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Eternal Sunshine of the Spotless Mind · 2004 — 第 17 / 20 章 · 2'08" · B1

Hollis Catches Howard with Mary, Explained：have a history

Hollis walks in at dawn and finds her husband Howard with Mary. The surface is an office scandal, but the real wound is what comes out next: "We have a history" — Mary has done this before, and had it erased. Hollis isn't jealous; she's done being lied to.

あらすじ

At dawn, as Joel's memory erasure winds down, Hollis — Dr. Mierzwiak's wife — shows up at the apartment and catches Howard with Mary. After a dry, cutting "Thanks a lot," she tells Howard to tell the girl the truth. He admits he and Mary have a history: Mary had the procedure done to get past him.

Marriage troubleAccusationsConfrontingConfessingSpousesB1slowamericanClean
IMDb ↗

注目の表現

start outThanks a lothave a historyforce someone into something

00:00 / 02:08
Space 再生 · ← → セリフ移動 · R リピート
いま
  18. ❝ 独白Howard's confession4 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

have a history

share a past

Pressed for the truth, Howard admits only that he and Mary have a past.

Those two have a history nobody talks about.

このシーンの他の表現

  • start out

    begin as

  • Thanks a lot

    sarcastic thanks

  • force someone into something

    push someone into it

  • get past something

    move on from

  • monster

    a cruel person

このシーンのメモ一覧

25 行のセリフに 24 件のメモ

表現 · A2Oh, my God

oh my God

What? Oh, my God.!
表現 · A2thanks a lot

sarcastic thanks

In the car Hollis thanks Stan for letting her in, her gratitude clearly a jab.

Thank you, Stan. Thanks a lot.
表現 · B1start out as/to be something

begin as

Caught by his wife, Howard runs to the car to insist it was not like this at the start.

- I knew it, Howard. - Hollis, it didn't start out to be like this.
文法 · B1start out to be

infinitive phrase: Start out to be names what something was at the beginning.

- I knew it, Howard. - Hollis, it didn't start out to be like this.
発音didn't start

The t in didn't often drops before start.

- I knew it, Howard. - Hollis, it didn't start out to be like this.
表現 · A2come here to do something

came to work

I came here to work. Hollis, this is a one-time mistake!
表現 · B1a one-time mistake

a one-off slip

I came here to work. Hollis, this is a one-time mistake!
表現 · B1have a crush on someone

a silly crush

I'm a stupid girl with a stupid crush.! Yeah.
スラング · A2Yeah

yes, yeah — A relaxed yes among friends; too casual for formal talk.

I'm a stupid girl with a stupid crush.! Yeah.
表現 · B1force someone into something

push someone into it

Mary rushes in to take all the blame, claiming she was the one who pushed.

I swear I basically forced him into it!
表現 · B1be a monster

be cruel

Don't be a monster, Howard. Tell the girl.
文法 · A2Don't be

negative imperative: Don't be tells someone not to become a certain kind of person.

Don't be a monster, Howard. Tell the girl.
発音be a

Link be and a so it sounds like one word.

Don't be a monster, Howard. Tell the girl.
表現 · A2you poor thing

poor kid

Oh, you poor kid.
スラング · A2kid

kid, child — An affectionate address; not for strangers.

Oh, you poor kid.
表現 · B1have a history with someone

share a past

Pressed for the truth, Howard admits only that he and Mary have a past.

We have a history.
表現 · B1want the procedure

the memory procedure

I'm sorry. Y-You wanted the procedure.
表現 · B1want something done

wanted it done

You-- You wanted it done...
表現 · B1get past something

move on from

Howard finally lets slip why Mary once chose the procedure: to get past it.

So you could get past, uh--
文法 · B1So you could

purpose clause: So you could gives the purpose, with that left out in speech.

So you could get past, uh--
表現 · A2finish the work

finish the job

Um, I have to, uh, Finish the work in there. It's almost morning.
表現 · A2it's almost + 时间

almost dawn

Um, I have to, uh, Finish the work in there. It's almost morning.
発音It's almost

It's and almost run together; stress lands on morning.

Um, I have to, uh, Finish the work in there. It's almost morning.
表現 · A2talk later

talk later

We'll talk later.

「Hollis Catches Howard with Mary」を読み解く

What's really going on

This isn't really a jealous-wife scene. Hollis already knows — "I knew it, Howard" — and what she wants isn't a fight but the truth said out loud. Howard keeps shrinking the damage ("I came here to work," "this is a one-time mistake"), while Mary races to take the blame ("I swear I basically forced him into it"). Then Hollis lands the real blow: "Don't be a monster, Howard. Tell the girl." Because Mary doesn't know the half of it. "We have a history" is the crack in the room: Howard and Mary were together before, and Mary had him erased to get past it — a crush she can't explain because someone deleted the reason. Hollis's "You can have him" isn't generosity. It's exhaustion, and a warning.

Theme

BetrayalHollis catches Howard with Mary and stays calm, because she already knew.
MemoryMary's feelings make no sense to her: she had Howard erased, and now the past returns.

このチャプターで学べること

  • Hollis exposes the past with one quiet sentence.
  • Mary's confession is a shield, not honesty.
  • Thanks a lot turns cold when the face is cold.
  • Some histories survive because someone chose to forget.

発音のポイント

  • didn't start — The t in didn't often drops before start.
  • be a — Link be and a so it sounds like one word.
  • It's almost — It's and almost run together; stress lands on morning.
I came here to work. Hollis, this is a one-time mistake!

Howard's defense: he was only there to do his job, and the affair was a single lapse he would never repeat. He's minimizing it fast.

I swear I basically forced him into it!

Mary jumps in to protect Howard, claiming she pushed for it so he isn't the one to blame. She's taking all the guilt.

Don't be a monster, Howard. Tell the girl.

Hollis isn't asking for an apology. She's telling Howard to stop hiding behind Mary and say the truth to her.

I'm sorry. Y-You wanted the procedure.

Howard finally says it plainly: Mary herself chose to have the memories erased. He's handing the choice back to her.

このシーンについての質問

Why does Hollis tell Howard to "tell the girl"?

She wants Howard to stop hiding behind Mary and to admit the truth about their past to Mary himself.

Did Howard and Mary have a relationship before this?

Yes. Howard admits they have a history, and Mary had her memory of it erased, which is why her feelings make no sense to her.

Why does Hollis say "You can have him"?

It isn't forgiveness. Hollis is done with Howard and his lies, and she's letting Mary see what she's walking into.

Why did Mary choose the procedure?

Howard says she wanted it so she could get past their relationship. She erased the affair to stop the pain.

Why isn't Hollis angrier when she catches them?

Because she already suspected it: "I knew it, Howard." Her calm is worse than shouting — she's past being surprised.

エターナル・サンシャイン · 全 20 章

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第 17 / 20 章 · 残り約 10 分