The End of the Tour · 2015 — 第 3 / 17 章 · 5'03" · B2

Wallace and Lipsky First Meeting, Explained:shape the impression

Over lunch, David Foster Wallace admits the interview makes him uneasy: 'I don't even know if I like you yet,' he tells journalist David Lipsky, then asks whether Lipsky likes him. Talk drifts from fame to food to feeling bought and sold — both men circling the fear of being seen on someone else's terms.

あらすじ

At a diner during the book tour, journalist David Lipsky and novelist David Foster Wallace size each other up. Wallace is wary of how the piece will frame him and says he is not sure he even likes Lipsky yet. They banter about interviewing, fame, food, and publicity, then continue the conversation in the car.

Small talkConfessingExplainingStrangersB2fastamerican
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注目の表現

shape the impressionnervous abouttake actionput down

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このシーンの表現

shape the impression

control how one is seen

Wallace admits he too wants to shape how readers see him, caught between fear and vanity.

Try to shape the impression you leave at an interview.

このシーンの他の表現

  • nervous about

    worried about

  • take action

    do something about it

  • put down

    criticize or belittle

  • whore

    a harsh slur for a prostitute

  • dweeb

    an awkward, uncool person

このシーンのメモ一覧

101 行のセリフに 26 件のメモ

表現 · B1however you want

in whatever way you like

and shape this thing however you want.
発音about whether

The t in about links into whether so the two words fuse.

I'm so nervous about whether you like me.
表現 · A2anything else

anything more

Your food will be out soon. Can I get you anything else?
表現 · B1the most talked about person

most discussed

Just what it's like to be the most talked about writer in the country...
表現 · A2that sort of thing

things like that

or that sort of thing. Right.
表現 · A1a few years ago

some years back

And I had a collection published a few years ago, so...
スラング · A2huh

right? — A casual tag for confirmation; too loose for formal talk.

You're, like, a nervous guy, huh?
スラング · A2'Cos

because — Casual spoken form; keep it out of writing.

No, no. No, I'm okay. How are you? I... 'Cos I'm terrified.
スラング · B2slither up

slide up to someone — A sneaky, slightly unkind image; used behind people's backs.

People come up. They kind of, like, slither up.
文法 · B1wouldn't it

tag question: The tag wouldn't it invites agreement while gently teasing him.

"Where is your hotel?" That would be easier for you, wouldn't it?
表現 · B2trade something off

exchange for an advantage

I can't stand to look like I'm actively trading off this sexually.
表現 · A2feel lonely

feel alone

It just would have made me feel lonely. You know?
表現 · B1have something to do with something

any connection with

It wouldn't have had anything to do with me.
文法 · B2wouldn't have had

past unreal conditional: Wouldn't have had imagines a past that did not happen, so the sentence stays unreal.

It wouldn't have had anything to do with me.
表現 · B1respond to something

react to

You are. Except, though, if they're responding to your work...
表現 · A2save someone a whole lot of trouble

a great deal of bother

Talk all you want, man. Save me a whole lot of trouble.
発音riding around

The d in riding becomes a quick flap in American speech.

The one I got is like riding around on a power lawn mower.
表現 · B2cash in on something

profit from

Cashing in somehow or like getting some little celebrity for myself...
表現 · A2sound like someone

seem like

Preferably in a context where I don't sound like a total dweeb.
文法 · B1a context where I don't sound like

relative clause: The where clause describes the kind of context he wants to be quoted in.

Preferably in a context where I don't sound like a total dweeb.
表現 · A2take pictures

photograph

By the way, are they gonna send Annie Leibovitz to take pictures?
スラング · A2gonna

going to — Everyday speech; avoid it in formal writing.

By the way, are they gonna send Annie Leibovitz to take pictures?
スラング · C1getting laid

having sex — Vulgar slang; keep it out of polite talk.

Maybe I'll finally end up getting laid.
発音drink all

The k in drink links into all, so it sounds like one word.

You're gonna drink all that?
表現 · B2an expense account

a company spending budget

No, no. It's not coming out of my pocket. I have an expense account.
表現 · B1if you insist

since you won't take no

If you insist, yeah. Yeah.

「Wallace and Lipsky First Meeting」を読み解く

What's really going on

This is less a meal than a negotiation about who gets to define whom. Wallace opens by naming the power imbalance out loud — Lipsky will 'go back to New York and sit at your desk and shape this thing however you want' — and admits the thought is 'extremely disturbing,' because he would like to 'shape the impression of me that's coming across.' Then comes the line that sets the tone for the whole film: 'I don't even know if I like you yet.' It is both a warning and an invitation, and when he adds that he is nervous about whether Lipsky likes him, the neediness under the honesty is plain. As they move to fame, money and junk food, Wallace keeps testing whether he is being admired or sold, calling the tour work 'being a whore' while joking about book sales. The scene's real subject is the impossibility of being known without being packaged.

Theme

IdentityWallace wants to control the impression he gives, afraid the interview will define him for readers who never met him.
DeceptionHe calls the tour 'being a whore,' uneasy that publicity sells an image of the work instead of the work itself.

このチャプターで学べること

  • Admitting nerves is what finally breaks the ice between them.
  • Wallace fears the story more than the interview.
  • The candy scene turns a heavy talk into a joke.
  • Fame feels like a transaction he cannot control.

発音のポイント

  • about whether — The t in about links into whether so the two words fuse.
  • riding around — The d in riding becomes a quick flap in American speech.
  • drink all — The k in drink links into all, so it sounds like one word.
I don't even know if I like you yet.

The line that breaks the ice by refusing to: Wallace admits he has not decided about Lipsky, turning an interview into something disarmingly personal.

It really worries me that what I'm doing right now is like being a whore.

Wallace's fear that the book tour and publicity are a kind of prostitution, trading his work and himself for attention and sales.

Mmm, but what saves us is that most entertainment is not very good.

His wry comfort about junk culture: bad entertainment is harmless because it never fully seduces anyone.

I can't stand to look like I'm actively trading off this sexually.

His dread of seeming to trade sex for advantage, even as he admits he would happily do it.

このシーンについての質問

Why is Wallace uneasy about the magazine interview?

He knows Lipsky will go back to New York and shape the story however he wants, and he calls that idea extremely disturbing because he would like to control the impression readers get of him.

Why does Wallace tell Lipsky he doesn't even know if he likes him yet?

It is his blunt way of naming the awkward setup: a stranger will decide how the world sees him. He then admits he is nervous about whether Lipsky likes him, so the feeling is mutual.

Why does Wallace compare the book tour to 'being a whore'?

He feels publicity can mean selling himself rather than his work — cashing in on fame and misunderstandings just to move more copies. The thought worries him even as he jokes about it.

Why do they keep talking about junk food?

Food becomes a way to talk about pleasure and selling out. Wallace says it has no nourishment but is real pleasurable, calls it seductive commercial entertainment, then jokes that most entertainment is not very good.

What does 'dweeb' mean?

It is slang for a goofy, awkward nerd. Wallace asks to be quoted in a context where he does not sound like a total dweeb, mocking his own earnestness.

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