Eternal Sunshine of the Spotless Mind · 2004 — 第 14 / 20 章 · 4'42" · B2
Stan calls Howard in a panic: Joel has gone off the map mid-erasure and cannot be brought back up. At the same time, Mary is too stoned to leave, and inside Joel's head Clementine is telling him, "You'll remember me in the morning, and you'll come to me."
Midway through erasing Joel's memories, Stan loses him: Joel has wandered off the map and will not come back up, so Stan phones Howard for help. Downstairs, Mary is high and refuses to leave, worried Howard will see her like this. Inside the memory, Clementine reassures Joel that he is wonderful and asks him to find her again.
注目の表現
bring someone back upon autopilotfell for youget to the bottom of
このシーンの表現
find the real cause
Arriving at the scene, Howard says they should get to the bottom of what went wrong before deciding anything.
The manager wants to get to the bottom of the missing shipment.
pull someone back
running by itself
fell in love with you
no longer on the map
look terrible
73 行のセリフに 26 件のメモ
pull someone back
Stan panics on the phone to Howard, admitting he cannot pull Joel back up onto the screen.
Hey, it's Stan. Um, I'm working on this guy down here, And we seem to have lost him for a moment, And, uh, I can't-- I can't bring him back up.for a short while
Well, I wasn't sure, really, 'cause I was away from the monitor for a minute...running by itself
Stan explains why he left the screen, saying he had the program on autopilot while he ran to the bathroom.
And I had it on autopilot because I had to, uh-- I had to pee. Where's Patrick?leave work sick
Patrick? Patrick had to go home sick.oh man — Casual dismay; too loose for formal talk.
Ah, geez.damn — A swear of frustration; not for polite settings.
Shit.high on drugs — Casual slang for being high; avoid in formal speech.
I am so stoned. Please, Mary.get tangled in
Mary, you have no idea how much trouble we're gonna get into if Howard comes-- I look like shit!not know at all
Mary, you have no idea how much trouble we're gonna get into if Howard comes-- I look like shit!noun clause: This clause is the object of have no idea, naming the trouble ahead.
Mary, you have no idea how much trouble we're gonna get into if Howard comes-- I look like shit!subject clause: The how-clause is the real subject; it only fills the slot for it.
It's weird how strong that desire is.begin again
Inside the memory, Joel pictures Clementine telling him about them and the two starting over.
and you'll tell me about us, and we'll start over.a certain kind of
He's here in my apartment. He's one of those eraser guys.memory erasers — In-house jargon for the clinic's erasing technicians.
He's here in my apartment. He's one of those eraser guys.fell in love with you
Jealous in the memory, Joel points out that the technician fell for Clementine while erasing her.
He fell for you when they were doing you, And now he's introduced himself like he doesn't even know you, And you guys are dating. Really?relative clause: The clause after person describes it, with that left out of the sentence.
You're the most wonderful person I've ever met.did nothing at all — Vulgar slang meaning it had no effect; keep it informal.
Those eyedrops you gave me didn't do shit.as much as you can
I wanted to understand as much as I could about the procedure as possible.all that I was able
I wanted to understand as much as I could about the procedure as possible.In fast speech wanted to can blur into wanna.
I wanted to understand as much as I could about the procedure as possible.find the real cause
Arriving at the scene, Howard says they should get to the bottom of what went wrong before deciding anything.
All right, well, let's see if we can, uh, get to the bottom of this, Uh, yeah. Um--Did you often weakens into a single blur.
Did you try going through the C-gate? Yeah, of course.shows up
Whew! All right, I'm gonna-- I'm gonna go through the entire memory, see if something comes up.conditional clause: The if-clause names the condition the scan is meant to catch.
Whew! All right, I'm gonna-- I'm gonna go through the entire memory, see if something comes up.no longer on the map
Rescanning Joel's mind, Howard finds a spot that should not exist on the map, and Stan is baffled.
I don't understand why it's off the map like that.Link off and the so the f glides into the.
I don't understand why it's off the map like that.The erasure is failing, and the film lets us watch the technicians panic. Joel has slipped off the map, and the language they use to describe it is deliberately bland: "we seem to have lost him," "I can't bring him back up." A procedure sold as painless and routine is revealed as a machine that can lose the person inside it. The comedy around it — Stan blaming the autopilot because he had to pee, Mary turning up high and refusing to leave — keeps the scene light even as it exposes the mess behind the service. The real counterweight is inside the memory, where Clementine tells Joel, "You'll remember me in the morning, and you'll come to me, and you'll tell me about us, and we'll start over." What the technicians call a malfunction is, for Joel, the last attempt to keep someone he is losing.
You're the most wonderful person I've ever met.Clementine's line inside the memory, a reassurance Joel hears while the erasure runs, and the kind of thing he is about to lose.
You'll remember me in the morning, And you'll come to me,Her promise or plea inside the fading memory: that he will wake up still knowing her and seek her out.
It's weird how strong that desire is.Joel's own observation in the memory, on the pull to have Clementine come and pick him up.
Those eyedrops you gave me didn't do shit.Mary's complaint about the eyedrops meant to hide that she is high, which have clearly failed.
Joel has gone off the map during the erasure and Stan cannot bring him back up, so he calls Howard for help.
She came to help with the procedure and is high on something; she refuses to leave even as Howard is about to arrive.
It means Joel has moved beyond the memories the technicians can track, leaving them unable to locate or retrieve him during the erasure.
She is worried about what Howard might say and, stoned as she is, insists on staying rather than leaving before he arrives.
次のチャプター · 第 15 章you can run but you can't hideJoel Runs Through His Memories
第 1 章in a funkJoel Ditches Work for Montauk Beach
第 2 章out of sortsClementine Meets Joel on the Train
第 3 章live life to the fullestJoel and Clementine Meet
第 4 章oddly enoughJoel and Clementine on the Ice
第 5 章as a larkJoel Finds Out He Was Erased
第 6 章on a par withLacuna Maps Joel's Memory of Clementine
第 7 章déjà vuMapping Joel's Memories
第 8 章freak outClementine Wrecks Joel's Car
第 9 章an open bookThe Dining Dead Dinner
第 10 章on autopilotJoel Calls Clementine Tangerine
第 11 章call it offClementine Asks Am I Ugly
第 12 章self-fulfilling propheciesJoel Tries to Stop the Erasing
第 13 章off the mapthe Hamlyn Kitchen Memory
再生中 · 第 14 章get to the bottom ofJoel Disappears Off the Map
第 15 章you can run but you can't hideJoel Runs Through His Memories
第 16 章spotless mindMary Quotes the Film's Title Line
第 17 章have a historyHollis Catches Howard with Mary
第 18 章come on to someoneJoel Meets Clementine on the Beach
第 19 章barking up the wrong treeMeet Me in Montauk
第 20 章off the roseClementine's Tape Plays