Swingers · 1996 — 第 6 / 17 章 · 4'59" · B2

Trent's After School Special Audition, Explained:nail it

Trent meets two women at the MGM Grand and launches into his favorite story: the worst audition of his life. He read for the part of "brother" in an After School Special, cried through it, got the whole room going — then learned the role was for an eleven-year-old. "Why did you call me in?"

あらすじ

At a party at the MGM Grand, Mike and Trent meet two women. Trent calls himself a producer, then tells his favorite war story: an audition for an After School Special. He was reading for the role of 'brother,' and by the end he had the casting director and the whole room in tears — before the producer told him the part was for an eleven-year-old.

PartiesStorytellingSmall talkComplainingFriendsB2fastamerican
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注目の表現

double downbullshitfuckin' greatgave up on

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  1. ❝ 独白the crying bit4 行練習ページ ↗
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このシーンの表現

nail it

did it perfectly

Trent quotes the producer's praise: he walked in owning the part and got it right at once.

She nailed it in the interview and got the offer the same day.

このシーンの他の表現

  • double down

    double one's bet

  • bullshit

    nonsense; crap

  • fuckin' great

    sarcastic: just great

  • gave up on

    stopped waiting for

  • not supposed to

    not allowed or expected to

このシーンのメモ一覧

105 行のセリフに 31 件のメモ

表現 · B1give up on someone

stopped waiting for

Mike and Trent almost stopped waiting for the girls and tease them when they finally arrive.

- We almost gave up on you. - I'm sorry we're late.
表現 · B1no harm done

nothing bad happened

You know, no harm done.
表現 · B1do a makeup job

the way makeup is done

Well, lovely makeup job you have there.
表現 · A2work at a place

be employed at

- Oh, Lisa works at the MGM Grand. - I'm a Dorothy.
表現 · C1not in Kansas anymore

things are different here

Well, we're not in Kansas anymore.
発音play out

Play and out run together and the final t nearly disappears.

Do you ever play out here? I'd love to see you sometime.
表現 · B1hard to explain

difficult to describe

It's... it's hard to explain. You wouldn't understand.
表現 · B2as of yet

so far; to date

Actually, I don't have West Coast representation as of yet.
表現 · B1be not supposed to do something

not allowed or expected to

Trent wants everyone to move elsewhere and offers the house rule as his excuse.

Listen, I'm really not supposed to drink here.
表現 · A2all the time

constantly; often

- You were in Acapulco Beach? - We watch that all the time.
表現 · B1the exact same thing

completely identical

And I see that all the kids are signed in for the exact same role as me.
表現 · B1sign in for something

register for

And I see that all the kids are signed in for the exact same role as me.
文法 · B1that all the kids are signed in for the exact same role as me

noun clause: The that-clause is the object of see; find I see first, then read the whole clause as what he saw.

And I see that all the kids are signed in for the exact same role as me.
表現 · B1be supposed to be somewhere

expected to be somewhere

So I check the time and the place. I'm where I'm supposed to be.
スラング · B2bullshit

nonsense; crap — Crude; never say it in a formal setting.

Whatever. It's After School Special bullshit.
スラング · B2money

excellent; awesome — Nineties slang for something excellent.

Mikey, I'm telling you, man. I was money.
表現 · B2swear to God

promise it is true

- No. - I swear to God.
表現 · B2get caught up in something

swept along by

Trent describes how the casting director reading with him got swept into the same emotion.

Now, the casting director who's reading with me kinda gets caught up in the vibe.
文法 · B1who's reading with me

relative clause: The clause who's reading with me describes which casting director; the main clause stands without it.

Now, the casting director who's reading with me kinda gets caught up in the vibe.
スラング · A2kinda

kind of; sort of — A casual filler that softens what follows.

Now, the casting director who's reading with me kinda gets caught up in the vibe.
文法 · B2the kind of crying that's like

relative clause: The that-clause sorts crying into a type; the speaker is stalling while searching for the right words.

We're both kinda crying, but not like, not the kind of crying that's like...
表現 · B2cry one's eyes out

sob uncontrollably

Well listen to me now. Everybody in the room is sitting there tearing their face. They're crying their eyes out.
スラング · B2Fuckin'

fucking (intensifier) — A curse word; safe only with close friends.

He said, "I saw big brother come in here." Fuckin' great, right?
表現 · B2nail it

did it perfectly

Trent quotes the producer's praise: he walked in owning the part and got it right at once.

He says, "You walked in with the role, you nailed it, you're great."
発音gotta be

The t in gotta often drops straight into be.

Then he says to me... He says, "Trent, I gotta be honest with you.
スラング · A2gotta

have got to — Spoken shorthand; avoid it in formal writing.

Then he says to me... He says, "Trent, I gotta be honest with you.
表現 · A2a little bit ...

slightly; a bit

I think that it might be that you may be just a little bit old...
文法 · B2it might be that you may be

hedging clause: Two hedges, it might be and may be, soften a refusal; together they just mean perhaps you are.

I think that it might be that you may be just a little bit old...
発音with a

The a in with a reduces to a schwa and almost vanishes.

So he says to me-I swear to God he says this to me with a straight face.
発音make it

Link make and it so it sounds like one word.

Because you know why? Because you make it happen on the bets.
表現 · B2the truth of the matter is ...

the fact is

But the truth of the matter was, you saw my picture, you saw my tape.

「Trent's After School Special Audition」を読み解く

What's really going on

The whole scene is Trent performing, and the audition story is his best number. He turns a humiliation — losing a child's role at twenty-four — into an epic, complete with tears, applause, and a punchline. "I was money," he says, and later, "You know I'm 24 years old. Why did you call me in?" The story is funny because he tells it as a triumph, but the facts he keeps repeating give him away: he was too old for the part, he has no West Coast agent, and he has been freelancing on his own. Mike, the actual struggling performer, mostly listens. The women are charmed because Trent never lets the failure land; he keeps the momentum and the punchlines, which is exactly the skill the scene is showing off.

Theme

AmbitionThe audition story is really about a struggling actor's hunger for a part, and how much pride he can wring out of a failure.
DreamsTrent keeps chasing the acting life despite the humiliations, and even a child's role becomes a story worth telling.

このチャプターで学べること

  • A good story needs a punchline that flips the praise.
  • Slang like money and nailed it gives a story its swagger.
  • Repeating 'That's great' twice can sound more nervous than happy.
  • Trent's nickname works because it doubles as a betting rule.

発音のポイント

  • play out — Play and out run together and the final t nearly disappears.
  • gotta be — The t in gotta often drops straight into be.
  • with a — The a in with a reduces to a schwa and almost vanishes.
  • make it — Link make and it so it sounds like one word.
Mikey, I'm telling you, man. I was money.

Trent's boast, borrowing the film's own slang: during the audition he felt irresistible and on top of the room.

You know I'm 24 years old. Why did you call me in?

The punchline of the story: he was asked to audition for an eleven-year-old, and his best question is why anyone would bother.

Well, we're not in Kansas anymore.

A Wizard of Oz joke: they are far from home in Vegas, and the line fits the strange, glittering scene they are in.

But the truth of the matter was, you saw my picture, you saw my tape.

Trent questioning the producer's excuse: they already knew how old he was, so being 'too old' cannot be the real reason he was cut.

このシーンについての質問

What is Trent's audition story about?

He tried out for the role of 'brother' in an After School Special, gave an emotional read, and got the room clapping and crying — only to be told the part was for an eleven-year-old.

Why does Trent keep telling this humiliating story?

Because he can turn the failure into a performance. The story is embarrassing, but he tells it with tears, applause, and punchlines, so the women end up entertained rather than sorry for him.

Is Trent really a producer?

He says so at the party, but the scene gives no evidence. Mike is the one with the performing résumé, while Trent tells a story about an audition he did not get.

What does "nail it" mean?

It means to do something perfectly, especially in one go. Trent uses the phrase about his audition, even though he did not get the part.

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