produce or find something
My friend inside the Finger came up with something.V for Vendetta · 2006 — 第 21 / 25 章 · 4'58" · B2
Finch tracks down Rookwood, the last of three black-baggers who vanished after St. Mary's. Rookwood won't hand over hard evidence — "A story can be true or false," he says — so he narrates the whole scheme instead. The tension is whether Finch will walk away with proof or just a tale.
Finch and his partner follow a lead to the ruins of St. Mary's, where the missing black-bagger William Rookwood is waiting. Rookwood refuses to give them evidence; instead he offers a story, and he tells it from the beginning: how the St. Mary's virus was engineered to put a frightened country under a single leader. He then demands protection before he hands over the recording.
注目の表現
come up withshitthe collywobblestake every precaution
このシーンの表現
any method is fair for the goal
Rookwood describes a man who believes any method is acceptable for the goal.
Don't let him tell you the ends justify the means.
think of or find out
damn; a curse word
a nervous, queasy feeling
guard against every risk
focused on one aim only
81 行のセリフに 21 件のメモ
produce or find something
My friend inside the Finger came up with something.the first covert agents
Original black-baggers, all under Creedy.nauseated
Bloody coincidences are making me sick to my stomach.damn (British intensifier) — British and informal; fine with friends, not at work.
Bloody coincidences are making me sick to my stomach.modal perfect: Must have done marks a strong guess about the past, not a rule.
Shit. He must have had a hidden trip on his file at the Finger.damn — A casual swear; keep it out of formal or polite talk.
Shit. He must have had a hidden trip on his file at the Finger.The d in how'd is nearly swallowed; it sounds like how he.
But how'd he know it was you?make someone nervous
I came when they opened it. It gave me the collywobbles.a queasy nervous feeling — Old-fashioned British slang, often said with a smile.
I came when they opened it. It gave me the collywobbles.guard against every risk
Rookwood explains that his survival depends on guarding against every possible risk.
I'm sorry, but a man in my position survives by taking every precaution.Link every and precaution so they run together.
I'm sorry, but a man in my position survives by taking every precaution.the thing you truly need
What you want, what you really need, is a story.have no respect for
He's completely single-minded and has no regard for the political process.correlative comparative: The more X, the more Y builds a rising comparison.
The more power he attains, the more obvious his zealotry...paying no attention to
...and it's pursued without regard to its cost.not wasted
But the efforts of those involved are not in vain...any method is fair for the goal
Rookwood describes a man who believes any method is acceptable for the goal.
...for whom the ends always justify the means.become visible or clear
After the country is split by fear, Rookwood says the real aim finally appears.
...the true goal comes into view.past unreal: Would've done imagines a past that never happened.
...no one would've predicted the results of the election that year. No one.In fast speech do you can blur into d'you.
-Can you prove any of this? -Why do you think I'm still alive?step forward publicly
...why didn't you come forward before?Rookwood's whole performance is a power play. He has the one thing the government cannot erase, his memory, so he refuses to hand it over as evidence and turns it into a story instead. "A story can be true or false," he says, handing Finch the burden of proof and keeping the recording as leverage. His line about the ends justifying the means is aimed straight at Adam Sutler: the virus, the deaths and the fear were all a means to power. When Rookwood finally does the deal, he makes his terms clear — "When I feel safe he can't pick his nose without you knowing... I'll contact you again." He is a man who survived by taking every precaution, and he isn't about to stop now.
A story can be true or false.Rookwood refuses to give Finch hard evidence. He offers a version of events and leaves it to Finch to decide whether to believe it.
I'm a cop. I have to know.Finch explains why he keeps digging even when his superiors are afraid: he is a policeman, and knowing the truth is part of the job.
The more power he attains, the more obvious his zealotry...As the ambitious politician gains more power, his fanaticism becomes harder to hide. Rookwood is describing Sutler without naming him at first.
Fear became the ultimate tool of this government.Fear, not ideology, is what keeps the regime in control. Rookwood calls it the plan's true genius.
Bloody coincidences are making me sick to my stomach.Finch reacts to the suspicious deaths of the three black-baggers. He suspects they were silenced, not coincidences.
-Can you prove any of this? -Why do you think I'm still alive?Finch asks for proof; Rookwood answers that the fact he is still alive to tell it is itself the proof.
He is the last surviving member of three black-baggers who created the St. Mary's virus. He went into hiding and becomes Finch's informant.
He keeps the recording as leverage. If he gives it away, he has nothing left to bargain with, so he offers a story and demands protection first.
No. He admits it could be true or false and leaves the judgment to Finch. The recording is the only hard proof, which is why he withholds it.
It is old British slang for a nervous, queasy feeling in your stomach. It is used when a place or a thought makes you feel uneasy.
He says he waited for Finch specifically: "I needed you." He wants someone inside the system who can be trusted to take the story further.
次のチャプター · 第 22 章pinned like a butterflyV Recruits Creedy to Kill Sutler
第 1 章in the name ofV's Opening Monologue
第 2 章in lieu ofV Introduces Himself to Evey
第 3 章spinSutler's Cabinet Spins the Explosion
第 4 章truth be toldV Hijacks the Emergency Broadcast
第 5 章Johnny-on-the-spotV Escapes the Jordan Tower Raid
第 6 章in all probabilityV Shows Evey the Shadow Gallery
第 7 章put someone offBreakfast and a Debate With V
第 8 章in the wrong lightV Confronts Prothero at Home
第 9 章get me every timeV Shows Evey Monte Cristo
第 10 章no good deed goes unpunishedEvey Confronts V About Prothero
第 11 章a man after my own heartEvey Tells V Her Story
第 12 章mea culpaV Kills Bishop Lilliman
第 13 章let aloneEvey Hides Out at Gordon's
第 14 章the illusion of coincidenceV Kills Delia With a Rose
第 15 章a matter of national securityThe Larkhill File and the Doctor's Diary
第 16 章what ifFinch Questions the St. Mary's Attack
第 17 章neutralizedV Hijacks Deitrich's Live Show
第 18 章the best years of my lifeValerie's Letter
第 19 章use lies to tell the truthEvey Learns V Tortured Her
第 20 章getting back atEvey Says Goodbye to V
再生中 · 第 21 章the ends justify the meansFinch Meets the Informant Rookwood
第 22 章pinned like a butterflyV Recruits Creedy to Kill Sutler
第 23 章under siegeFinch Explains the Pattern
第 24 章on the eve ofV Asks Evey to Dance
第 25 章kept my side of the bargainV Kills Sutler in His Bunker