a formal greeting
How do you do, Miss Dashwood?Sense and Sensibility · 1995 — 第 18 / 27 章 · 3'28" · B2
At the London ball, Marianne rushes to Willoughby and asks why he has not come to see her, but he is cold and formal, answering only that he must rejoin his party. "Will you not shake hands with me?" she asks. Elinor takes her away, and the sisters quarrel about trust on the way home.
At a London ball, Marianne finally meets Willoughby, but he greets her coldly and refuses her plea to explain himself, saying he must return to his party. Elinor leads her away. On the way home the sisters argue: Elinor complains that Marianne has no confidence in her, and Marianne answers that Elinor confides in no one.
注目の表現
shake hands withfor heaven's sakecountry fashionsmy goodness
このシーンの表現
open up to someone
One sister is accused of silence and fires back that the other confides in no one either.
He confides in his sister about everything.
greet with a handshake
an exasperated plea
a sneer at rustic dress
a mild exclamation
if I may be so forward
40 行のセリフに 26 件のメモ
a formal greeting
How do you do, Miss Dashwood?very well indeed
- How's your family? - They're all extremely well.thanks for asking
Thank you for your kind inquiry.arrive together with
She came in with Mrs. Jennings.Both words take stress, which is how the shock comes through.
Good God, Willoughby.an exclamation of shock — Blurted among friends; too blunt for formal settings.
Good God, Willoughby.greet with a handshake
Marianne reaches for a proper greeting and Willoughby coldly refuses to take her hand.
Will you not shake hands with me?Link shake and hands, then stress hands.
Will you not shake hands with me?visit someone
Why have you not come to see me?get one's letters
Were you not in London? Have you not received my letters?negative question: A negative question implies the answer should have been yes, which sharpens the reproach.
Were you not in London? Have you not received my letters?be glad to
I had the pleasure of receiving the information you sent me.explain the trouble
For heaven's sake, Willoughby. Tell me what is wrong.return to one's group
If you will excuse me, I must rejoin my party.make someone do something
Go to him, Elinor. Force him to come to me instantly.from rural parts
Acquaintances from the country.walk someone home
If I might be so bold, it would be our pleasure to escort your charge home.very generous of you
- How very kind. - That is very handsome of you.in the night
She actually sent him messages during the night?Sent him runs together, almost like sen-tim.
She actually sent him messages during the night?not one's usual self
When asked about Willoughby, someone says he was not himself all day, hinting at trouble.
Yes, indeed. Mr. Pigeon was not himself all day.no trust in someone
At home one sister accuses the other of keeping silent, calling it a lack of trust.
You have no confidence in me.open up to someone
One sister is accused of silence and fires back that the other confides in no one either.
This reproach from you? You who confide in no one?relative clause: The who-clause redefines you as the very person who never confides, making the point cut.
This reproach from you? You who confide in no one?hide nothing
I, because I conceal nothing, and you, because you communicate nothing.reason clause: The parallel because-clauses assign each sister a different reason for the same silence.
I, because I conceal nothing, and you, because you communicate nothing.The scene is the moment Marianne's romantic world breaks. She has been waiting for Willoughby, and when she reaches him he treats her like a stranger, his politeness doing the work of cruelty. Her question, 'Will you not shake hands with me?' is the whole wound in one line — she is asking whether he will acknowledge her at all. The sisters' argument afterwards is the film's central debate arriving in the open: Elinor accuses Marianne of never confiding in her, and Marianne answers that Elinor communicates nothing. Both are right, and the exchange shows how differently they manage feeling — one by hiding, one by showing — and how little either can do about Willoughby himself.
Will you not shake hands with me?Marianne's plea for the most basic acknowledgement, after Willoughby greets her like a stranger.
Were you not in London? Have you not received my letters?Her questions insisting that something has gone wrong, since she expected letters and visits that never came.
For heaven's sake, Willoughby. Tell me what is wrong.Her urgent demand for an explanation, spoken in front of others because he will not speak to her privately.
This reproach from you? You who confide in no one?Marianne turning Elinor's accusation back on her: the sister who says she is shut out is herself closed.
I, because I conceal nothing, and you, because you communicate nothing.The argument in one sentence: two sisters who handle their feelings in opposite ways, each accusing the other.
If I might be so bold, it would be our pleasure to escort your charge home.A polished offer to escort Marianne home, delivered with the courtesy that makes the gossip harmless on the surface.
He behaves as though they barely know each other, refusing to explain and saying only that he must rejoin his party. The reason is kept back for later in the film.
She has waited for Willoughby and written to him, and now he greets her coldly in public and will not shake her hand, so her hopes collapse in front of everyone.
Elinor says Marianne has no confidence in her, and Marianne replies that Elinor is the one who confides in no one. Each is accusing the other of hiding her feelings.
It means to share your private thoughts with someone. Marianne uses it to say that Elinor never tells anyone what she feels.
It is a small social sneer: in London, country dress marks them as provincial, and Lucy enjoys pointing it out.
次のチャプター · 第 19 章engaged elsewhereWilloughby's Letter to Marianne
第 1 章discharge my promiseJohn Dashwood's Deathbed Promise
第 2 章not to be borneThe Dashwoods Lose Norland
第 3 章by any chanceEdward Ferrars Visits Norland
第 4 章do me the honourEdward and Elinor Talk of Their Futures
第 5 章formed an attachmentMarianne and Elinor Debate Love
第 6 章eligible bachelorMrs. Jennings Teases Marianne at Dinner
第 7 章on what groundsMrs. Jennings Tells Brandon's Story
第 8 章at death's doorMarianne Falls in the Rain
第 9 章set your cap atWilloughby Rescues Marianne
第 10 章crawling withWilloughby Visits Barton Cottage
第 11 章set something at naughtBrandon Invites Them to Delaford
第 12 章swallow one's bonnetColonel Brandon Leaves the Picnic
第 13 章force a confidenceWilloughby's Abrupt Farewell
第 14 章the whip handLucy Tells Elinor Her Secret
第 15 章brook no refusalLucy Reveals Her Secret Engagement
第 16 章once and for allBrandon Asks About Willoughby
第 17 章set her heart at restMrs. Jennings Presents Robert Ferrars
再生中 · 第 18 章confide inWilloughby Snubs Marianne at the Ball
第 19 章engaged elsewhereWilloughby's Letter to Marianne
第 20 章imagine the worstBrandon Confesses His Past to Elinor
第 21 章take a fancy toBrandon Tells Elinor the Truth
第 22 章take my leaveEdward Calls on the Dashwood Sisters
第 23 章break one's wordElinor's Secret Finally Comes Out
第 24 章only too delightedBrandon Offers Edward a Living
第 25 章stroke of luckMarianne Walks Out Before the Storm
第 26 章does it follow thatMarianne Revisits Where She Fell
第 27 章not a wordA Visitor Arrives at Barton Cottage