claim the praise for
Thank you. I can't take credit for it.The End of the Tour · 2015 — 第 2 / 17 章 · 5'04" · B2
The interview finally loosens up over a couple of sodas. "You don't drink," Lipsky observes; Wallace answers plainly, "No, I do not drink," then orders the same drink "out of respect." A small courtesy between two men both performing openness — and both aware of it.
David Lipsky visits David Foster Wallace at his home, interviewing him for Rolling Stone. They talk about privacy, fans, and an unstable reader, then drive to the school where Wallace teaches a writing class. Over lunch, Lipsky orders a soda; Wallace does not drink, and orders the same out of respect.
注目の表現
unlistedhurt feelingsthe crack of dawndo yourself a favor
このシーンの表現
as a sign of respect
Knowing Wallace does not drink, Lipsky orders the same soda and explains it as a mark of respect.
He stood up out of respect for the speaker.
kept out of the public directory
make someone feel bad
very early morning
take my advice
may I
95 行のセリフに 26 件のメモ
claim the praise for
Thank you. I can't take credit for it.The n in been slides into unlisted, linking the two words.
So, um, have you always been unlisted?find someone after searching
So it was people who had tracked my parents down.something — Casual spoken form; keep it out of writing.
Mmm, right. So I did somethin' kind of cowardly.was unable to locate me
I changed my number so these folks couldn't find me anymore.the newest shot in a feud
It's her latest salvo in the war.include something
I need to know that anything that I say five minutes later not to put in, that you're not gonna put it in.the sole option
Just given my level of fatigue and my fuckup quotient lately, it's the only way I can see doin' it and not... not going crazy.participle clause: The given clause sets the reason before the main point about the only way to cope.
Just given my level of fatigue and my fuckup quotient lately, it's the only way I can see doin' it and not... not going crazy.mistake rate — Crude and joking; only among close friends.
Just given my level of fatigue and my fuckup quotient lately, it's the only way I can see doin' it and not... not going crazy.an unfamiliar situation
This is all new territory for me.messed up — Strong swear; not for formal settings.
I do. Yeah, very much. Which is what's so fucked.feel very sorry for
I feel so bad for these kids. Why do you feel bad for them?all the commotion
If I was there, maybe. The whole fuss...Crack of links into one sound, with stress landing on dawn.
We gotta be up at the crack of dawn to go to the airport.have got to — Spoken shorthand; too casual for writing.
We gotta be up at the crack of dawn to go to the airport.agree to do something
Oh, shit. Do we really? That's what you signed on for, man.a piece of advice
Here's a tip.causative have: Have him say means make your character say it, the causative have plus bare verb.
Have him say funny, smart things some of the time.The are is dropped, so it lands as one word, you-hungry.
You hungry?return very soon
I'll be right back with your pop. Thanks, man.an expert in
I'm not any sort of authority on any sort of program.relative clause: The who clause narrows people down to those who have been in recovery for a while.
From my very limited outside understanding, for people who have been in it a while, you could snort cocaine off the back of your hand, they'd be all right.inhale cocaine — A drug reference; do not use casually.
From my very limited outside understanding, for people who have been in it a while, you could snort cocaine off the back of your hand, they'd be all right.write a feature about
I would love to do a profile on one of you guys who's doin' a profile on me.postmodern — Artsy slang, usually said with a wink.
That is interesting. Is that too pomo and cute?The tape recorder makes everything a negotiation. Before they begin, Wallace lays down a rule: "I need to know that anything that I say five minutes later not to put in, that you're not gonna put it in." It sounds like an eccentricity, but it is really about the terms of being seen. He has already told Lipsky why he went unlisted — not because he dislikes people, but because "I really hate to hurt people's feelings," and the people who tracked down his parents ended up frightening him. At lunch the matter gets smaller and sharper. Lipsky orders a Diet Rite and notes, "You don't drink." Wallace neither denies it nor explains; he simply says "No, I do not drink," then chooses the same drink "out of respect." It is a courtesy, but also a boundary: he won't perform the easy intimacy of sharing a round, and he won't let his sobriety become the subject. Two writers, both careful, both watching each other.
I need to know that anything that I say five minutes later not to put in, that you're not gonna put it in.Wallace's pre-interview condition: he can retroactively take something off the record, a control he needs to talk at all.
I would love to do a profile on one of you guys who's doin' a profile on me.His joke about reversing roles: the reporter becomes the subject, a neat mirror of what the interview already is.
Just given my level of fatigue and my fuckup quotient lately, it's the only way I can see doin' it and not... not going crazy.He explains the recording rule through exhaustion and recent mistakes — the interview is something he must manage to survive.
I have this terrible problem. I really hate to hurt people's feelings.His reason for going unlisted: not arrogance but a softness that makes saying no to readers painful.
He changed it after people tracked down his parents' number. He says he hates hurting people's feelings, so he removed himself rather than refuse individual callers.
Lipsky mentions friends in recovery who dislike being around drinks, so Wallace orders the same drink, saying he got it out of respect.
The daughter of a friend painted the picture on the wall; she and Wallace trade the nickname chicken head, which he calls her latest salvo in their running joke.
He says he does, very much, and calls it what's so fucked that his book tour keeps pulling him out of the classroom.
He asks that anything he says and later regrets can be cut. He frames it as necessary given his fatigue and recent mistakes, not as distrust of Lipsky.
次のチャプター · 第 3 章shape the impressionWallace and Lipsky First Meeting
第 1 章once in a generationLipsky Pitches the Wallace Story
再生中 · 第 2 章out of respectDave Wallace Doesn't Drink
第 3 章shape the impressionWallace and Lipsky First Meeting
第 4 章channel surfingWallace on Why We Feel Empty
第 5 章comes with the territoryWallace on Why He Isn't Married
第 6 章in a heartbeatDave Wallace Offers Lipsky a Room
第 7 章security blanketLipsky Asks About the Bandanna
第 8 章about as sexy asWallace Recalls His Eight Days
第 9 章all downhill from hereWallace Reads at The Hungry Mind
第 10 章make eyes at someoneWallace Calls Lipsky's Girlfriend
第 11 章self-absorbedWallace on Being Shy and Egotistical
第 12 章come on to someoneWallace Tells Lipsky to Stay Away
第 13 章fauxWallace and Lipsky's Parking Lot Fight
第 14 章sleepwalk throughWallace Fears Liking the Attention
第 15 章autobiographicalLipsky Asks Wallace About Heroin
第 16 章spiritual crisisDavid Foster Wallace on Depression
第 17 章put my foot downWallace Dances at a Baptist Church