focus your attention
In a memory Joel snaps at Clementine to stay focused, afraid of losing the thread.
No! Concentrate, Clem.Eternal Sunshine of the Spotless Mind · 2004 — 第 12 / 20 章 · 4'47" · B2
Inside his own memory, Joel realizes the erasure is already running and starts shouting for the technicians to wake him. Clementine appears as part of his imagination and tells him the truth: "I'm part of your imagination too, Joel." Together they try to hide her somewhere the procedure can't reach.
During Joel's memory-erasing procedure, he becomes aware of what is happening and tries to wake himself up. He runs through past memories with Clementine, who exists inside his mind as part of his imagination. They argue, joke, and hatch a plan: hide her inside memories where she never belonged, so the erasing can't find her.
注目の表現
concentrateconfidentialmove onstealing my identity
このシーンの表現
fears that come true because you expect them
Clementine mocks Joel for predicting his own failure and then making it happen.
Worries like that can turn into self-fulfilling prophecies.
focus your attention
kept secret
leave something behind
using my identity as his own
to begin with
80 行のセリフに 30 件のメモ
focus your attention
In a memory Joel snaps at Clementine to stay focused, afraid of losing the thread.
No! Concentrate, Clem.In fast speech look at me runs together as loo-ka-me.
Oh, look at me. Hey, I look good there.leave something behind
The doctor explains that a former client wanted to move on, meaning to leave the whole affair behind.
Suffiice it to say that Miss, uh-- Miss Kruczynski... was not happy and she wanted to move on.tell me the details of
Good. Now, tell me about Clementine.Did we is often weakened, the d nearly dropped.
That's what he said. Then-- What did we see that day?a curse of dismay — Fine with friends, never in polite or formal settings.
No, wait. Oh, Look! Hey! Shit! We're going to see my grandma.what is happening
I thought you understood what was going on here.noun clause: The noun clause serves as the object of understood, meaning what was happening.
I thought you understood what was going on here.belong to something bigger
I'm part of your imagination too, Joel.in your thoughts
Uh, I'm inside your head too. I'm you.be employed by us
Oh, he-he works for us.an affectionate nickname — An affectionate term for a partner or a child.
That's, uh, Pa-a-a-a-atrick, baby boy.using my identity as his own
Watching Patrick woo Clementine with his words, Joel accuses him of stealing his identity.
He's stealing my identity.things, belongings — Very casual; use belongings in formal writing.
He stole my stuff.an exclamation of shock — An expletive for surprise or anger; not formal.
Oh, Jesus Christ!adverbial clause: The where-clause names the place and works as the complement of be.
I'm just exactly where I want to be.Want to often reduces to wanna, the t nearly silent.
I'm just exactly where I want to be.become less upset
Sweetie, calm down.prior to my waking
Enjoy the scenery. I need it to stop before I wake up and I don't know you anymore.Link wake and up so they sound like one word.
Enjoy the scenery. I need it to stop before I wake up and I don't know you anymore.on earth, for emphasis — Adds force to a question; avoid with seniors.
What the hell are you talking about?force yourself awake
Wake yourself up!with great success — Casual American slang, almost always after like.
Boy, that's working like gangbusters.show that I am mistaken
It's more important to prove me wrong than to actually-- Look, I don't want to discuss this right now, okay?comparative: The comparative weighs proving me wrong against actually fixing things.
It's more important to prove me wrong than to actually-- Look, I don't want to discuss this right now, okay?to begin with
Clementine throws Joel's own erasure back at him, explaining why she ever signed up in the first place.
You erased me. That's why I'm here. That's why I'm doing this In the first place.reason clause: That's why introduces the result of what came before it.
You erased me. That's why I'm here. That's why I'm doing this In the first place.the trait I adore in you
That's what I love about you.suppose that
What? Joel, the eraser guys are coming here, So what if you take me somewhere else,a place that is not mine
Somewhere where I don't belong,Joel spends this stretch of the film bargaining with his own memory. Once he understands that the machine is deleting Clementine, he stops being a passive subject and tries to sabotage the process from the inside — shouting names, begging to be woken, and finally deciding to hide her. Clementine, who exists only as part of his mind here, is both comfort and co-conspirator: "I'm part of your imagination too, Joel." Their plan is telling: he wants to hide her in a memory with no place for her, because a memory you can't reach is one the eraser can't take. The stakes come out in his warning: "Enjoy the scenery. I need it to stop before I wake up and I don't know you anymore." What looks like a chase is really Joel refusing to let go, and the film lets him fail in order to show how much he is losing.
I could die right now, Clem.A moment of pure happiness inside a memory, where Joel says he could die content — the exact feeling he is about to have erased.
That's what I love about you.Joel's answer to Clementine calling herself impulsive, turning the trait they fight about into the reason he loves her.
Enjoy the scenery. I need it to stop before I wake up and I don't know you anymore.His real fear stated plainly: if the procedure finishes, he will wake up without knowing her, so it has to stop before morning.
I'm part of your imagination too, Joel.The imagined Clementine points out she is not the real person but a piece of his mind, so even the comfort he clings to is something he made.
He is trying to get the technicians' attention from inside the procedure. He knows Dr. Mierzwiak is running the erasure, so he calls the name of the person who could stop it.
He tries by running through memories and hiding Clementine in ones she never belonged to, but he cannot control the machine. The attempt is real, though it is a losing race.
Clementine accuses Joel of expecting things to go wrong and then acting in ways that make them go wrong, so his fears come true and he gets to say he was right.
Because she is part of how he remembers these moments. Inside the dream she can talk to him, but she is his version of her, not the actual person reacting to the erasure.
Joel tries to hide Clementine in memories where she does not belong, so the eraser won't look for her there. It is his last attempt to keep some trace of her before he wakes up.
次のチャプター · 第 13 章off the mapthe Hamlyn Kitchen Memory
第 1 章in a funkJoel Ditches Work for Montauk Beach
第 2 章out of sortsClementine Meets Joel on the Train
第 3 章live life to the fullestJoel and Clementine Meet
第 4 章oddly enoughJoel and Clementine on the Ice
第 5 章as a larkJoel Finds Out He Was Erased
第 6 章on a par withLacuna Maps Joel's Memory of Clementine
第 7 章déjà vuMapping Joel's Memories
第 8 章freak outClementine Wrecks Joel's Car
第 9 章an open bookThe Dining Dead Dinner
第 10 章on autopilotJoel Calls Clementine Tangerine
第 11 章call it offClementine Asks Am I Ugly
再生中 · 第 12 章self-fulfilling propheciesJoel Tries to Stop the Erasing
第 13 章off the mapthe Hamlyn Kitchen Memory
第 14 章get to the bottom ofJoel Disappears Off the Map
第 15 章you can run but you can't hideJoel Runs Through His Memories
第 16 章spotless mindMary Quotes the Film's Title Line
第 17 章have a historyHollis Catches Howard with Mary
第 18 章come on to someoneJoel Meets Clementine on the Beach
第 19 章barking up the wrong treeMeet Me in Montauk
第 20 章off the roseClementine's Tape Plays