The Uninvited · 1944 — 第 1 / 28 章 · 4'35" · B2

Pamela Falls for the Old House, Explained:hanker for

Rick and Pamela only mean to catch their dog, but the empty house on the hill stops Pamela in her tracks. "It's the loveliest thing I ever saw," she says, and by the time they reach the bathroom she is certain: they are going to buy it. He is already doing the math.

あらすじ

While chasing their dog Bobby, Rick and Pamela wander into the garden of an empty house. Pamela is instantly enchanted — she loves the banisters, the light on the ceiling, the little beach — and she insists she has a feeling they will really buy it. Rick points out the distance, the years of neglect, and his job.

RentingSuggestingPersuadingSiblingsB2fastbritishClean
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注目の表現

having his way within no shape tothe rest ofhanker for

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このシーンの表現

hanker for

to long for something

Pamela explains that anyone raised in an old house keeps longing for one, half wistful and half certain.

I still hanker for the quiet village where I grew up.

このシーンの他の表現

  • having his way with

    doing as one pleases with

  • in no shape to

    not fit or able to do something

  • the rest of

    the remaining part of something

  • out of the way

    remote and hard to reach

  • in good condition

    well kept and undamaged

このシーンのメモ一覧

65 行のセリフに 26 件のメモ

表現 · B1seem to be something

appear to be

We seem to be in somebody's garden.
表現 · C1be had up for something

be taken to task for

We'd better get out before we're had up for trespassing.
表現 · A2get out of somewhere

leave a place

We'd better get out before we're had up for trespassing.
表現 · B1where/what ... on earth

ever, for emphasis

- Where on earth did we leave the car? - That direction, I think.
発音did we

In fast speech did we can reduce until did is little more than a d.

- Where on earth did we leave the car? - That direction, I think.
表現 · B1hang on to someone or something

hold tightly to

He had me. There he goes! Hang on to Bobby!
表現 · B1be back any minute

very soon

That's a smart dog. He'll be back any minute.
スラング · A2Oh, boy

wow, an exclamation — Spoken exclamation of excitement or dismay.

- Look at that staircase. - Oh, boy, what banisters for sliding!
表現 · B2take someone back to something

remind someone of the past

Your saying that, and the house... it took me back.
スラング · B2Not on your life

absolutely not — A flat refusal; fine with friends, not with clients.

- You'll be howling in a minute. Come out. - Not on your life.
表現 · A2the rest of something

the remaining part of something

Pamela, already sold on the house, wants to tour the remaining rooms and pretend they are buying it.

I'm going to see the rest of this. Come on. Let's pretend we're buying it.
発音pretend we're

Link pretend and we're so the d slides into the next word.

I'm going to see the rest of this. Come on. Let's pretend we're buying it.
表現 · A1wake up somewhere

stop sleeping

It's the light on the ceiling. That's the sea. It's nice to wake up and see that.
表現 · B1be brought up in a place

be raised

If you're brought up in an old house, you always hanker for one.
表現 · C1family skeletons

shameful family secrets

It's locked. Family skeletons, probably.
表現 · B1buy something with something

pay for it using

Oh, yes? Did your feeling tell you what we're going to buy it with?
表現 · B2put in money or effort

contribute money or effort

If we both put in everything we have, maybe we can get it.
文法 · B2hasn't been lived in

present perfect passive: The present perfect passive stresses that the house has stayed unlived-in up to now.

It's terribly out of the way, and it hasn't been lived in for years.
スラング · B1Chuck it

drop it, quit it — Casual and blunt; too rude for formal talk.

It's not good enough, Rick. Chuck it.
表現 · B1be paid hard cash

real money, not credit

Well, thank you very much. Anyway, I get paid hard cash.
表現 · A2not ... at all

in any way, at all

Well, doesn't the idea attract you at all?
文法 · B2how rare houses like this are

embedded question: A how-clause after know states the degree rather than asking a question.

Don't you know how rare houses like this are?
表現 · B2have to be made or done

must be decided

Nonsense. Important decisions have to be made quickly.
文法 · B2have to be made

passive voice: Have to be made is passive: decisions must be made, by someone implied.

Nonsense. Important decisions have to be made quickly.
表現 · B2as ... as that

to such a degree

Rick, life isn't as cruel as that. It's got to be.
発音isn't as

The t in isn't often drops, and as is reduced in fast speech.

Rick, life isn't as cruel as that. It's got to be.

「Pamela Falls for the Old House」を読み解く

What's really going on

The house does most of the talking. Pamela is not arguing about a purchase; she is answering a memory. When she says, "If you're brought up in an old house, you always hanker for one," she explains why the place feels less like property than like something she has been missing. Rick, meanwhile, keeps returning to practicalities — the distance, the empty years, the hard cash — because he is the one who has to make it real. What makes the scene work is that both of them are right: she is led by a feeling, and he is led by arithmetic, and the house sits between them, waiting. Long before it is haunted by anything supernatural, it is already haunting her, and she mistakes the pull for a plan.

Theme

MemoryThe house pulls Pamela back to the home she grew up in, down to the rose bowl and the grandfather clock.
DreamsPamela treats the house as something she has always wanted and decides, on feeling alone, that they will buy it.

このチャプターで学べること

  • Two siblings buy a house on a whim, not a plan.
  • The dog chase keeps the scene light before the decision.
  • Old houses here run on memory as much as stone.
  • A holiday detour quietly turns into a life change.

発音のポイント

  • did we — In fast speech did we can reduce until did is little more than a d.
  • pretend we're — Link pretend and we're so the d slides into the next word.
  • isn't as — The t in isn't often drops, and as is reduced in fast speech.
I'm going to see the rest of this. Come on. Let's pretend we're buying it.

Pamela turns trespassing into a game: she wants to explore the whole house and imagines owning it before anyone has said it is for sale.

No, I mean this house. It's the loveliest thing I ever saw.

She corrects Rick's joke and admits the house itself has overwhelmed her; this is the moment the house becomes the subject.

Nonsense. Important decisions have to be made quickly.

Her answer to Rick's caution: big decisions should be seized, not debated for months.

If you're brought up in an old house, you always hanker for one.

Her explanation for the pull she feels: growing up in an old house leaves a longing that never quite goes away.

このシーンについての質問

Why do Rick and Pamela go inside the house?

They are chasing their dog, Bobby, who has run after a squirrel. The chase leads them through the garden and into the empty house, where Pamela starts to look around as if they might buy it.

Why does Pamela believe they will buy the house?

She says she has had one of her feelings, and the house itself convinces her: its light, its banisters, its kitchen, and the beach that seems to belong to it. She treats the decision as already made.

What does Rick think about buying the house?

He is the practical one. He points out how far it is, that it has been empty for years, and that a decision like this would normally take months to discuss. He also has to consider his job.

What does Pamela mean by having one of her feelings?

It is her habit of trusting a strong intuition. This time the feeling tells her the house is meant to be theirs, which is why she answers every practical objection with certainty.

呪いの家 · 全 28 章

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次のチャプター · 第 2 章head over heels in loveThe Fitzgeralds Try to Buy Windward
再生中 · 第 1 章hanker forPamela Falls for the Old House第 2 章head over heels in loveThe Fitzgeralds Try to Buy Windward第 3 章bring the price downThe Fitzgeralds Buy a Haunted House第 4 章dog in the mangerRick Feels a Chill in the Room第 5 章talk me out ofThe Tobacconist Gossips About Windward第 6 章break it gentlyRick Takes Stella Sailing第 7 章sleeping-beauty magicLizzie Comes Home to the House第 8 章I'd soonerThe First Night at Windward House第 9 章take hold of yourselfRick and Pam Hear a Woman Cry第 10 章circulate rumorsRick Confronts Commander Beech第 11 章at the mention ofRoderick Gives Stella a Lift第 12 章do no such thingStella Defies Her Grandfather第 13 章a bad hatStella Revisits Her Childhood Home第 14 章dream upLizzie Sees a Ghost at Windward第 15 章hide your head in the sandDr. Scott Tells the Old Scandal第 16 章miss one's cueStella Senses Her Mother's Ghost第 17 章tear someone apartRoderick Asks Stella to Leave第 18 章mind at restThey Plan a Séance for Stella第 19 章tranceThe Séance at Windward House第 20 章at your disposalCommander Beech Confronts Rick第 21 章bluff someoneLizzie Names the Dead Woman's Nurse第 22 章by any chanceRick and Pamela Visit Miss Holloway第 23 章put up withHolloway Tells the Cliff Murder Story第 24 章plaster saintStella Trapped at the Retreat第 25 章in a jiffyThe Casebook Points to Murder第 26 章pile it onThe Plan to Rescue Stella第 27 章beating about the bushHolloway Sends Stella Home第 28 章for heaven's sakeStella Nearly Walks Off the Cliff
第 1 / 28 章 · 残り約 75 分