in whatever way you like
and shape this thing however you want.The End of the Tour · 2015 — 第 3 / 17 章 · 5'03" · B2
Over lunch, David Foster Wallace admits the interview makes him uneasy: 'I don't even know if I like you yet,' he tells journalist David Lipsky, then asks whether Lipsky likes him. Talk drifts from fame to food to feeling bought and sold — both men circling the fear of being seen on someone else's terms.
At a diner during the book tour, journalist David Lipsky and novelist David Foster Wallace size each other up. Wallace is wary of how the piece will frame him and says he is not sure he even likes Lipsky yet. They banter about interviewing, fame, food, and publicity, then continue the conversation in the car.
注目の表現
shape the impressionnervous abouttake actionput down
このシーンの表現
control how one is seen
Wallace admits he too wants to shape how readers see him, caught between fear and vanity.
Try to shape the impression you leave at an interview.
worried about
do something about it
criticize or belittle
a harsh slur for a prostitute
an awkward, uncool person
101 行のセリフに 26 件のメモ
in whatever way you like
and shape this thing however you want.The t in about links into whether so the two words fuse.
I'm so nervous about whether you like me.anything more
Your food will be out soon. Can I get you anything else?most discussed
Just what it's like to be the most talked about writer in the country...things like that
or that sort of thing. Right.some years back
And I had a collection published a few years ago, so...right? — A casual tag for confirmation; too loose for formal talk.
You're, like, a nervous guy, huh?because — Casual spoken form; keep it out of writing.
No, no. No, I'm okay. How are you? I... 'Cos I'm terrified.slide up to someone — A sneaky, slightly unkind image; used behind people's backs.
People come up. They kind of, like, slither up.tag question: The tag wouldn't it invites agreement while gently teasing him.
"Where is your hotel?" That would be easier for you, wouldn't it?exchange for an advantage
I can't stand to look like I'm actively trading off this sexually.feel alone
It just would have made me feel lonely. You know?any connection with
It wouldn't have had anything to do with me.past unreal conditional: Wouldn't have had imagines a past that did not happen, so the sentence stays unreal.
It wouldn't have had anything to do with me.react to
You are. Except, though, if they're responding to your work...a great deal of bother
Talk all you want, man. Save me a whole lot of trouble.The d in riding becomes a quick flap in American speech.
The one I got is like riding around on a power lawn mower.profit from
Cashing in somehow or like getting some little celebrity for myself...seem like
Preferably in a context where I don't sound like a total dweeb.relative clause: The where clause describes the kind of context he wants to be quoted in.
Preferably in a context where I don't sound like a total dweeb.photograph
By the way, are they gonna send Annie Leibovitz to take pictures?going to — Everyday speech; avoid it in formal writing.
By the way, are they gonna send Annie Leibovitz to take pictures?having sex — Vulgar slang; keep it out of polite talk.
Maybe I'll finally end up getting laid.The k in drink links into all, so it sounds like one word.
You're gonna drink all that?a company spending budget
No, no. It's not coming out of my pocket. I have an expense account.since you won't take no
If you insist, yeah. Yeah.This is less a meal than a negotiation about who gets to define whom. Wallace opens by naming the power imbalance out loud — Lipsky will 'go back to New York and sit at your desk and shape this thing however you want' — and admits the thought is 'extremely disturbing,' because he would like to 'shape the impression of me that's coming across.' Then comes the line that sets the tone for the whole film: 'I don't even know if I like you yet.' It is both a warning and an invitation, and when he adds that he is nervous about whether Lipsky likes him, the neediness under the honesty is plain. As they move to fame, money and junk food, Wallace keeps testing whether he is being admired or sold, calling the tour work 'being a whore' while joking about book sales. The scene's real subject is the impossibility of being known without being packaged.
I don't even know if I like you yet.The line that breaks the ice by refusing to: Wallace admits he has not decided about Lipsky, turning an interview into something disarmingly personal.
It really worries me that what I'm doing right now is like being a whore.Wallace's fear that the book tour and publicity are a kind of prostitution, trading his work and himself for attention and sales.
Mmm, but what saves us is that most entertainment is not very good.His wry comfort about junk culture: bad entertainment is harmless because it never fully seduces anyone.
I can't stand to look like I'm actively trading off this sexually.His dread of seeming to trade sex for advantage, even as he admits he would happily do it.
He knows Lipsky will go back to New York and shape the story however he wants, and he calls that idea extremely disturbing because he would like to control the impression readers get of him.
It is his blunt way of naming the awkward setup: a stranger will decide how the world sees him. He then admits he is nervous about whether Lipsky likes him, so the feeling is mutual.
He feels publicity can mean selling himself rather than his work — cashing in on fame and misunderstandings just to move more copies. The thought worries him even as he jokes about it.
Food becomes a way to talk about pleasure and selling out. Wallace says it has no nourishment but is real pleasurable, calls it seductive commercial entertainment, then jokes that most entertainment is not very good.
It is slang for a goofy, awkward nerd. Wallace asks to be quoted in a context where he does not sound like a total dweeb, mocking his own earnestness.
次のチャプター · 第 4 章channel surfingWallace on Why We Feel Empty
第 1 章once in a generationLipsky Pitches the Wallace Story
第 2 章out of respectDave Wallace Doesn't Drink
再生中 · 第 3 章shape the impressionWallace and Lipsky First Meeting
第 4 章channel surfingWallace on Why We Feel Empty
第 5 章comes with the territoryWallace on Why He Isn't Married
第 6 章in a heartbeatDave Wallace Offers Lipsky a Room
第 7 章security blanketLipsky Asks About the Bandanna
第 8 章about as sexy asWallace Recalls His Eight Days
第 9 章all downhill from hereWallace Reads at The Hungry Mind
第 10 章make eyes at someoneWallace Calls Lipsky's Girlfriend
第 11 章self-absorbedWallace on Being Shy and Egotistical
第 12 章come on to someoneWallace Tells Lipsky to Stay Away
第 13 章fauxWallace and Lipsky's Parking Lot Fight
第 14 章sleepwalk throughWallace Fears Liking the Attention
第 15 章autobiographicalLipsky Asks Wallace About Heroin
第 16 章spiritual crisisDavid Foster Wallace on Depression
第 17 章put my foot downWallace Dances at a Baptist Church