Training Day · 2001 — 第 9 / 23 章 · 4'38" · B2

Alonzo Extracts a Name, Explained:doesn't fly

Alonzo has a dealer pinned and gives him the only choice that matters: "You want to go to jail or you want to go home?" The beating is just the setup. What Alonzo really wants is a name, and by the end he has one — Sandman. Jake watches and starts to see the price of this kind of police work.

あらすじ

Alonzo and Jake chase down a small-time dealer, pin him, and search his mouth, where they find crack and a gun. Instead of booking him, Alonzo offers a trade: a name in exchange for a free pass. The man gives up Sandman, and Alonzo calls it in to confirm the identity.

InterrogationsThreatsThreateningBargainingPolice & suspectB2fastamerican
IMDb ↗

注目の表現

baconget out of hereplant something on someonesnitch

00:00 / 04:38
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このシーンの表現

bacon

the police

The dealer lowers his voice to warn his partner that police are around, wary and streetwise.

We should leave; there's bacon outside.

このシーンの他の表現

  • get out of here

    leave at once

  • plant something on someone

    frame someone with evidence

  • snitch

    an informer

  • doesn t fly

    will not be accepted

  • AKA

    also known as

このシーンのメモ一覧

118 行のセリフに 28 件のメモ

発音What you

In fast speech what you can blur into a wacha-like sound.

What you need, homey?
スラング · B2homey

buddy — A street-friendly address; avoid it at work.

What you need, homey?
表現 · B1give someone a break

cut someone some slack

Yo, give me a break, man. Hey, yo. Slow up.
発音I'm a

I'm a links into one smooth unit, not three separate sounds.

Come on, buddy, stop. I'm a police officer.
表現 · A2get out of here

leave at once

Frightened by the intruders, the resident points at the door and threatens to call the police.

Get out of here, or I call police.
表現 · A2calm down

relax

Police officer, ma'am. Calm down.
表現 · B1make something harder

make things worse

表現 · B2fuck with something

mess with

You fucked with my legs, man.
表現 · B1have nothing better to do

have no real business

You motherfuckers have got nothing better to do
表現 · A2work for someone

be employed by

Alright, who you working for?
文法 · B1don't work for nobody

double negative: The double negative here still means he works for no one, a common spoken pattern.

Fuck, man, you know I don't work for nobody.
表現 · B2be on disability

receiving disability benefits

I'm on disability, man. Shit.
スラング · C1cracking

making crack — Drug-world slang; only in private or police talk.

That's bullshit. You're cracking and you know it.
表現 · B1Oh no you don't

not on my watch

Oh no, you don't.
表現 · B2plant something on someone

frame someone with evidence

Caught with the drugs, the dealer insists they were slipped onto him by someone else, near panic.

スラング · B2whup his ass

beat him up — Coarse slang for beating someone; bragging or threats.

表現 · B2sweat someone

put pressure on someone

文法 · B1y'all

y'all contraction: Y'all contracts you all into one word, common across the South and the street.

表現 · B1give something up

quit a habit

I haven't got nothing on me. I gave it up, dog.
文法 · B1What, is you

nonstandard word order: What is you breaks standard grammar; it stands in for are you, spoken with a sneer.

What, is you a doctor now?
スラング · B2I'm straight

I'm clean — Street talk for being clean or in the clear.

Your partner already done searched me. I'm straight.
スラング · C1federally fucked

in deep federal trouble — Vulgar slang for serious legal trouble; private talk only.

Oh, you're federally fucked now.
発音want to go

Want to weakens into wanna while go takes the stress.

表現 · B1be sick of something

fed up with

I'm sick of this shit, man.
表現 · C1run a res on someone

run a background check

Yeah, I need a res on a Sandman.
表現 · B2be in custody

held by police

Yeah, with the mobsters. He may be in custody.
表現 · B2something doesn't fly

will not be accepted

That stuff doesn't fly anymore, man.
表現 · B1AKA

also known as

Bob reads back the real name next to the nickname, confirming to Alonzo that this is the right man.

Kevin Miller AKA Sandman. Got it.

「Alonzo Extracts a Name」を読み解く

What's really going on

"You want to go to jail or you want to go home?" is the whole method in one line. Alonzo does not need a confession; he needs a name he can sell upward, and the crack and gun in the man's mouth make the choice easy. When the dealer says, "Come on, man, you know I am no snitch," Alonzo answers, "I know you are no snitch," then simply repeats the offer until it sticks. What Jake objects to is the shortcut itself: "That stuff doesn't fly anymore, man." He also asks what happens if the man complains, and Alonzo's reply, "To who?" shows how little he fears being checked. The scene is a lesson in trading a small man's freedom for a bigger target.

Theme

CorruptionAlonzo ignores the arrest and trades the dealer's freedom for a name, bending the law to get results.
PowerThe whole scene is Alonzo showing he decides who goes home and who goes to jail.

このチャプターで学べること

  • A name is traded like currency in this world.
  • The dealer's slang is survival, not decoration.
  • Alonzo's kindness is always a bargaining move.
  • The phone call turns a street arrest into a case.

発音のポイント

  • What you — In fast speech what you can blur into a wacha-like sound.
  • I'm a — I'm a links into one smooth unit, not three separate sounds.
  • want to go — Want to weakens into wanna while go takes the stress.
You want to go to jail or you want to go home?

Alonzo's one-line leverage: give him what he wants and walk, or refuse and be locked up.

That stuff doesn't fly anymore, man.

Jake's objection that planting evidence and shoving a pen in a suspect's mouth no longer pass as real police work.

You motherfuckers have got nothing better to do

The dealer's complaint to the officers, accusing them of hassling him for no reason.

See how easy that was?

Alonzo's smug line after the man gives up a name, treating the coercion like a simple transaction.

このシーンについての質問

Why does Alonzo plant evidence on the dealer?

He wants leverage. With crack and a gun on the man, Alonzo can threaten a federal charge and force him to trade a name for his freedom.

Is the crack actually the dealer's?

He insists it is not — he says another man planted it on him. The scene never confirms it, which is the point: the evidence is useful whether or not it is real.

What does "snitch" mean here?

A snitch is an informer who gives names to the police. The dealer says he is no snitch, but Alonzo keeps pushing until he names Sandman anyway.

Why does Jake object to Alonzo's methods?

Jake thinks planting evidence and shoving a pen into a suspect's mouth will not hold up. He asks what happens if the man complains, but Alonzo is not worried.

Who is Sandman?

Sandman is the name the dealer gives up. Alonzo verifies it by phone and learns he is Kevin Miller, AKA Sandman, tied to the mobsters.

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