Eternal Sunshine of the Spotless Mind · 2004 — 第 19 / 20 章 · 5'02" · B1

Meet Me in Montauk, Explained:barking up the wrong tree

Joel and Clementine break into an empty beach house in Montauk and play at being David and Ruth Laskin. The banter is flirty, but “I'm Ruth-less at the moment” is already a goodbye. Underneath the game, Joel is confessing he once ran out on her.

あらすじ

Inside a stranger's beach house in Montauk, Joel and Clementine pretend to be a married couple, pull out wine, and rummage for candles. As the memory ends, Clementine asks Joel to at least invent a proper goodbye. He admits he walked out years ago because he was scared, and she whispers, 'Meet me in Montauk.'

First datesBreakupsTeasingConfessingCoupleB1slowamerican
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注目の表現

barking up the wrong treeRuth-lessat the momentabove my head

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このシーンの表現

barking up the wrong tree

chasing the wrong thing

Outside the beach house she teases Joel, meaning at least she is chasing the right person.

If you think he is single, you are barking up the wrong tree.

このシーンの他の表現

  • Ruth-less

    a pun on ruthless

  • at the moment

    right now

  • above my head

    beyond my understanding

  • slip into something

    change into clothes

  • make up

    invent or fill in

このシーンのメモ一覧

76 行のセリフに 37 件のメモ

表現 · A2sort of do something

kind of

I do sort of live With someone though.
文法 · B1I do sort of live

emphatic do: The do adds emphasis, turning the verb into a firm I really do.

I do sort of live With someone though.
発音sort of

Sort of often blurs into sorta in fast speech.

I do sort of live With someone though.
表現 · B1be barking up the wrong tree

chasing the wrong thing

Outside the beach house she teases Joel, meaning at least she is chasing the right person.

At least I'm not barking up the wrong tree.
表現 · A2might have something

possibly have

They might have a dog.
文法 · A2might have

modal verb: Might marks a weaker possibility than may here.

They might have a dog.
発音What are you

In fast speech what are you can sound like whatcha.

What are you doing?
発音water's fine

The American t in water flaps and can sound like a d.

The water's fine.
表現 · A2believe me

trust me

Nobody's coming here tonight. Believe me.
表現 · A1look for something

search for

So this is great. Now I can look for, um, candles, matches...
表現 · A2no phone line

telephone connection

I think we should go. There's no phone line.
表現 · A2just for tonight

for this night only

Just for tonight. We are ''David and Ruth Laskin.'' Which one do you want to be?
表現 · B1prefer to be something

rather be

Uh-- I prefer to be Ruth, but I can be flexible.
スラング · A2Oh, boy

oh dear — A sigh of dismay when something looks awkward.

Oh, boy. So, Are you okay with wine? I don't know.
表現 · B1slip into something

change into clothes

She excuses herself to the bedroom and says she will slip into something more, leaving the sentence hanging.

I'm gonna go find the bedroom and slip into something more...
スラング · A2gonna

going to — Common in speech; not for formal use.

I'm gonna go find the bedroom and slip into something more...
表現 · A2at the moment

right now

After the name joke she adds at the moment to say what is true of her right now, then heads for the door.

I'm Ruth-less at the moment. I really should go.
発音Ruth-less at

Link Ruth-less and at so the pun flows smoothly.

I'm Ruth-less at the moment. I really should go.
表現 · B1catch a ride

get my lift

I've gotta catch my ride.
スラング · A2gotta

have got to — Everyday speech; avoid it in formal writing.

I've gotta catch my ride.
発音I did

Both words are stressed to insist that he really did leave.

I did.
スラング · B1nut

an odd person — Playful among friends; too blunt for strangers.

I thought maybe you were a nut, but you were exciting.
文法 · B2I wish I'd stayed

wish + past perfect: Wish with the past perfect expresses regret about the past.

I wish I'd stayed.
表現 · B1be above someone's head

beyond my understanding

Recalling why he ran, Joel says the night was above his head, meaning he could not handle it.

I felt like a scared little kid. I was like-- It was above my head. I don't know.
文法 · B1Thought you knew

dropped subject: The subject I is dropped, so it means I thought you knew.

Thought you knew that about me.
表現 · B1try to outrun something

trying to escape

I ran back to the bonfire, trying to outrun my humiliation, I think.
表現 · A2Was it something I said?

a wrong word from me

Was it something I said?
文法 · B1What if you stayed

what-if clause: What if introduces a hypothetical, here asking what staying would change.

What if you stayed this time?
表現 · A2come back and do something

return here

Come back and make up a good-bye, at least.
表現 · B1balance something out

cancels it out

You're stoned, and you're driving. Yeah, the pot balances it out.
スラング · B1stoned

high on drugs — Means high on drugs; keep it casual.

You're stoned, and you're driving. Yeah, the pot balances it out.
文法 · B1If I'm going to be drinking

if-clause: The if-clause uses going to for a plan and pairs with will in the main clause.

The pot brings you back up. That's why I smoke it. If I'm going to be drinking, then I'll smoke it.
スラング · B1pot

marijuana — Slang for marijuana; informal only.

The pot brings you back up. That's why I smoke it. If I'm going to be drinking, then I'll smoke it.
発音can't see

The t in can't often drops before see.

I can't see shit.
スラング · B2shit

a crude intensifier — Very crude; never use it in polite speech.

I can't see shit.
表現 · A2talk to somebody

speaking with someone

I saw you talking to somebody pretty.
文法 · B1talking to somebody

participle phrase: Talking is an object complement showing what he saw happening.

I saw you talking to somebody pretty.

「Meet Me in Montauk」を読み解く

What's really going on

The beach house is a fantasy: an empty home they can claim for one night, with borrowed names and borrowed domesticity. The flirting is real, but so is the exit — Clementine's 'I'm Ruth-less at the moment' sounds like a joke and a goodbye at once. When Joel finally explains, he says he 'felt like a scared little kid,' and that 'it was above my head' — the same retreat that the memory keeps replaying. The scene's ache is that they can only rehearse leaving. 'Come back and make up a good-bye, at least,' she says, aware the erasure is almost done.

Theme

MemoryThe scene lives inside an erasure: they keep replaying a goodbye they can't keep.
HeartbreakTheir banter can't hide that the relationship is already ending, again.

このチャプターで学べること

  • A goodbye invented on purpose still hurts more than none.
  • Clementine jokes to keep a real feeling at arm's length.
  • He admits the escape years late, and it changes nothing.
  • Montauk becomes a promise the memory cannot keep.

発音のポイント

  • sort of — Sort of often blurs into sorta in fast speech.
  • What are you — In fast speech what are you can sound like whatcha.
  • water's fine — The American t in water flaps and can sound like a d.
  • Ruth-less at — Link Ruth-less and at so the pun flows smoothly.
At least I'm not barking up the wrong tree.

After learning Joel lives with a woman, Clementine jokes she isn't chasing the wrong person. The idiom means pursuing a mistaken target or idea.

I ran back to the bonfire, trying to outrun my humiliation, I think.

Joel recalls fleeing the night he left her, running as if he could escape his own shame. 'Outrun' turns an emotion into something you can physically sprint from.

Was it something I said?

Clementine's question pins the breakup on one careless line. It's the classic plea of someone told there's a reason but not yet which one.

I thought maybe you were a nut, but you were exciting.

She admits she first read Joel as strange, then found that strangeness thrilling. A backhanded compliment that names what drew her to him.

このシーンについての質問

Why does Clementine say 'I'm Ruth-less at the moment'?

It's a pun on the made-up name Ruth. Ruth-less sounds like 'ruthless' (merciless), so she turns their game into a self-deprecating goodbye as she gets ready to leave.

Why did Joel walk out the door years ago?

He says he felt 'like a scared little kid' and that the situation was above his head. Instead of staying with Clementine, he ran back to the bonfire to escape his humiliation.

Why does Clementine whisper 'Meet me in Montauk'?

As the memory is being erased, she plants a meeting place she won't consciously remember, hoping Joel will find her anyway. It sets up their reunion on the beach at the end.

Is Joel being fair when he blames Clementine for saying 'So go'?

The line stung, but Joel admits the choice was his: he walked out. The scene frames the breakup as mutual fear rather than one person's cruelty.

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