Training Day · 2001 — 第 7 / 23 章 · 2'59" · B1

Alonzo Interrogates a Suspect, Explained:pressing business

Alonzo has a suspect on the street and terrorizes him with questions rather than fists, dragging up things the man would rather forget. "You're lucky I have more pressing business," he finally says — not mercy, just a reminder that he can walk away whenever he wants. The fear is the point.

あらすじ

On the street, Alonzo corners a suspect who claims he has no money. When he catches the lie, Alonzo makes him stand, turn around, and answer a stream of questions about what he said and did, backing him down without ever throwing a punch. Then he walks off, telling the man it is his lucky day.

InterrogationsThreatsThreateningConfrontingPolice & suspectB1fastamerican
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注目の表現

suckerbitchmake a decisionpressing business

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このシーンの表現

pressing business

urgent matters

Alonzo lets the man off with this line, claiming he has real work to do while clearly wanting more.

I have pressing business to attend to this afternoon.

このシーンの他の表現

  • sucker

    a gullible person

  • bitch

    a harsh insult

  • make a decision

    decide

  • see it coming

    anticipate it

  • all woman

    fully feminine

このシーンのメモ一覧

55 行のセリフに 25 件のメモ

表現 · A2have money

to be wealthy

You got money though?
発音got money

The t in got flaps lightly and money follows without a pause.

You got money though?
表現 · A2make someone do something

force someone to do it

Lucky I don't make you eat that dog.
表現 · A2turn around

face the other way

Turn around, sucker.
スラング · B2sucker

a gullible person — A cutting label; fine joking among friends, rude to strangers.

Turn around, sucker.
表現 · A2lie to someone

tell someone a lie

Don't lie to me.
文法 · A2told me to

tell someone to do: Tell someone to do something reports an order, here quoting what the man supposedly said.

You told me to suck your dick, bitch.
発音Look at

Look at links into a single loo-kat sound in fast speech.

Look at me.
表現 · A2want someone to do something

asked me to do it

You wanted me to suck your dick. That's what you said, right?
表現 · B1can't even do something

not even able to do it

Where is it? I can't even find it.
表現 · B1make a decision

decide

Alonzo forces an immediate choice, repeating make a decision twice to pile on the pressure.

I'll leave you one nut. Which one you want? Make a decision. Make a decision.
文法 · A2Which one you want

embedded question: Spoken English drops the auxiliary do in this embedded question, keeping the word order.

I'll leave you one nut. Which one you want? Make a decision. Make a decision.
表現 · B2have pressing business

urgent matters

Alonzo lets the man off with this line, claiming he has real work to do while clearly wanting more.

You're lucky I have more pressing business.
表現 · B2cut something off

sever something

I'd cut your fucking dick off.
表現 · A2What about you?

and you

I want a beer. What about you?
表現 · B1leave someone to it

hand a task over

I'm going to leave you three to it, man.
スラング · B2Pussy

a coward — A heavy insult; never acceptable in polite or formal speech.

Pussy-ass bitch.
表現 · B2see it coming

anticipate it

Alonzo promises a future ambush, boasting that the man will have no chance to react.

You aren't going to see shit coming, man.
文法 · A2aren't going to

be going to negative: Aren't going to negates a future prediction based on what is already happening.

You aren't going to see shit coming, man.
発音going to see

Going to usually weakens into gonna, with see landing stressed.

You aren't going to see shit coming, man.
表現 · B1sneak up behind someone

approach quietly from behind

I'll sneak up behind you.
表現 · B2crack something open

split it with a blow

I'll crack your head open, you fucking pig. Come on.
スラング · B2for days

for a very long time — Hyperbolic slang for amount or duration; casual talk only.

You tax that ass for days, man.
表現 · A2keep doing something

don't stop moving

Yeah, keep walking, bitch. Unh.
スラング · B1You mad

are you angry — A taunting way to ask if someone is angry; it usually escalates things.

No. You mad?

「Alonzo Interrogates a Suspect」を読み解く

What's really going on

This is not a real interrogation; nobody here is being charged. Alonzo has already won the moment he tells the man, "Lucky I don't make you eat that dog," and the questions that follow are pure theater — "So I'm lying? Am I lying?" The man on the other end can only beg: "No. Please. Please." Alonzo's closing line, "You're lucky I have more pressing business," makes clear the whole thing was a display, a way to show the street who decides what happens next. When the man finally curses him from behind, it is the only power he has left.

Theme

PowerAlonzo uses threats and questions, not evidence, to dominate a man on the street and prove who is in charge.
JusticeAlonzo punishes a man the system has not, delivering his own street verdict without a trial.

このチャプターで学べること

  • Cruelty here is a method, not a loss of control.
  • A threat lands harder when it sounds like a schedule.
  • Watching violence teaches Hoyt what he is becoming part of.
  • Insults are used to take a person apart piece by piece.

発音のポイント

  • got money — The t in got flaps lightly and money follows without a pause.
  • Look at — Look at links into a single loo-kat sound in fast speech.
  • going to see — Going to usually weakens into gonna, with see landing stressed.
You're lucky I have more pressing business.

Alonzo's exit line: he spares the man only because he has something else to do, not out of mercy.

I'm going to leave you three to it, man.

Said to the group as he walks away, handing them whatever comes next and stepping out of the situation.

You aren't going to see shit coming, man.

A threat of a surprise attack: the man warns he will strike before anyone is ready.

Isn't that what you said to me?

Alonzo repeats the man's own words back at him, turning the denial into proof that he is lying.

このシーンについての質問

Why does Alonzo go after this man?

The man is a known sex offender in the neighborhood. Alonzo uses him to make a point: he can walk up to anyone on the street and make them submit.

Does Alonzo actually hurt him?

No. He threatens him constantly — talking about cutting him, making him choose, telling him to close his eyes — but never throws a punch. The intimidation is the weapon.

What does "M.O." mean here?

M.O. stands for modus operandi, a criminal's usual way of working. Alonzo uses it to sum up the man's pattern of targeting young girls.

Why does the man curse Alonzo after he leaves?

Because he was humiliated and could not fight back while Alonzo was there. Once Alonzo turns away, cursing him is the only retaliation he can manage.

Who is left behind at the end of the scene?

Alonzo walks off, leaving three men behind. One of them then talks about a woman, and Alonzo says he is leaving them to it.

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