kind of
I do sort of live With someone though.Eternal Sunshine of the Spotless Mind · 2004 — 第 19 / 20 章 · 5'02" · B1
Joel and Clementine break into an empty beach house in Montauk and play at being David and Ruth Laskin. The banter is flirty, but “I'm Ruth-less at the moment” is already a goodbye. Underneath the game, Joel is confessing he once ran out on her.
Inside a stranger's beach house in Montauk, Joel and Clementine pretend to be a married couple, pull out wine, and rummage for candles. As the memory ends, Clementine asks Joel to at least invent a proper goodbye. He admits he walked out years ago because he was scared, and she whispers, 'Meet me in Montauk.'
注目の表現
barking up the wrong treeRuth-lessat the momentabove my head
このシーンの表現
chasing the wrong thing
Outside the beach house she teases Joel, meaning at least she is chasing the right person.
If you think he is single, you are barking up the wrong tree.
a pun on ruthless
right now
beyond my understanding
change into clothes
invent or fill in
76 行のセリフに 37 件のメモ
kind of
I do sort of live With someone though.emphatic do: The do adds emphasis, turning the verb into a firm I really do.
I do sort of live With someone though.Sort of often blurs into sorta in fast speech.
I do sort of live With someone though.chasing the wrong thing
Outside the beach house she teases Joel, meaning at least she is chasing the right person.
At least I'm not barking up the wrong tree.possibly have
They might have a dog.modal verb: Might marks a weaker possibility than may here.
They might have a dog.In fast speech what are you can sound like whatcha.
What are you doing?The American t in water flaps and can sound like a d.
The water's fine.trust me
Nobody's coming here tonight. Believe me.search for
So this is great. Now I can look for, um, candles, matches...telephone connection
I think we should go. There's no phone line.for this night only
Just for tonight. We are ''David and Ruth Laskin.'' Which one do you want to be?rather be
Uh-- I prefer to be Ruth, but I can be flexible.oh dear — A sigh of dismay when something looks awkward.
Oh, boy. So, Are you okay with wine? I don't know.change into clothes
She excuses herself to the bedroom and says she will slip into something more, leaving the sentence hanging.
I'm gonna go find the bedroom and slip into something more...going to — Common in speech; not for formal use.
I'm gonna go find the bedroom and slip into something more...right now
After the name joke she adds at the moment to say what is true of her right now, then heads for the door.
I'm Ruth-less at the moment. I really should go.Link Ruth-less and at so the pun flows smoothly.
I'm Ruth-less at the moment. I really should go.get my lift
I've gotta catch my ride.have got to — Everyday speech; avoid it in formal writing.
I've gotta catch my ride.Both words are stressed to insist that he really did leave.
I did.an odd person — Playful among friends; too blunt for strangers.
I thought maybe you were a nut, but you were exciting.wish + past perfect: Wish with the past perfect expresses regret about the past.
I wish I'd stayed.beyond my understanding
Recalling why he ran, Joel says the night was above his head, meaning he could not handle it.
I felt like a scared little kid. I was like-- It was above my head. I don't know.dropped subject: The subject I is dropped, so it means I thought you knew.
Thought you knew that about me.trying to escape
I ran back to the bonfire, trying to outrun my humiliation, I think.a wrong word from me
Was it something I said?what-if clause: What if introduces a hypothetical, here asking what staying would change.
What if you stayed this time?return here
Come back and make up a good-bye, at least.cancels it out
You're stoned, and you're driving. Yeah, the pot balances it out.high on drugs — Means high on drugs; keep it casual.
You're stoned, and you're driving. Yeah, the pot balances it out.if-clause: The if-clause uses going to for a plan and pairs with will in the main clause.
The pot brings you back up. That's why I smoke it. If I'm going to be drinking, then I'll smoke it.marijuana — Slang for marijuana; informal only.
The pot brings you back up. That's why I smoke it. If I'm going to be drinking, then I'll smoke it.The t in can't often drops before see.
I can't see shit.a crude intensifier — Very crude; never use it in polite speech.
I can't see shit.speaking with someone
I saw you talking to somebody pretty.participle phrase: Talking is an object complement showing what he saw happening.
I saw you talking to somebody pretty.The beach house is a fantasy: an empty home they can claim for one night, with borrowed names and borrowed domesticity. The flirting is real, but so is the exit — Clementine's 'I'm Ruth-less at the moment' sounds like a joke and a goodbye at once. When Joel finally explains, he says he 'felt like a scared little kid,' and that 'it was above my head' — the same retreat that the memory keeps replaying. The scene's ache is that they can only rehearse leaving. 'Come back and make up a good-bye, at least,' she says, aware the erasure is almost done.
At least I'm not barking up the wrong tree.After learning Joel lives with a woman, Clementine jokes she isn't chasing the wrong person. The idiom means pursuing a mistaken target or idea.
I ran back to the bonfire, trying to outrun my humiliation, I think.Joel recalls fleeing the night he left her, running as if he could escape his own shame. 'Outrun' turns an emotion into something you can physically sprint from.
Was it something I said?Clementine's question pins the breakup on one careless line. It's the classic plea of someone told there's a reason but not yet which one.
I thought maybe you were a nut, but you were exciting.She admits she first read Joel as strange, then found that strangeness thrilling. A backhanded compliment that names what drew her to him.
It's a pun on the made-up name Ruth. Ruth-less sounds like 'ruthless' (merciless), so she turns their game into a self-deprecating goodbye as she gets ready to leave.
He says he felt 'like a scared little kid' and that the situation was above his head. Instead of staying with Clementine, he ran back to the bonfire to escape his humiliation.
As the memory is being erased, she plants a meeting place she won't consciously remember, hoping Joel will find her anyway. It sets up their reunion on the beach at the end.
The line stung, but Joel admits the choice was his: he walked out. The scene frames the breakup as mutual fear rather than one person's cruelty.
次のチャプター · 第 20 章off the roseClementine's Tape Plays
第 1 章in a funkJoel Ditches Work for Montauk Beach
第 2 章out of sortsClementine Meets Joel on the Train
第 3 章live life to the fullestJoel and Clementine Meet
第 4 章oddly enoughJoel and Clementine on the Ice
第 5 章as a larkJoel Finds Out He Was Erased
第 6 章on a par withLacuna Maps Joel's Memory of Clementine
第 7 章déjà vuMapping Joel's Memories
第 8 章freak outClementine Wrecks Joel's Car
第 9 章an open bookThe Dining Dead Dinner
第 10 章on autopilotJoel Calls Clementine Tangerine
第 11 章call it offClementine Asks Am I Ugly
第 12 章self-fulfilling propheciesJoel Tries to Stop the Erasing
第 13 章off the mapthe Hamlyn Kitchen Memory
第 14 章get to the bottom ofJoel Disappears Off the Map
第 15 章you can run but you can't hideJoel Runs Through His Memories
第 16 章spotless mindMary Quotes the Film's Title Line
第 17 章have a historyHollis Catches Howard with Mary
第 18 章come on to someoneJoel Meets Clementine on the Beach
再生中 · 第 19 章barking up the wrong treeMeet Me in Montauk
第 20 章off the roseClementine's Tape Plays