sleep here overnight
Can, uh... Can she stay the night here?The Uninvited · 1944 — 第 15 / 28 章 · 3'14" · B2
Stella is put to bed after a shock, and Pamela refuses to let Rick keep dismissing the noises. Over coffee she makes Dr. Scott tell what he knows, and he uncovers an old affair between a painter and his model. "I wonder if Mary's death could have been murder," someone says — and the ghost finally has a history.
Stella is treated for shock. Pamela presses Rick to stop ignoring the strange sounds and asks Dr. Scott to tell them the house's history. He describes Carmel, a Spanish gypsy and the model for the painter Meredith, and the scandal that surrounded them; he also explains that Mary Meredith fell from the cliff while trying to save Carmel, and that her death may have been murder.
注目の表現
hide your head in the sanda bad lotdrift offout of her wits
このシーンの表現
pretend not to see a problem
Pamela scolds Rick for refusing to face the haunting, telling him to stop hiding his head in the sand.
You cannot hide your head in the sand forever.
a disreputable person
fall asleep gradually
terrified beyond reason
watch carefully
an odd, stubborn notion
58 行のセリフに 26 件のメモ
sleep here overnight
Can, uh... Can she stay the night here?a ghost — Casual and slightly jokey; not for formal talk.
It's just an echo from a cave probably, but it sounds like a spook.prefer one risk to another
I'd rather risk it than move her tonight.strange goings-on
There was some rather queer business earlier this evening.all the way to the edge
The cliff is so close, and she walked right to the edge. If I hadn't caught her...past counterfactual: A past counterfactual: he did catch her, and the sentence imagines the alternative.
The cliff is so close, and she walked right to the edge. If I hadn't caught her...watch carefully
As they plan the night, Rick says they will keep a close watch on Stella.
We'll keep a close watch.fall asleep gradually
Asked if Stella took her soup, the answer is eight spoonfuls before she drifted off to sleep.
- Did she take her soup? - Eight spoonfuls, then drifted off to sleep.exhausted
- You're looking all in. - I'd rather watch with you.start living with someone
Pam, who do you think's moved in with Dr. Scott?Do you blurs into d'you, with who stressed.
Pam, who do you think's moved in with Dr. Scott?refuse to face facts
Rick, stop hiding your head in the sand. You heard the sounds last night.The g of hiding meets your, and the d in head softens away.
Rick, stop hiding your head in the sand. You heard the sounds last night.mortal danger
and Stella's been in deadly danger twice.long past
It's not ancient history to us. Please go on.Thorough links into bad, and lot ends on the tongue.
She was a Spanish gypsy, and a thorough bad lot.a disreputable person — Said behind someone's back; rude to their face.
She was a Spanish gypsy, and a thorough bad lot.a public scandal
- Didn't Mrs. Meredith suspect? - She must have. The thing was an open scandal.Must have shrinks to must've, with have reduced to a v.
- Didn't Mrs. Meredith suspect? - She must have. The thing was an open scandal.counterfactual passive: Would have been plus a past participle forms the counterfactual passive.
The girl and he'd have been stoned out of the village if not for Mary Meredith.participle phrase: The participle phrase describes what Mary was doing when she fell.
a week after Mary fell from the cliff trying to save her from suicide. Ironic, wasn't it?grown bored with
- Is it known why the girl tried to kill herself? - Meredith's said to have tired of her.brought back to light
The whole story was dug up and embroidered when Stella's father died.passive voice: The story is the passive subject: someone dug it up and embroidered it.
The whole story was dug up and embroidered when Stella's father died.discover the truth
- That's my sister's special crotchet. - We've got to find out what it is.an odd little obsession — Rather literary; use it only in light teasing.
- That's my sister's special crotchet. - We've got to find out what it is.The scene turns a haunted house into a village history. Pamela has stopped negotiating with Rick's scepticism and simply states the facts — the sounds, Lizzie frightened out of her wits, Stella in deadly danger twice — then sets Dr. Scott to work on the past. What he tells them is an old scandal: the painter Meredith, his model Carmel, and a marriage everyone in the village knew about. The detail that matters is saved for the end: Mary Meredith fell from the cliff trying to stop Carmel's suicide, and, as he puts it, "I wonder if Mary's death could have been murder." That is the line that gives the ghost a motive, and it is why the next exchange is so cold: someone observes that one of the dead is not dead enough.
If a spirit comes back, it's for some particular purpose.Pamela's theory of the haunting: a returning spirit is not random but driven by something unfinished, which is why they must find the reason.
I wonder if Mary's death could have been murder.The suggestion that turns an old tragedy into a possible crime, and gives the haunting a motive.
One of them's not quite dead enough for me.A grim joke that the dead of the old scandal are still present in the house, so one of them has not fully gone.
Think of it... those two women struggling on the cliff.The image the story leaves behind: Mary and Carmel fighting at the cliff edge, the moment that started everything.
She was badly frightened. She remembers only the cold coming and the room going cold, and she has been in deadly danger twice, once walking right to the edge of the cliff.
Because she believes the house is haunted and wants facts, not theories. She makes him tell everything he knows about the scandal connected to the place before the ghost can be understood.
Carmel was a Spanish gypsy, the model for a painter named Meredith. They were lovers in an open scandal, kept from being driven out of the village only by Meredith's wife, Mary.
She fell from the cliff while trying to stop Carmel from killing herself, and Carmel died in the house a week later. It has been hinted that Mary's death might have been murder.
Because the disturbances continue, so one of the dead from the old scandal seems to still be present in the house. It is a way of saying the spirit has not finished.
次のチャプター · 第 16 章miss one's cueStella Senses Her Mother's Ghost
第 1 章hanker forPamela Falls for the Old House
第 2 章head over heels in loveThe Fitzgeralds Try to Buy Windward
第 3 章bring the price downThe Fitzgeralds Buy a Haunted House
第 4 章dog in the mangerRick Feels a Chill in the Room
第 5 章talk me out ofThe Tobacconist Gossips About Windward
第 6 章break it gentlyRick Takes Stella Sailing
第 7 章sleeping-beauty magicLizzie Comes Home to the House
第 8 章I'd soonerThe First Night at Windward House
第 9 章take hold of yourselfRick and Pam Hear a Woman Cry
第 10 章circulate rumorsRick Confronts Commander Beech
第 11 章at the mention ofRoderick Gives Stella a Lift
第 12 章do no such thingStella Defies Her Grandfather
第 13 章a bad hatStella Revisits Her Childhood Home
第 14 章dream upLizzie Sees a Ghost at Windward
再生中 · 第 15 章hide your head in the sandDr. Scott Tells the Old Scandal
第 16 章miss one's cueStella Senses Her Mother's Ghost
第 17 章tear someone apartRoderick Asks Stella to Leave
第 18 章mind at restThey Plan a Séance for Stella
第 19 章tranceThe Séance at Windward House
第 20 章at your disposalCommander Beech Confronts Rick
第 21 章bluff someoneLizzie Names the Dead Woman's Nurse
第 22 章by any chanceRick and Pamela Visit Miss Holloway
第 23 章put up withHolloway Tells the Cliff Murder Story
第 24 章plaster saintStella Trapped at the Retreat
第 25 章in a jiffyThe Casebook Points to Murder
第 26 章pile it onThe Plan to Rescue Stella
第 27 章beating about the bushHolloway Sends Stella Home
第 28 章for heaven's sakeStella Nearly Walks Off the Cliff