You really liked it,sire?how should I put it
The emperor searches for a polite word and lands on too many notes.
How shall one say...?Just as blends across the words.
There are just as many notes as I required,neither more nor less.actually
My dear fellow,there are in fact...relative clause: An omitted relative clause describes how many notes the ear can take.
...only so many notes the ear can hear in an evening.question tag: Aren't I is the tag question used after I am.
I think I'm right in saying that, aren't I,court composer?be too upset by it
The emperor softens his criticism by telling Mozart not to take it too hard.
Young man,don't take it too hard. Your work is ingenious.cleverly inventive
The emperor calls the work ingenious while still criticising it.
Young man,don't take it too hard. Your work is ingenious.work of good quality
It's quality work.remove a small number
The emperor tells Mozart to cut a few notes as if editing a letter.
And there are simply too many notes. Just cut a few and it'll be perfect.pleased to meet you
- Enchanted,madame. - Sire,such an honor!a woman engaged to be married
- She's the fiancée of "Herr Mozart". - Really?not care at all
Nothing. He can marry who he pleases, I don't give a damn.The t in don't is often dropped.
Nothing. He can marry who he pleases, I don't give a damn.care (in the negative) — mildly vulgar; casual speech only
Nothing. He can marry who he pleases, I don't give a damn.The Emperor's praise is a trap of manners. "A good effort" sounds kind, but it grades Mozart like a student, and the room can hear the criticism coming. When the verdict arrives - "Too many notes" - it is not a musical judgment at all: it is a court deciding how much art it is willing to sit through. Salieri's answer, "On the whole, yes, Majesty," is the quiet center of the scene; he agrees with the Emperor while the audience knows what he thinks of Mozart. Mozart makes it worse for himself with "Which few did you have in mind?", a question no courtier would ask. The comedy and the cruelty are the same gesture: taste used as a weapon, and a genius who will not pretend otherwise.
There are just as many notes as I required,neither more nor less.Mozart's defense: every note is deliberate, so the criticism is not about trimming but about refusing his music as written.
And there are simply too many notes. Just cut a few and it'll be perfect.The Emperor's famous verdict - he treats a finished work like a draft and offers editing advice as if it were obvious.
Young man,don't take it too hard. Your work is ingenious.The softening after the blow: praise for Mozart's ingenuity bundled with a reminder that he is young and should accept the judgment.
Well,of course I did! It's very good!The Emperor's initial praise, warm but vague - he approves of the work in the abstract before he can name what bothers him.
An excellent effort! You have shown us something...More courtly encouragement that carefully stops short of real enthusiasm, praising the effort rather than the achievement.
He is not really counting. It is a court judgment about how demanding the music is, expressed as if it were a simple excess that could be trimmed for comfort.
The line is remembered as the court's failure, not Mozart's. The opera has lasted, and the remark survives as shorthand for people unable to hear what they are judging.
He is court composer and is asked directly what an audience can take. Agreeing costs him nothing publicly and keeps him in favor while Mozart argues.
He knows the criticism is meaningless, so he turns it back on the Emperor as a literal question. It is a pointed joke that no one at court can answer.
He seems to like Constanze and wants Mozart settled in Vienna. His advice is also a way of keeping a useful young composer where the court can employ him.
次のチャプター · 第 8 章the fault is mineSalieri Learns Mozart Had Katerina
第 1 章trained monkeySalieri Begins His Confession
第 2 章seek him outSalieri Recalls His Answered Vow
第 3 章fiendMozart's Backwards Proposal
第 4 章beyond his abilitiesSalieri Hears the Voice of God
第 5 章down to businessMozart Meets the Emperor
第 6 章made me muteSalieri Teases Cavalieri About Mozart
再生中 · 第 7 章take it too hardToo Many Notes, Mozart
第 8 章the fault is mineSalieri Learns Mozart Had Katerina
第 9 章come flockingMozart Refuses the Committee
第 10 章slips through his fingersConstanze Brings Mozart's Originals
第 11 章taking dictationSalieri Reads Mozart's Manuscripts
第 12 章achieve mediocritySalieri Declares War on God
第 13 章explode like a bombMozart Borrows Money From Salieri
第 14 章stuffs me like a gooseLeopold Visits Mozart in Vienna
第 15 章sick to death ofLorl Offers to Be Mozart's Maid
第 16 章go mad forMozart Defends Figaro to the Emperor
第 17 章fed to the teethMozart Argues Opera With the Court
第 18 章take this up withMozart's Figaro Ballet Fight
第 19 章accept the factSalieri Explains the Emperor's Yawns
第 20 章with your own handsSalieri's Plan to Kill Mozart
第 21 章a lost causeMozart Begs the Baron for Money
第 22 章in my noodleConstanze Hides the Requiem
第 23 章killing meThe Messenger Demands the Requiem
第 24 章cheer someone upSalieri Helps Mozart Write the Requiem
第 25 章doubling the voicesMozart's Last Dictation