a place where people are detained
Another doctor. Why does a detention facility need so many doctors?V for Vendetta · 2006 — 第 12 / 25 章 · 3'28" · B2
Bishop Lilliman expects a girl from an agency for his "last little joy," but the one sent is Evey, who warns him a killer is coming. He treats her warning as a game — "A confession? I love the confessional game" — until V steps through the door.
Investigators reviewing Larkhill's records find that the camp's highest-paid man was a priest, Father Lilliman, now promoted to bishop. That night, at Lilliman's residence, a girl arrives from an agency for his "last little joy" — it is Evey, who warns him that someone is coming to kill him. He does not believe her until V appears.
注目の表現
Your Gracein the name ofmea culpathe confessional game
このシーンの表現
my fault, my own fault
The bishop performs regret with Mea culpa, my child, excusing his own doubt.
Mea culpa, I sent the file to the wrong address.
a title for a bishop
on behalf of, under the name of
treating confession as a game
to even things out
to obtain, to get
61 行のセリフに 26 件のメモ
a place where people are detained
Another doctor. Why does a detention facility need so many doctors?the best-paid person
The highest-paid person at the camp was a priest.got a higher position
Looks like he was promoted. He's a bishop now.Your reduces to a light yer sound, while Grace keeps the stress.
-Your Grace. -Oh, Denis.everything is set up
-Has everything been arranged? -Yes.Has everything runs together as ha-severything.
-Has everything been arranged? -Yes.early enough for
You should arrive in Perth in time for Mass.on behalf of, under the name of
The bishop praises Denis for laboring in the Lord's name, then stops at but.
...a noble example for all those who labor in the name of our Lord, but--the last payment sent
It was, rather, my final remittance that I was interested in.emphatic cleft: The cleft sentence shifts the focus onto the remittance he actually cares about.
It was, rather, my final remittance that I was interested in.The t in last often drops, so last little flows as one.
My last little joy.up to you to decide
That is for Your Grace to decide.treating confession as a game
When Evey says she must tell him something, the bishop treats it as a game.
A confession? I love the confessional game.elliptical question: The noun alone forms a question, short for Is this a confession?
A confession? I love the confessional game.intends to
Someone's coming. I think he means to kill you.Means to links into mean-sta without a pause.
Someone's coming. I think he means to kill you.a type of
...because I want some kind of protection or amnesty.to even things out
Evey offers her secret to balance out past mistakes; the bishop misses the deal.
-I think this should balance it out. -What are you talking about?the last few weeks
I'm Evey Hammond. I'm-- I've been the prisoner of the terrorist V for the past several weeks.present perfect: The present perfect shows a state that started in the past and continues now.
I'm Evey Hammond. I'm-- I've been the prisoner of the terrorist V for the past several weeks.what is left of
I hope the rest of you is just as interesting.subject-verb agreement: The rest of you takes a singular verb here, meaning the remaining part of you.
I hope the rest of you is just as interesting.get her to confess
Now, how best to procure her confession?a nasty slur for a woman — A vicious slur; never use it in any setting.
You little bitch. You fucking little whore!an intensifying swear — A common swear intensifier; keep it out of formal talk.
You little bitch. You fucking little whore!show pity
Oh, please, have mercy.The bishop is the film's clearest picture of how the regime hides its appetites behind religion. Denis flatters him as "a noble example for all those who labor in the name of our Lord," yet Lilliman's only real interest is "my final remittance... My last little joy." He treats a warning of murder as entertainment — "A confession? I love the confessional game" — because he cannot imagine being judged. Evey offers him her own deal, saying she wants "some kind of protection or amnesty" and that her information should "balance it out," but he only hears a game and tries to assault her. V's arrival turns his own rhetoric against him: the man who wrapped himself in holy words dies with Shakespeare's lines about playing "the devil." His last words, "don't do this, I beg of you," are the mercy he never gave anyone else.
The highest-paid person at the camp was a priest.The investigators notice that the camp's highest salary went to a man of God, hinting the regime's cruelty ran with the church's blessing.
To think that I doubted your loveliness for an instant.Lilliman apologizes for doubting Evey's looks, a line that shows he judges her only as a body he was promised.
A confession? I love the confessional game.The bishop hears a warning of murder and turns it into a game, revealing how little he takes anyone but himself seriously.
Someone's coming. I think he means to kill you.Evey warns the bishop that V is on his way, trying to trade the information for protection rather than simply let him die.
Let me show you the firmness of my beliefs.He twists the language of faith into a threat, claiming his beliefs justify what he is about to do to her.
...and seem a saint, when most I play the devil.Lilliman's hypocrisy is summed up: he borrows holy words to look like a saint while acting as a devil.
I'm Evey Hammond. I'm-- I've been the prisoner of the terrorist V for the past several weeks.Evey identifies herself and admits she has been V's prisoner, the confession she hopes will buy her amnesty.
Lilliman was the priest in charge at Larkhill, where the regime's victims were experimented on; V is working through the people responsible for the camp.
She wants "some kind of protection or amnesty." She hopes that betraying V's plan will buy her freedom, but the bishop only treats her warning as a game.
He is talking about the girl the agency sends him, not about money. The line exposes him as a predator who uses his position to buy victims.
He is using lines about hiding villainy under holy words, throwing the bishop's own hypocrisy back at him as he dies.
It is Latin for "my fault." Lilliman uses it as a theatrical apology, and it becomes bitter when V finally makes him answer for his crimes.
次のチャプター · 第 13 章let aloneEvey Hides Out at Gordon's
第 1 章in the name ofV's Opening Monologue
第 2 章in lieu ofV Introduces Himself to Evey
第 3 章spinSutler's Cabinet Spins the Explosion
第 4 章truth be toldV Hijacks the Emergency Broadcast
第 5 章Johnny-on-the-spotV Escapes the Jordan Tower Raid
第 6 章in all probabilityV Shows Evey the Shadow Gallery
第 7 章put someone offBreakfast and a Debate With V
第 8 章in the wrong lightV Confronts Prothero at Home
第 9 章get me every timeV Shows Evey Monte Cristo
第 10 章no good deed goes unpunishedEvey Confronts V About Prothero
第 11 章a man after my own heartEvey Tells V Her Story
再生中 · 第 12 章mea culpaV Kills Bishop Lilliman
第 13 章let aloneEvey Hides Out at Gordon's
第 14 章the illusion of coincidenceV Kills Delia With a Rose
第 15 章a matter of national securityThe Larkhill File and the Doctor's Diary
第 16 章what ifFinch Questions the St. Mary's Attack
第 17 章neutralizedV Hijacks Deitrich's Live Show
第 18 章the best years of my lifeValerie's Letter
第 19 章use lies to tell the truthEvey Learns V Tortured Her
第 20 章getting back atEvey Says Goodbye to V
第 21 章the ends justify the meansFinch Meets the Informant Rookwood
第 22 章pinned like a butterflyV Recruits Creedy to Kill Sutler
第 23 章under siegeFinch Explains the Pattern
第 24 章on the eve ofV Asks Evey to Dance
第 25 章kept my side of the bargainV Kills Sutler in His Bunker