appear to be
We seem to be in somebody's garden.The Uninvited · 1944 — 第 1 / 28 章 · 4'35" · B2
Rick and Pamela only mean to catch their dog, but the empty house on the hill stops Pamela in her tracks. "It's the loveliest thing I ever saw," she says, and by the time they reach the bathroom she is certain: they are going to buy it. He is already doing the math.
While chasing their dog Bobby, Rick and Pamela wander into the garden of an empty house. Pamela is instantly enchanted — she loves the banisters, the light on the ceiling, the little beach — and she insists she has a feeling they will really buy it. Rick points out the distance, the years of neglect, and his job.
注目の表現
having his way within no shape tothe rest ofhanker for
このシーンの表現
to long for something
Pamela explains that anyone raised in an old house keeps longing for one, half wistful and half certain.
I still hanker for the quiet village where I grew up.
doing as one pleases with
not fit or able to do something
the remaining part of something
remote and hard to reach
well kept and undamaged
65 行のセリフに 26 件のメモ
appear to be
We seem to be in somebody's garden.be taken to task for
We'd better get out before we're had up for trespassing.leave a place
We'd better get out before we're had up for trespassing.ever, for emphasis
- Where on earth did we leave the car? - That direction, I think.In fast speech did we can reduce until did is little more than a d.
- Where on earth did we leave the car? - That direction, I think.hold tightly to
He had me. There he goes! Hang on to Bobby!very soon
That's a smart dog. He'll be back any minute.wow, an exclamation — Spoken exclamation of excitement or dismay.
- Look at that staircase. - Oh, boy, what banisters for sliding!remind someone of the past
Your saying that, and the house... it took me back.absolutely not — A flat refusal; fine with friends, not with clients.
- You'll be howling in a minute. Come out. - Not on your life.the remaining part of something
Pamela, already sold on the house, wants to tour the remaining rooms and pretend they are buying it.
I'm going to see the rest of this. Come on. Let's pretend we're buying it.Link pretend and we're so the d slides into the next word.
I'm going to see the rest of this. Come on. Let's pretend we're buying it.stop sleeping
It's the light on the ceiling. That's the sea. It's nice to wake up and see that.be raised
If you're brought up in an old house, you always hanker for one.shameful family secrets
It's locked. Family skeletons, probably.pay for it using
Oh, yes? Did your feeling tell you what we're going to buy it with?contribute money or effort
If we both put in everything we have, maybe we can get it.present perfect passive: The present perfect passive stresses that the house has stayed unlived-in up to now.
It's terribly out of the way, and it hasn't been lived in for years.drop it, quit it — Casual and blunt; too rude for formal talk.
It's not good enough, Rick. Chuck it.real money, not credit
Well, thank you very much. Anyway, I get paid hard cash.in any way, at all
Well, doesn't the idea attract you at all?embedded question: A how-clause after know states the degree rather than asking a question.
Don't you know how rare houses like this are?must be decided
Nonsense. Important decisions have to be made quickly.passive voice: Have to be made is passive: decisions must be made, by someone implied.
Nonsense. Important decisions have to be made quickly.to such a degree
Rick, life isn't as cruel as that. It's got to be.The t in isn't often drops, and as is reduced in fast speech.
Rick, life isn't as cruel as that. It's got to be.The house does most of the talking. Pamela is not arguing about a purchase; she is answering a memory. When she says, "If you're brought up in an old house, you always hanker for one," she explains why the place feels less like property than like something she has been missing. Rick, meanwhile, keeps returning to practicalities — the distance, the empty years, the hard cash — because he is the one who has to make it real. What makes the scene work is that both of them are right: she is led by a feeling, and he is led by arithmetic, and the house sits between them, waiting. Long before it is haunted by anything supernatural, it is already haunting her, and she mistakes the pull for a plan.
I'm going to see the rest of this. Come on. Let's pretend we're buying it.Pamela turns trespassing into a game: she wants to explore the whole house and imagines owning it before anyone has said it is for sale.
No, I mean this house. It's the loveliest thing I ever saw.She corrects Rick's joke and admits the house itself has overwhelmed her; this is the moment the house becomes the subject.
Nonsense. Important decisions have to be made quickly.Her answer to Rick's caution: big decisions should be seized, not debated for months.
If you're brought up in an old house, you always hanker for one.Her explanation for the pull she feels: growing up in an old house leaves a longing that never quite goes away.
They are chasing their dog, Bobby, who has run after a squirrel. The chase leads them through the garden and into the empty house, where Pamela starts to look around as if they might buy it.
She says she has had one of her feelings, and the house itself convinces her: its light, its banisters, its kitchen, and the beach that seems to belong to it. She treats the decision as already made.
He is the practical one. He points out how far it is, that it has been empty for years, and that a decision like this would normally take months to discuss. He also has to consider his job.
It is her habit of trusting a strong intuition. This time the feeling tells her the house is meant to be theirs, which is why she answers every practical objection with certainty.
次のチャプター · 第 2 章head over heels in loveThe Fitzgeralds Try to Buy Windward
再生中 · 第 1 章hanker forPamela Falls for the Old House
第 2 章head over heels in loveThe Fitzgeralds Try to Buy Windward
第 3 章bring the price downThe Fitzgeralds Buy a Haunted House
第 4 章dog in the mangerRick Feels a Chill in the Room
第 5 章talk me out ofThe Tobacconist Gossips About Windward
第 6 章break it gentlyRick Takes Stella Sailing
第 7 章sleeping-beauty magicLizzie Comes Home to the House
第 8 章I'd soonerThe First Night at Windward House
第 9 章take hold of yourselfRick and Pam Hear a Woman Cry
第 10 章circulate rumorsRick Confronts Commander Beech
第 11 章at the mention ofRoderick Gives Stella a Lift
第 12 章do no such thingStella Defies Her Grandfather
第 13 章a bad hatStella Revisits Her Childhood Home
第 14 章dream upLizzie Sees a Ghost at Windward
第 15 章hide your head in the sandDr. Scott Tells the Old Scandal
第 16 章miss one's cueStella Senses Her Mother's Ghost
第 17 章tear someone apartRoderick Asks Stella to Leave
第 18 章mind at restThey Plan a Séance for Stella
第 19 章tranceThe Séance at Windward House
第 20 章at your disposalCommander Beech Confronts Rick
第 21 章bluff someoneLizzie Names the Dead Woman's Nurse
第 22 章by any chanceRick and Pamela Visit Miss Holloway
第 23 章put up withHolloway Tells the Cliff Murder Story
第 24 章plaster saintStella Trapped at the Retreat
第 25 章in a jiffyThe Casebook Points to Murder
第 26 章pile it onThe Plan to Rescue Stella
第 27 章beating about the bushHolloway Sends Stella Home
第 28 章for heaven's sakeStella Nearly Walks Off the Cliff