have to leave
We gotta go.Eternal Sunshine of the Spotless Mind · 2004 — 第 16 / 20 章 · 4'25" · B1
Mary shares the poems she has been collecting for Howard and lands on the line that gives the film its title: "Eternal sunshine of the spotless mind." Underneath the literary charm is a confession — she has loved him for a very long time.
Mary, a technician at the memory-erasing clinic, has been saving quotes to share with Howard. Sitting with him while Joel's memories are wiped, she reads a line from Alexander Pope — the "eternal sunshine of the spotless mind" — then admits she has loved Howard for a very long time.
注目の表現
look outget offcome acrossfamiliar
このシーンの表現
a mind without stains
Mary reads the Pope line that gives the film its title, offering its bright image to Howard.
The poem's spotless mind describes a heart free of regret.
watch out, be careful
stop pressing on me
find by chance
too informal, overfamiliar
damn, crap
58 行のセリフに 25 件のメモ
have to leave
We gotta go.In gotta the t is dropped, so it sounds almost like gadda go.
We gotta go.have got to — Everyday speech; too casual for formal writing.
We gotta go.a very inconvenient moment
No! This is a really bad time for this!embedded question: An embedded question keeps statement order after know.
I don't even know where we're going. It's gonna be fun. Come on.in this direction
It's the best place. No, this way.not helpful in the least
You're no help at all.observe someone doing their job
I like watching you work, Howard.if no one objects
I guess, uh-- I guess I'll go out for-- for some air, if nobody minds.properly managed
It looks like you have everything under control here.Do you often reduces to a light dya in fast speech.
What do you mean?well-known sayings
Oh, you know, like famous quotes?relative clause: A reduced relative clause modifies some without a visible that.
I find reading them inspirational, And in my reading, I've come across some I thought you might like too.inversion: The adjective is fronted for an archaic, biblical tone.
There's one that goes, ''Blessed are the forgetful, For they get the better even of their blunders.''damn — A common swear; keep it out of polite talk.
Oh, yeah. Yeah, shit.just go and do it
It's just that I told myself not to say ''Pope Alexander'' and sound like a dope, and then I go ahead and say it.a fool — Playful for a fool; avoid it as a direct insult.
It's just that I told myself not to say ''Pope Alexander'' and sound like a dope, and then I go ahead and say it.the quotation reads
The quote goes, ''How happy is the blameless vestal's lot?for ages
I've loved you for a very long time.present perfect: Present perfect shows love lasting from the past until now.
I've loved you for a very long time.should not have said it
I shouldn't have said that.modal perfect: Shouldn't have done marks regret about something already said.
I shouldn't have said that.be married with children
But I-- You know, I have a wife and kids.Link have and a so they run together as hava wife.
But I-- You know, I have a wife and kids.must not go through with it
Oh, Mary, we can't do this.The scene is doing two things at once. On the surface it is a scholarly flirtation: Mary brings Howard 'famous quotes' and corrects herself when she fumbles the poet's name. But the poem she chooses is about forgetting — 'Eternal sunshine of the spotless mind' — and it lands while Joel's memory is being erased, so the film's premise gets spoken aloud. The real current is Mary's confession: 'I've loved you for a very long time.' When Howard answers that he has a wife and kids, the scene turns from charm to damage, and her apology — I shouldn't have said that — can't put it back.
I don't even know where we're going. It's gonna be fun. Come on.In the memory, one of them pulls the other along without a plan, treating the unknown as an adventure rather than a risk.
I really admire the work you do, Howard.Mary's open admiration, said in the clinic, is more personal than professional — praise that edges toward something she is not supposed to feel.
I've loved you for a very long time.Her confession lands plainly, without hedging; it reframes every earlier compliment and forces Howard to answer.
I shouldn't have said that.The instant regret after the confession — she tries to take it back, but Howard has already heard it and is already responding.
From the Alexander Pope poem Mary reads to Howard in the clinic: 'Eternal sunshine of the spotless mind.' She recites it while Joel's memories are being erased, so the title is spoken on screen.
No. He tells her she's a wonderful girl, but adds that he has a wife and kids and that they can't do this. It is a refusal, delivered gently but clearly.
She knows she crossed a line with her boss. Once Howard pulls back, she tries to undo the confession, saying 'I shouldn't have said that,' but he has already heard it.
He is having his memories of Clementine erased at the clinic. The images we see — the two of them playing on the ice — are the memories being wiped while Mary and Howard talk.
次のチャプター · 第 17 章have a historyHollis Catches Howard with Mary
第 1 章in a funkJoel Ditches Work for Montauk Beach
第 2 章out of sortsClementine Meets Joel on the Train
第 3 章live life to the fullestJoel and Clementine Meet
第 4 章oddly enoughJoel and Clementine on the Ice
第 5 章as a larkJoel Finds Out He Was Erased
第 6 章on a par withLacuna Maps Joel's Memory of Clementine
第 7 章déjà vuMapping Joel's Memories
第 8 章freak outClementine Wrecks Joel's Car
第 9 章an open bookThe Dining Dead Dinner
第 10 章on autopilotJoel Calls Clementine Tangerine
第 11 章call it offClementine Asks Am I Ugly
第 12 章self-fulfilling propheciesJoel Tries to Stop the Erasing
第 13 章off the mapthe Hamlyn Kitchen Memory
第 14 章get to the bottom ofJoel Disappears Off the Map
第 15 章you can run but you can't hideJoel Runs Through His Memories
再生中 · 第 16 章spotless mindMary Quotes the Film's Title Line
第 17 章have a historyHollis Catches Howard with Mary
第 18 章come on to someoneJoel Meets Clementine on the Beach
第 19 章barking up the wrong treeMeet Me in Montauk
第 20 章off the roseClementine's Tape Plays