the hopelessness he feels
Can you not feel his despair?Sense and Sensibility · 1995 — 第 5 / 27 章 · 4'28" · C1
Marianne and Elinor Debate Love, Explained：formed an attachment
Marianne argues that love must be passion — 'To love is to burn, to be on fire' — while Elinor refuses to say more than that she esteems Edward. The scene sets sister against sister: one wants feeling declared, the other keeps it hidden, and both are talking about the same man.
あらすじ
Marianne reads a poem aloud and insists that love must be passionate, while her mother and Elinor are more measured. A letter from Sir John Middleton offers them Barton Cottage, but their mother delays the move, believing Edward and Elinor have formed an attachment. Asked whether she loves Edward, Elinor will only say she thinks highly of and esteems him.
注目の表現
formed an attachmentin spite ofthink very highly ofa little far
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いま
このシーンの表現
formed an attachment
grown romantically attached
Marianne tells her mother that Edward and Elinor have formed an attachment.
They formed an attachment during the summer.
このシーンの他の表現
- in spite of
despite
- think very highly of
hold in high regard
- a little far
slightly excessive
- do without
manage without
- on fire
burning with passion
このシーンのメモ一覧
73 行のセリフに 21 件のメモ
have another go
Try again.only now came
Look. This has just arrived.glad to give
"I should be pleased to offer you a home at Barton Cottage...remove her from here
It would be cruel to take her away so soon. Devonshire is so far.anticipatory it: The it stands in for the real subject, the infinitive to take her away.
It would be cruel to take her away so soon. Devonshire is so far.a missing quality
But there is something wanting.excessively calm
He's too sedate. His reading last night.content with
Can the soul really be satisfied with such polite affections?passive voice: The passive be satisfied with names what fills the soul.
Can the soul really be satisfied with such polite affections?Link to be on into one run.
To love is to burn, to be on fire...give one's life for it
Pathetic? To die for love? How can you say so? What could be more glorious?Can weakens and links into you.
Pathetic? To die for love? How can you say so? What could be more glorious?as soon as clause: As soon as marks the moment one event follows another.
It is not a blossom shed as soon as youth drops from the stem of life...flustered him
You asked him to read, and then you made him nervous.an excessive distance
You must not live too far away.no agreement exists
There is no understanding.Link attempt to, with to reduced to ta.
I do not attempt to deny that I think very highly of him...right now
Use those words again, and I shall leave this instant.more intense than
Believe my feelings to be stronger than I have declared...any more than this
but further than that you must not believe.「Marianne and Elinor Debate Love」を読み解く
What's really going on
The chapter is the film's argument about feeling staged as a family quarrel. Marianne's case is that love without fire is not love at all: 'Can the soul really be satisfied with such polite affections?' Elinor's answer is not a denial of feeling but a refusal to perform it — she says she esteems and likes Edward, never that she loves him, and Marianne hears the difference as a betrayal. What makes the scene work is that neither sister is simply wrong. Marianne's demand for passion is genuine, and Elinor's restraint is a way of protecting both herself and the man she cares for, since there is, as she insists, 'no understanding' between them. The teasing ends in real friction, because the words each sister uses about love carry a different weight, and neither will trade hers for the other's.
Theme
RomanceTwo sisters define love differently — one as passion that must be declared, the other as feeling kept private.
Family loveTheir disagreement over Edward is affectionate but real, exposing how well they know each other's hearts.
このチャプターで学べること
- Marianne measures love by heat; Elinor measures it by steadiness.
- The word esteem is exactly what Marianne cannot bear to hear.
- A delay in telling Elinor is really a hope about Edward.
- Reciting poetry here is courtship by another name.
発音のポイント
- to be on — Link to be on into one run.
- can you — Can weakens and links into you.
- attempt to — Link attempt to, with to reduced to ta.
Can the soul really be satisfied with such polite affections?Marianne's challenge to Elinor's calm: she cannot accept a love that is polite rather than overwhelming.
To love is to burn, to be on fire...Marianne's creed, the line that defines her romantic temperament against Elinor's restraint.
Pathetic? To die for love? How can you say so? What could be more glorious?Her outrage at her mother's practical view: for Marianne, dying for love is the highest possible fate.
That may be taking your romantic sensibilities a little far.Her mother's gentle rebuke, the film's first clear warning that Marianne's ideals may cost her.
But he shall have my unswerving devotion when you tell me he is to be my brother.Marianne's teasing promise to Elinor, affection and doubt in the same breath.
Use those words again, and I shall leave this instant.Marianne's flash of temper when Elinor reduces love to esteeming and liking, words she finds insulting.
Is love a fancy or a feeling?The poem's question, and the chapter's, which Marianne keeps asking and Elinor keeps refusing to answer outright.
このシーンについての質問
Why does Marianne think Elinor cannot love Edward?
Because Elinor speaks of him so calmly, saying only that she esteems and likes him. Marianne believes real love must be declared with passion, not described politely.
What is the letter the family receives?
An offer from Sir John Middleton of a home at Barton Cottage, at a rent even Elinor would approve of. Their mother delays accepting it.
Why does Mrs. Dashwood want to wait before moving?
She believes Edward and Elinor have formed an attachment and thinks it would be cruel to take Elinor away so soon, especially so far as Devonshire.
What does Elinor actually say about Edward?
She says she thinks very highly of him, esteems him, and likes him, but insists there is no understanding between them and refuses to use the word love.
What does "passing your romantic sensibilities a little far" mean?
It means Marianne's ideals are going too far. Her mother uses it to warn that demanding passion as proof of love is extreme.
いつか晴れた日に · 全 27 章
すべて見る →
次のチャプター · 第 6 章eligible bachelorMrs. Jennings Teases Marianne at Dinner
第 1 章discharge my promiseJohn Dashwood's Deathbed Promise
第 2 章not to be borneThe Dashwoods Lose Norland
第 3 章by any chanceEdward Ferrars Visits Norland
第 4 章do me the honourEdward and Elinor Talk of Their Futures
再生中 · 第 5 章formed an attachmentMarianne and Elinor Debate Love
第 6 章eligible bachelorMrs. Jennings Teases Marianne at Dinner
第 7 章on what groundsMrs. Jennings Tells Brandon's Story
第 8 章at death's doorMarianne Falls in the Rain
第 9 章set your cap atWilloughby Rescues Marianne
第 10 章crawling withWilloughby Visits Barton Cottage
第 11 章set something at naughtBrandon Invites Them to Delaford
第 12 章swallow one's bonnetColonel Brandon Leaves the Picnic
第 13 章force a confidenceWilloughby's Abrupt Farewell
第 14 章the whip handLucy Tells Elinor Her Secret
第 15 章brook no refusalLucy Reveals Her Secret Engagement
第 16 章once and for allBrandon Asks About Willoughby
第 17 章set her heart at restMrs. Jennings Presents Robert Ferrars
第 18 章confide inWilloughby Snubs Marianne at the Ball
第 19 章engaged elsewhereWilloughby's Letter to Marianne
第 20 章imagine the worstBrandon Confesses His Past to Elinor
第 21 章take a fancy toBrandon Tells Elinor the Truth
第 22 章take my leaveEdward Calls on the Dashwood Sisters
第 23 章break one's wordElinor's Secret Finally Comes Out
第 24 章only too delightedBrandon Offers Edward a Living
第 25 章stroke of luckMarianne Walks Out Before the Storm
第 26 章does it follow thatMarianne Revisits Where She Fell
第 27 章not a wordA Visitor Arrives at Barton Cottage第 5 / 27 章 · 残り約 72 分