on the Charles River
''Look! You and me on the Charles River.Eternal Sunshine of the Spotless Mind · 2004 — 第 11 / 20 章 · 3'51" · B1
Inside one of Joel's tenderest memories, he gives Clementine an early Valentine's gift and she asks, out of nowhere, "Am I ugly?" She then tells him about the ugly doll she named Clementine as a child. All the while, the memory is being erased and Joel keeps begging to call it off.
In a memory of their early romance, Joel and Clementine are by the Charles River. He gives her an early Valentine's Day gift and she admits she has never gone out with a guy who bought her jewelry she liked. She asks whether she is ugly and recalls the ugly doll she named Clementine, while Joel, aware the memory is being erased, tries to stop it.
注目の表現
call it offopen something upgo out with someonetransform
このシーンの表現
cancel or stop something
Halfway through the erasure, Joel shouts to stop the whole procedure.
They had to call it off when the storm hit.
open something
date someone
change completely
back in my childhood
allow someone to retain something
54 行のセリフに 25 件のメモ
on the Charles River
''Look! You and me on the Charles River.Link on and the so it sounds like one word.
''Look! You and me on the Charles River.happy enough to die
I could die right now, Clem.The d in could often drops before die.
I could die right now, Clem.good, fine — A relaxed reply among friends.
Cool. Oh, uh,bought you something
I, uh-- I got you this...Valentine's Day early
Happy early Valentine's Day.open something
Joel hands over the gift and tells Clementine to open it herself.
Uh, I don't know. Open it up.date someone
Touched by the gift, Clementine admits she has never dated a man who read her taste right.
I've never gone out with a guy who bought me a piece of jewelry I liked.time clause: The when-clause sets the time frame for the main clause that follows.
When I was a kid, I thought I was.how lonely it is
Sometimes I think people don't understand how lonely it is to be a kid.embedded clause: How lonely it is works as the object of understand, not a question.
Sometimes I think people don't understand how lonely it is to be a kid.whom I named
My favorite is this ugly girl doll who I call Clementine.relative clause: The who-clause describes the doll rather than adding a new sentence.
My favorite is this ugly girl doll who I call Clementine.shouting at her
And I keep yelling at her.: ''You can't be ugly! Be pretty!'' It's weird.allow someone to retain something
As the memory is being erased, Joel begs the doctor to spare just this one.
Pretty. Pretty. Mierzwiak, please let me keep this memory.hold your hand
I don't wanna hold your hand. Come on.want to — Very casual; avoid it in formal settings.
I don't wanna hold your hand. Come on.wow, hold on — A startled or halting exclamation.
Whoa! Stop it!cancel or stop something
Halfway through the erasure, Joel shouts to stop the whole procedure.
I wanna call it off.want to — Casual and urgent; not for formal writing.
I wanna call it off.give you a signal
I'll give you a sign.Can weakens to /kən/ in fast speech.
Can you hear me? I don't want this anymore! I wanna call it off!.have got to — Everyday speech; keep it out of formal writing.
We gotta go. What? Where?how to stop it
I have an idea of how to stop this.This memory is one of the film's warmest, and its content is almost alarmingly ordinary: a gift given early, a compliment, an old childhood story. The intimacy lies in what Clementine tells him about the doll she named Clementine, an ugly toy she yelled at to be pretty — "You can't be ugly! Be pretty!" — because if she could transform the doll, she thought, "I would magically change too." That confession is why the scene matters to the plot: this is a memory Joel is desperate not to lose. As the erasure proceeds, his own voice cuts across the sweetness, insisting, "I wanna call it off," and begging Mierzwiak to "let me keep this memory." The line between the remembered past and the present machine runs straight through it, and Joel is no longer a man choosing to forget but one fighting to remember.
Sometimes I think people don't understand how lonely it is to be a kid.Clementine's reflection that childhood loneliness goes unseen by adults, told as she recounts the doll she named after herself.
I've never gone out with a guy who bought me a piece of jewelry I liked.Her surprised happiness at Joel's gift, a compliment that says as much about her past disappointments as about the present.
I have an idea of how to stop this.Joel's realization, deep inside the erasure, that he might be able to halt the procedure and save the memory.
I've never felt that before.His earlier, unfiltered line about the happiness of being with her, replayed as the memory is taken apart.
She is not fishing for a real verdict so much as seeking comfort; she follows it by recalling the ugly doll she named Clementine as a child.
It is a childhood story about wanting to transform the doll — and herself — into something pretty, the memory Joel clings to hardest.
As the erasure runs, he changes his mind mid-procedure and begs Mierzwiak to keep this memory rather than lose Clementine entirely.
The doctor running the erasure, whom Joel pleads with inside his own memory to let him keep the recollection of Clementine.
次のチャプター · 第 12 章self-fulfilling propheciesJoel Tries to Stop the Erasing
第 1 章in a funkJoel Ditches Work for Montauk Beach
第 2 章out of sortsClementine Meets Joel on the Train
第 3 章live life to the fullestJoel and Clementine Meet
第 4 章oddly enoughJoel and Clementine on the Ice
第 5 章as a larkJoel Finds Out He Was Erased
第 6 章on a par withLacuna Maps Joel's Memory of Clementine
第 7 章déjà vuMapping Joel's Memories
第 8 章freak outClementine Wrecks Joel's Car
第 9 章an open bookThe Dining Dead Dinner
第 10 章on autopilotJoel Calls Clementine Tangerine
再生中 · 第 11 章call it offClementine Asks Am I Ugly
第 12 章self-fulfilling propheciesJoel Tries to Stop the Erasing
第 13 章off the mapthe Hamlyn Kitchen Memory
第 14 章get to the bottom ofJoel Disappears Off the Map
第 15 章you can run but you can't hideJoel Runs Through His Memories
第 16 章spotless mindMary Quotes the Film's Title Line
第 17 章have a historyHollis Catches Howard with Mary
第 18 章come on to someoneJoel Meets Clementine on the Beach
第 19 章barking up the wrong treeMeet Me in Montauk
第 20 章off the roseClementine's Tape Plays