Training Day · 2001 — 第 23 / 23 章 · 4'19" · B2

Jake Shoots Alonzo and Walks Away, Explained:see the light of day

Alonzo is sure Jake will not pull the trigger — “I don't believe you got it in you” — and promises that shooting a cop means the gas chamber. Jake fires anyway, wounds him, and takes the money as evidence. Left behind, Alonzo screams that they will never “see the light of day.”

あらすじ

Alonzo is certain Jake will not shoot, telling him he does not have it in him and warning that killing a cop means the gas chamber. Jake shoots him in the leg anyway and takes the money as evidence. Left behind, Alonzo threatens that Jake and the others will never see the light of day.

ThreatsAccusationsThreateningSaying noBoss & employeeB2fastamerican
IMDb ↗

注目の表現

put your work inplayer to playergot it in youjack me

00:00 / 04:19
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Alonzo's meltdown8 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

see the light of day

get out into freedom

Alonzo threatens the crew with never seeing daylight again, claiming he owns the block.

After ten years inside, he can finally see the light of day.

このシーンの他の表現

  • put your work in

    do your own share

  • player to player

    peer to peer, man to man

  • got it in you

    have the nerve

  • jack me

    rob me

  • run shit

    run the place

このシーンのメモ一覧

88 行のセリフに 30 件のメモ

表現 · B1put the work in

do your own share

The crew warns Alonzo that around here you have to earn your own share.

You got to put your own work in around here.
文法 · A2got to put

have got to: Got to equals have to, marking strong obligation in everyday speech.

You got to put your own work in around here.
表現 · B2player to player

peer to peer, man to man

The crew frames the talk as peer to peer, player to player, before making demands.

Player to player.
スラング · C1niggah

a racial slur — A severe racial slur; never say it.

I don't believe you shoot me, niggah.
文法 · A2going to get

going to future: Going to plus the base verb lays out a planned sequence of moves.

I'm going to get that gun. And then I'm going to get that money.
発音get that gun

Get that links into one sound.

I'm going to get that gun. And then I'm going to get that money.
表現 · B2shoot someone in the back

shoot a cop from behind

because you aren't going to shoot no cop in the back, are you?
文法 · B2aren't going to shoot no cop

double negative: The double negative not...no makes the refusal stronger in casual speech.

because you aren't going to shoot no cop in the back, are you?
表現 · B2the gas chamber

the gas chamber

The gas chamber.
文法 · B1what the gas chamber smells like

object clause: The what-clause is the object of know, asking about a smell he has never known.

You know what the gas chamber smells like?
スラング · B2motherfucker

bastard — Extremely crude; avoid it entirely.

You motherfucker.
発音need the money

The weakens to thuh, linking with need.

Come on, Jake. I need the money.
表現 · B1not going to happen

will not happen

It's not going to happen.
表現 · B2jack someone

rob me

Seeing Jake take the cash, Alonzo sneers that he is being robbed now.

Oh, you. You going to jack me now?
スラング · B2jack me

rob me — Street slang for mugging someone.

Oh, you. You going to jack me now?
表現 · A2let someone go home

let someone leave

Come on. Give me the money and let me go home.
スラング · B2bounce

leave, take off — Casual slang telling someone to go.

Go ahead and bounce, homey.
表現 · B1have someone's back

support you

We got your back.
表現 · A2come back here

return right now

Jake. Come back here.
スラング · C1bitch-made

weak, low-class — Crude insult; never use it.

You disloyal, fool-ass, bitch-made punk.
表現 · B2put a case on someone

file charges against someone

I'm putting cases on all you bitches. Huh? You think you can do this shit?
発音get finished

The t in get often drops before finished.

You motherfuckers will be playing basketball in Pelican Bay when I get finished with you.
表現 · B1see the light of day

get out into freedom

Alonzo threatens the crew with never seeing daylight again, claiming he owns the block.

I'm the man up in this place. You'll never see the light of day.
文法 · B1You'll never see

future negative: Will never is an absolute future denial, stronger than a plain won't.

I'm the man up in this place. You'll never see the light of day.
表現 · B2run shit

run the place

In his meltdown Alonzo insists he is the police and runs the place, not the residents.

Who the fuck do you think you fucking with? I'm the police. I run shit here. You just live here.
スラング · B2run shit

be in charge — Crude slang for claiming authority.

Who the fuck do you think you fucking with? I'm the police. I run shit here. You just live here.
表現 · B1walk away

leave and let it go

Yeah, that's right. You better walk away. Go on, walk away, because I'm going to burn this motherfucker down.
表現 · B2not have shit on someone

can't compare to me

King Kong has not got shit on me.
表現 · B1can't lose

cannot lose

I can't lose. Shit. You can shoot me. But you can't kill me.
発音can't kill

The t in can't drops and kill me links together.

I can't lose. Shit. You can shoot me. But you can't kill me.

「Jake Shoots Alonzo and Walks Away」を読み解く

What's really going on

The scene is the moment the partnership breaks, and it is decided by one idea: Alonzo cannot imagine Jake shooting a fellow officer. “I don't believe you got it in you, Jake,” he says, and then he bets everything on it, turning his back. That single belief — that loyalty runs deeper than self-interest — is what loses him the money and the day. Jake's answer is not a speech but a bullet, and then a refusal: “It's not going to happen.” When Alonzo is left alone, he does not admit defeat; he redefines the rules, claiming he runs everything, that they will never see the light of day, and that “I can't lose.” The final speech is a man insisting he won after he has clearly lost.

Theme

BetrayalJake turns on the man who trained him, and the partnership ends with a gunshot.
PowerAlonzo's whole authority was a bluff, and even after losing he insists he still runs everything.

このチャプターで学べること

  • A bullet does not end Alonzo's self-belief.
  • The crew flips sides the moment power shifts.
  • Threats of prison frame his final meltdown.
  • Even his last boast sounds like a joke.

発音のポイント

  • get that gun — Get that links into one sound.
  • need the money — The weakens to thuh, linking with need.
  • get finished — The t in get often drops before finished.
  • can't kill — The t in can't drops and kill me links together.
I can't lose. Shit. You can shoot me. But you can't kill me.

Alonzo's refusal to accept defeat, insisting that being wounded or caught still leaves him unbroken.

You know what the gas chamber smells like?

His attempt to scare Jake with the punishment for killing an officer, delivered like a piece of street knowledge.

because you aren't going to shoot no cop in the back, are you?

The assumption the whole scene turns on: Alonzo is sure Jake will never shoot a police officer.

The next one will kill you.

Jake's warning after the first shot, telling Alonzo the next one will finish him.

このシーンについての質問

Why does Jake shoot Alonzo?

Alonzo is about to take the money and leave Jake to be killed, so Jake shoots him in the leg and takes the cash as evidence.

Why is Alonzo so sure Jake will not shoot?

He believes Jake will not shoot a fellow police officer in the back, so he turns away, and that belief is what costs him.

What does “got it in you” mean?

It means having the nerve or the guts to do something; Alonzo says he does not believe Jake has it in him to pull the trigger.

What happens to the money?

Jake takes it and calls it his evidence, refusing Alonzo's pleas to hand it over so he can pay the Russians.

What does Alonzo say after Jake leaves?

He shouts that he runs everything, that they will never see the light of day, and that he cannot lose, refusing to accept that he has been beaten.

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