an exclamation of shock — Vulgar exclamation; keep it out of polite talk.
Holy shit.Training Day · 2001 — 第 15 / 23 章 · 2'06" · B2
A raid goes wrong and a cop is shot, but Alonzo stays calm: he gives his man a shot and starts building a story. “It's not what you know, it's what you can prove,” he says, then assigns roles and asks, “You want to go to jail or you want to go home?”
After a raid goes wrong and Jeff is shot, Alonzo takes control. He gives him a shot, then constructs the official story for the crew: who kicked the door, who fired first, and who shot Roger. He tells them it is not what you know but what you can prove, and asks whether they would rather go to jail or go home.
注目の表現
the stingertook firethe scenariogo to jail
このシーンの表現
run the show
With the room in chaos, Alonzo grabs control and says he will quarterback it.
She will quarterback the project from start to finish.
a stun gun
came under gunfire
this is the story
end up in prison
enter firing wildly
51 行のセリフに 23 件のメモ
an exclamation of shock — Vulgar exclamation; keep it out of polite talk.
Holy shit.stop holding on to it
Just let it go.bro, buddy — Street way to address a friend; very casual.
Breathe, dog.leave from work
I need some time off, but...another one
I got to give you one more, though. Do it.predicative clause: The what-clause sits after is and names the thing being talked about.
All right, listen. It's not what you know,kick a door open
Mark and Paul, you kicked the door.start shooting
Roger opens fire. Hits Jeff twice, right?a strong swear word — Extremely vulgar; do not repeat it.
Fuck.pass through
What's the matter? One go through?Matter one links up and can sound like matter-won.
What's the matter? One go through?a swear word — Rough swear word; avoid it in polite talk.
Shit.fire a gun at me
You fucking shot me, man.receive a medal
All right, all right. You'll get a medal. Don't worry about it.alternative question: The or-clause offers a second choice and forces the listener to pick.
You want to go to jail or you want to go home?Both want to phrases reduce to wanna.
You want to go to jail or you want to go home?Let me often collapses to lemme in fast speech.
Let me quarterback this thing.skillful shooting
He's in second. Drops Roger with some fine shotgun work.participial phrase: The participle Drops describes a second action without repeating and.
He's in second. Drops Roger with some fine shotgun work.the newcomer
New guy. Came in spraying.shoot someone
Hoyt blasted him.phone someone
Done, Paul. Call them up.an officer is hit
Officer down. Repeat, officer down.The scene is a crime being rewritten in real time. Jeff has been shot, and Alonzo's first move is not medical but narrative: he assigns everyone a part — “Mark and Paul, you kicked the door,” “Jeff's the first one through,” “Roger opens fire.” The line that governs it all is “it's not what you know, it's what you can prove,” which turns evidence into something you can shape. Then he offers the crew a choice, “You want to go to jail or you want to go home?”, which is not a choice at all. By the time the radio says “Officer down,” the lie is complete, and Alonzo is already promising Jake a medal for a shooting he did not commit.
You want to go to jail or you want to go home?A choice that is not really a choice, used to make the crew accept the invented story.
it's what you can prove. OK, here's the scenario.Alonzo's rule for police work: what matters is not the truth but the version you can prove.
You're going to get a medal of valor for this.The reward offered for going along with the lie, turning a shooting into an act of heroism.
You took fire coming through the door.The false detail planted to explain Jeff's wound, making him a victim of the suspect's gunfire.
Jeff was shot during the raid, so Alonzo invents a version in which Roger opened fire and Jake shot him, protecting the crew from an investigation.
He is treating the wound on the spot so the crew can keep moving and stage the scene before anyone else arrives.
It means truth matters less than what can be shown in court, so Alonzo cares about building a provable version of events.
It forces the crew to choose between cooperating with the lie and facing the consequences, making the cover-up look like their only option.
Alonzo says he will get a medal of valor because, in the official story, Jake shot Roger and saved the raid, even though that is not what happened.
次のチャプター · 第 16 章the nature of the businessAlonzo Shields Jake From His Crew
第 1 章screw something upJake's First Day on the Job
第 2 章keep your mouth shutAlonzo Makes Jake Tell a Story
第 3 章slap the taste out of your mouthAlonzo's Felony Stop
第 4 章take a hitAlonzo Forces Jake to Smoke
第 5 章put a gun to your headAlonzo Doses Jake
第 6 章green lightAlonzo's Smiles and Cries Speech
第 7 章pressing businessAlonzo Interrogates a Suspect
第 8 章it takes a wolf to catch a wolfAlonzo Explains Wolves and Sheep
第 9 章doesn't flyAlonzo Extracts a Name
第 10 章clear the houseAlonzo Searches Without a Warrant
第 11 章work the systemAlonzo Introduces Jake to the Wise Men
第 12 章off the radarAlonzo Gets the Green Light
第 13 章render unto CaesarAlonzo Shakes Down Roger
第 14 章a piece of thisAlonzo Tempts Hoyt With Cash
再生中 · 第 15 章quarterbackAlonzo Coaches the Cover-Up
第 16 章the nature of the businessAlonzo Shields Jake From His Crew
第 17 章a higher pathAlonzo Justifies Killing Roger
第 18 章the headJake Plays Cards at Smiley's
第 19 章play someone for a foolThe Card Players Tell Jake the Truth
第 20 章get to the bottom ofAlonzo Questions a Man in the Bathtub
第 21 章came out of nowhereSmiley Questions His Cousin Letty
第 22 章no witnessesAlonzo Tells Jake He Has No Witnesses
第 23 章see the light of dayJake Shoots Alonzo and Walks Away