Link good and evening so the d carries over.
V [ON TV]: Good evening, London.V for Vendetta · 2006 — 第 4 / 25 章 · 5'00" · C1
V seizes the emergency channel and addresses all of London, warning that the government is watching and that words still have power. "...there is something terribly wrong with this country, isn't there?" he asks, and then tells his audience who is really to blame.
V commandeers the emergency broadcast channel and speaks to all of London. He begins with everyday comforts, then turns to accusation: this country is badly wrong, words retain their power, and if you want the guilty, look in a mirror. Meanwhile police storm the building, ordering cameras and exits covered, until someone calls 'Hold your fire.'
注目の表現
truth be toldaccountableget the best ofrob you of
このシーンの表現
to be honest
As V turns to blame, truth be told signals that he is about to say something blunt.
Truth be told, I never liked the plan.
responsible for it
overcome someone
take away from you
impossible to get wrong
the way to reach
82 行のセリフに 29 件のメモ
Link good and evening so the d carries over.
V [ON TV]: Good evening, London.the ease that comes with
I do, like many of you, appreciate the comforts of the everyday routine...bloody hell (crude) — Crude British exclamation; not for formal talk.
Bloody hell.as much as anyone
I enjoy them as much as any bloke. But in the spirit of commemoration--guy, man — British slang for a man; informal.
I enjoy them as much as any bloke. But in the spirit of commemoration--linked to
...usually associated with someone's death...set time aside
...by taking time out of our daily lives to sit down and have a little chat.instead of
Why? Because while the truncheon may be used in lieu of conversation...a police baton — British term for a police baton; not common in daily talk.
Why? Because while the truncheon may be used in lieu of conversation...for the people who
...and, for those who will listen, the enunciation of truth.relative clause: Those who marks the people the clause describes.
...and, for those who will listen, the enunciation of truth.tag question: The tag turns a statement into a demand for agreement.
...there is something terribly wrong with this country, isn't there?Link wrong with and soften with.
...there is something terribly wrong with this country, isn't there?present participle phrase: The participle describes what the censors and surveillance are doing to you.
...you now have censors and surveillance coercing your conformity...who is responsible
How did this happen? Who's to blame?searching for whoever is guilty
But again, truth be told, if you're looking for the guilty...Blur truth be told into one quick phrase.
But again, truth be told, if you're looking for the guilty...a great many
There were a myriad of problems which conspired...basic good judgment
...to corrupt your reason and rob you of your common sense.verb pattern: Rob takes a person and of plus the thing taken away.
...to corrupt your reason and rob you of your common sense.as something given back
...and all he demanded in return was your silent, obedient consent.all as subject: All plus a relative clause is the subject, taking a singular verb.
...and all he demanded in return was your silent, obedient consent.as-clause: The as-clause compares the listener's feeling to the speaker's.
...if you feel as I feel, and if you would seek as I seek...support someone
...then I ask you to stand beside me, one year from tonight...Link ask you and weaken the to.
...then I ask you to stand beside me, one year from tonight...the others
No one gets out. The rest of you, follow me.Jesus (exclamation) — An exclamation; avoid it around devout listeners.
Jesus.Run down on your together, softening on.
If you're wearing a mask, get down on your knees!you lot — British and casual, slightly blunt for a group.
Hurry up, you lot! Come on! Everybody out!The scene is a speech turned weapon. V takes a channel that was built to control people and uses it to remind them what they lost: 'words will always retain their power,' and, for those willing to listen, 'the enunciation of truth.' The most dangerous part is who he names as guilty — not the state, but the public: 'if you're looking for the guilty... you need only look into a mirror.' He frames their fear as the real surrender — 'Fear got the best of you' — and the consent behind Sutler's order as 'silent, obedient.' Around the speech, the machinery of the state finally arrives: men with cameras, exits sealed, and the order to hold fire, because in the crowd everyone is now wearing the same mask.
...there is something terribly wrong with this country, isn't there?The pivot of the speech: after praising routine comforts, V names the country's sickness and invites the audience to admit it.
...words will always retain their power.His answer to state violence: batons may replace talk for a while, but language keeps its force.
...you need only look into a mirror.The most uncomfortable line: asked who is guilty, he points not at the regime but at each listener.
...and all he demanded in return was your silent, obedient consent.His charge against the public: the price of order and peace under Sutler was nothing more than quiet agreement.
His hope was to remind the world that fairness, justice and freedom...Part of the narration about Guy Fawkes: his aim was to show that these values are not just words.
...then I ask you to stand beside me, one year from tonight...The invitation that ends the speech: he asks the audience to join him outside Parliament in one year.
To reach everyone at once. The channel is meant for state control, so using it to deliver his speech turns the government's own tool against it.
Not only the government — he tells the audience that if they're looking for the guilty, they need only look into a mirror, meaning the public shares responsibility for what it accepted.
An order to stop shooting. When the police close in, someone shouts it — because the crowd has been masked, and they can no longer tell V from everyone else.
He uses the building's own smoke machines and kerosene fog to hide, and puts a Guy Fawkes mask on everyone, so the police can't pick him out of the crowd.
They're wearing masks too, so when officers order masked people to their knees, the whole crowd is implicated — which is what makes V impossible to separate from it.
次のチャプター · 第 5 章Johnny-on-the-spotV Escapes the Jordan Tower Raid
第 1 章in the name ofV's Opening Monologue
第 2 章in lieu ofV Introduces Himself to Evey
第 3 章spinSutler's Cabinet Spins the Explosion
再生中 · 第 4 章truth be toldV Hijacks the Emergency Broadcast
第 5 章Johnny-on-the-spotV Escapes the Jordan Tower Raid
第 6 章in all probabilityV Shows Evey the Shadow Gallery
第 7 章put someone offBreakfast and a Debate With V
第 8 章in the wrong lightV Confronts Prothero at Home
第 9 章get me every timeV Shows Evey Monte Cristo
第 10 章no good deed goes unpunishedEvey Confronts V About Prothero
第 11 章a man after my own heartEvey Tells V Her Story
第 12 章mea culpaV Kills Bishop Lilliman
第 13 章let aloneEvey Hides Out at Gordon's
第 14 章the illusion of coincidenceV Kills Delia With a Rose
第 15 章a matter of national securityThe Larkhill File and the Doctor's Diary
第 16 章what ifFinch Questions the St. Mary's Attack
第 17 章neutralizedV Hijacks Deitrich's Live Show
第 18 章the best years of my lifeValerie's Letter
第 19 章use lies to tell the truthEvey Learns V Tortured Her
第 20 章getting back atEvey Says Goodbye to V
第 21 章the ends justify the meansFinch Meets the Informant Rookwood
第 22 章pinned like a butterflyV Recruits Creedy to Kill Sutler
第 23 章under siegeFinch Explains the Pattern
第 24 章on the eve ofV Asks Evey to Dance
第 25 章kept my side of the bargainV Kills Sutler in His Bunker