match perfectly
Oh, man! I matched my sweatshirt exactly.Eternal Sunshine of the Spotless Mind · 2004 — 第 10 / 20 章 · 2'42" · B1
A playful memory turns dark fast: the man coining "Tangerine" for her orange hair gives way to her panic, "I don't know! I'm lost, I'm scared, I feel like I'm disappearing." Under the banter is the fear the film keeps circling: that love, memory, and even the self can be wiped clean.
Joel's memory of Clementine swings from sweetness to panic. He teases that she looks like a tangerine and she laughs; later she sobs that nothing makes any sense and that she feels like she is disappearing. Cut to Joel leaving a voicemail and calling Stan to cover for him, because he got into a situation with the old lady.
注目の表現
tangerineClemen-teenfeel likemake any sense
このシーンの表現
going through motions automatically
Stan tells the caller the patient is basically running on autopilot.
After the long shift, she answered emails on autopilot.
a small orange citrus
a nickname rhyming with tangerine
have the sense that
be understandable
name oneself
49 行のセリフに 37 件のメモ
match perfectly
Oh, man! I matched my sweatshirt exactly.resemble
You look like a tangerine. Ohh!watch someone doing
Can you see me doing ducks?address someone as
How does he know to call you that?wh- + infinitive: Know to do something means to know the right way to do it.
How does he know to call you that?name oneself
Clementine stresses that the band chose its own name, and for a reason.
That's what they called themselves. The Clash-- The only band that mattered. They called themselves that for a reason.not by chance
That's what they called themselves. The Clash-- The only band that mattered. They called themselves that for a reason.predicative clause: The what-clause is the predicate, naming what they called themselves.
That's what they called themselves. The Clash-- The only band that mattered. They called themselves that for a reason.tag question: A tag question turns a statement into a bid for agreement.
It's amazing, isn't it? Like social justice-- Yeah, it's totally incredible. What Howard gives to the world.start over
To let people begin again.a jumble of
Adults are, like, this mess of sadness... and...disappear
And Howard just makes it all go away.have the sense that
Panicking, Clementine uses feel like to name a feeling she cannot explain.
I don't know! I'm lost, I'm scared, I feel like I'm disappearing.object clause: Feel like takes a full clause here, naming a vague feeling.
I don't know! I'm lost, I'm scared, I feel like I'm disappearing.aging
My skin's coming off!. I'm getting old!be understandable
Clementine says nothing adds up, and Joel tries to calm her.
Nothing makes any sense to me! You're not getting old.Link sense and to so it sounds like one word.
Nothing makes any sense to me! You're not getting old.go dancing
Hey, let's go out dancing.the coming weekend
Come up to Boston with me. Sure. Yeah. We can go next weekend.record a message
Um, leave a message after the beep and I'll get back to you.reply to you later
A voicemail greeting asks callers to leave a message and promises a reply.
Um, leave a message after the beep and I'll get back to you.The to weakens to a schwa, so back to you runs fast.
Um, leave a message after the beep and I'll get back to you.answer the phone
Pick up.! Pick up, man.! W-W-W-W-Whoa.end up in
I got into a little situation with the old lady.one's girlfriend here it means his girlfriend, not an elderly woman
I got into a little situation with the old lady.Into and a blend together in fast speech.
I got into a little situation with the old lady.girlfriend — Casual between friends; not for polite or formal talk.
I got into a little situation with the old lady.cope with matters
Can you handle things tonight alone?be anxious about
Don't worry about it. I got it under control, man.managed
Don't worry about it. I got it under control, man.going through motions automatically
Stan tells the caller the patient is basically running on autopilot.
He's pretty much on autopilot right now anyway.more or less
He's pretty much on autopilot right now anyway.be deeply indebted
Thanks, Stan. I owe you big-time.Link owe and you, almost like one word.
Thanks, Stan. I owe you big-time.very much — Spoken emphasis, fine with friends.
Thanks, Stan. I owe you big-time.man, bro — Casual address for a friend; avoid it in formal settings.
Dude, I gotta go. I gotta go.have got to — Everyday speech; too casual for formal writing.
Dude, I gotta go. I gotta go.On the surface this is a lover's memory: a nickname, a joke about matching her sweatshirt, a fit of laughter. Then it curdles. "I don't know! I'm lost, I'm scared, I feel like I'm disappearing," Clementine says, and it is not really about him — it is about aging, panic, and the terror of losing herself. The cut to Joel on the phone sharpens it: "I got into a little situation with the old lady," he tells Stan, dressing up an emotional emergency as a small logistical problem. He also jokes that the man on the table is "pretty much on autopilot," a line that lands differently when you realize he is talking about himself being erased. The chapter's real subject is how people narrate their own pain as something smaller than it is.
I don't know! I'm lost, I'm scared, I feel like I'm disappearing.Clementine's panic in the memory: she is overwhelmed, frightened, and afraid that she is losing her sense of self. It is one of the film's clearest statements of what erasure feels like.
I got into a little situation with the old lady.Joel plays down his crisis on the phone: "the old lady" is his girlfriend, and "a little situation" makes an emotional emergency sound like a minor errand. Softening it is exactly the point.
He's pretty much on autopilot right now anyway.Stan says the man being erased is basically running on autopilot, meaning he is functioning without really being present. Since the man is Joel himself, the line doubles as a warning about going through life numb.
Don't worry about it. I got it under control, man.Joel reassures Stan he can handle the night's erasure job alone. The easy, buddy tone hides how much he is actually struggling.
In this memory she is panicking about aging and losing herself. It is one of the film's most direct images of what the memory erasure is doing to her, even though she does not know it is happening.
It's his girlfriend, Clementine. He calls Stan to get out of the erasure session for one night, framing his emotional crisis as a small personal problem with her.
He is in the middle of an erasure session and cannot simply walk out. He asks Stan to cover for him alone that night, promising he owes him big, then hangs up before he has to explain more.
It means the man on the table is functioning mechanically, without real awareness. Since that man is Joel, the joke is also a quiet image of someone sleepwalking through his own life.
次のチャプター · 第 11 章call it offClementine Asks Am I Ugly
第 1 章in a funkJoel Ditches Work for Montauk Beach
第 2 章out of sortsClementine Meets Joel on the Train
第 3 章live life to the fullestJoel and Clementine Meet
第 4 章oddly enoughJoel and Clementine on the Ice
第 5 章as a larkJoel Finds Out He Was Erased
第 6 章on a par withLacuna Maps Joel's Memory of Clementine
第 7 章déjà vuMapping Joel's Memories
第 8 章freak outClementine Wrecks Joel's Car
第 9 章an open bookThe Dining Dead Dinner
再生中 · 第 10 章on autopilotJoel Calls Clementine Tangerine
第 11 章call it offClementine Asks Am I Ugly
第 12 章self-fulfilling propheciesJoel Tries to Stop the Erasing
第 13 章off the mapthe Hamlyn Kitchen Memory
第 14 章get to the bottom ofJoel Disappears Off the Map
第 15 章you can run but you can't hideJoel Runs Through His Memories
第 16 章spotless mindMary Quotes the Film's Title Line
第 17 章have a historyHollis Catches Howard with Mary
第 18 章come on to someoneJoel Meets Clementine on the Beach
第 19 章barking up the wrong treeMeet Me in Montauk
第 20 章off the roseClementine's Tape Plays