a brief talk
- A word with you. - Certainly,"Herr Direktor".Amadeus · 1984 — 第 18 / 25 章 · 2'58" · B2
Officials cut the ballet from Mozart's new opera, and he is furious: "Do you not know that His Majesty has expressly forbidden ballet in operas?" Mozart insists it is only a dance, but the argument is really about who gets to decide what art may contain.
Backstage at the opera, the court director confronts Mozart about the dance he has slipped into the third act of Figaro. The Emperor has banned ballet in operas, and the pages are torn from the score. Later, furious and humiliated, Mozart tells a sympathetic visitor that the opera is perfect as it is, and that he cannot rewrite what is perfect.
注目の表現
turn toas it ishave power overexpressly forbidden
このシーンの表現
raise the matter with someone
Salieri says he will take the matter up with the emperor.
I'll take this up with the manager.
ask someone for help
in its present state
control or rule over
specifically banned
into the flames
42 行のセリフに 16 件のメモ
a brief talk
- A word with you. - Certainly,"Herr Direktor".specifically banned
The director cites an express ban by the emperor.
Do you not know that His Majesty has expressly forbidden ballet in operas?noun clause: The that-clause is the object of know.
Do you not know that His Majesty has expressly forbidden ballet in operas?the full music
It's dangerous to interpret his edicts. Give me your score,please.ought never to have done
Taking out what you should never have put in.ask someone for help
Mozart says he has no one else to turn to but Salieri.
I have no one else to turn to.Turn to blends across the words.
I have no one else to turn to.in its present state
Mozart insists the opera is perfect as it is.
But it's perfect as it is.As it is runs together.
But it's perfect as it is.not on your side
Why bother? He's no friend of yours.into the flames
Mozart threw the entire score into the fire in a rage.
I threw the entire score into the fire,he made me so angry.extremely angry
I threw the entire score into the fire,he made me so angry.set fire to
- You burned the score? - No,my wife took it out in time.control or rule
It's unfair that a man like that should have power over our work!subject clause: The that-clause is the real subject; should adds outrage.
It's unfair that a man like that should have power over our work!raise the matter with someone
Salieri says he will take the matter up with the emperor.
I think I'll take this up with the emperor.On the surface this is a bureaucratic quarrel about a dance. Underneath, it is a fight over power and ownership: who is allowed to decide what an artist may put in his own work. Mozart's plea, "Surely, His Majesty didn't mean no dancing when it's in the story," is reasonable on paper and useless in practice; the director answers that it is "dangerous to interpret his edicts" and simply removes the pages. What stings is not the edit itself but the humiliation, and Mozart says so plainly: "It's unfair that a man like that should have power over our work!" The quieter turn comes when he admits he has no one else to turn to. For all his genius, he has no real standing at court, and the scene keeps reminding us that talent and influence are not the same thing.
Do you not know that His Majesty has expressly forbidden ballet in operas?A pointed reminder that the Emperor's rule is explicit; it turns a request into an order and leaves Mozart no room to argue.
I have no one else to turn to.A confession of isolation: Mozart has no other patron or ally to ask for help, so he is appealing to someone who may not be a friend.
But it's perfect as it is.Mozart refuses any revision: the work is already finished and right, so changing it would only make it worse.
I could kill him! I mean,really! Kill him!Anger rather than a real threat: he is venting about the official who cut his music, and the repeated 'really' only insists on how sincerely he feels it.
It's unfair that a man like that should have power over our work!The real complaint: a man Mozart considers unworthy has authority over his art, so the issue is power, not the missing dance.
The Emperor has expressly forbidden ballet in operas. When the court director learns that Mozart has slipped a dance into the third act of Figaro, he tears those pages out of the score on the spot.
No. "I could kill him" is pure frustration about the official who cut his music; he says it to show how humiliated he feels, not as any kind of plan.
He believes the work is already perfect as it is, and he tells his visitor that he cannot bring himself to rewrite what is perfect.
He believes the Emperor is the only person who can overrule the ban, and he has no other ally with enough standing at court to make that case for him.
次のチャプター · 第 19 章accept the factSalieri Explains the Emperor's Yawns
第 1 章trained monkeySalieri Begins His Confession
第 2 章seek him outSalieri Recalls His Answered Vow
第 3 章fiendMozart's Backwards Proposal
第 4 章beyond his abilitiesSalieri Hears the Voice of God
第 5 章down to businessMozart Meets the Emperor
第 6 章made me muteSalieri Teases Cavalieri About Mozart
第 7 章take it too hardToo Many Notes, Mozart
第 8 章the fault is mineSalieri Learns Mozart Had Katerina
第 9 章come flockingMozart Refuses the Committee
第 10 章slips through his fingersConstanze Brings Mozart's Originals
第 11 章taking dictationSalieri Reads Mozart's Manuscripts
第 12 章achieve mediocritySalieri Declares War on God
第 13 章explode like a bombMozart Borrows Money From Salieri
第 14 章stuffs me like a gooseLeopold Visits Mozart in Vienna
第 15 章sick to death ofLorl Offers to Be Mozart's Maid
第 16 章go mad forMozart Defends Figaro to the Emperor
第 17 章fed to the teethMozart Argues Opera With the Court
再生中 · 第 18 章take this up withMozart's Figaro Ballet Fight
第 19 章accept the factSalieri Explains the Emperor's Yawns
第 20 章with your own handsSalieri's Plan to Kill Mozart
第 21 章a lost causeMozart Begs the Baron for Money
第 22 章in my noodleConstanze Hides the Requiem
第 23 章killing meThe Messenger Demands the Requiem
第 24 章cheer someone upSalieri Helps Mozart Write the Requiem
第 25 章doubling the voicesMozart's Last Dictation