stopped waiting for
Mike and Trent almost stopped waiting for the girls and tease them when they finally arrive.
- We almost gave up on you. - I'm sorry we're late.Swingers · 1996 — 第 6 / 17 章 · 4'59" · B2
Trent meets two women at the MGM Grand and launches into his favorite story: the worst audition of his life. He read for the part of "brother" in an After School Special, cried through it, got the whole room going — then learned the role was for an eleven-year-old. "Why did you call me in?"
At a party at the MGM Grand, Mike and Trent meet two women. Trent calls himself a producer, then tells his favorite war story: an audition for an After School Special. He was reading for the role of 'brother,' and by the end he had the casting director and the whole room in tears — before the producer told him the part was for an eleven-year-old.
注目の表現
double downbullshitfuckin' greatgave up on
このシーンの表現
did it perfectly
Trent quotes the producer's praise: he walked in owning the part and got it right at once.
She nailed it in the interview and got the offer the same day.
double one's bet
nonsense; crap
sarcastic: just great
stopped waiting for
not allowed or expected to
105 行のセリフに 31 件のメモ
stopped waiting for
Mike and Trent almost stopped waiting for the girls and tease them when they finally arrive.
- We almost gave up on you. - I'm sorry we're late.nothing bad happened
You know, no harm done.the way makeup is done
Well, lovely makeup job you have there.be employed at
- Oh, Lisa works at the MGM Grand. - I'm a Dorothy.things are different here
Well, we're not in Kansas anymore.Play and out run together and the final t nearly disappears.
Do you ever play out here? I'd love to see you sometime.difficult to describe
It's... it's hard to explain. You wouldn't understand.so far; to date
Actually, I don't have West Coast representation as of yet.not allowed or expected to
Trent wants everyone to move elsewhere and offers the house rule as his excuse.
Listen, I'm really not supposed to drink here.constantly; often
- You were in Acapulco Beach? - We watch that all the time.completely identical
And I see that all the kids are signed in for the exact same role as me.register for
And I see that all the kids are signed in for the exact same role as me.noun clause: The that-clause is the object of see; find I see first, then read the whole clause as what he saw.
And I see that all the kids are signed in for the exact same role as me.expected to be somewhere
So I check the time and the place. I'm where I'm supposed to be.nonsense; crap — Crude; never say it in a formal setting.
Whatever. It's After School Special bullshit.excellent; awesome — Nineties slang for something excellent.
Mikey, I'm telling you, man. I was money.promise it is true
- No. - I swear to God.swept along by
Trent describes how the casting director reading with him got swept into the same emotion.
Now, the casting director who's reading with me kinda gets caught up in the vibe.relative clause: The clause who's reading with me describes which casting director; the main clause stands without it.
Now, the casting director who's reading with me kinda gets caught up in the vibe.kind of; sort of — A casual filler that softens what follows.
Now, the casting director who's reading with me kinda gets caught up in the vibe.relative clause: The that-clause sorts crying into a type; the speaker is stalling while searching for the right words.
We're both kinda crying, but not like, not the kind of crying that's like...sob uncontrollably
Well listen to me now. Everybody in the room is sitting there tearing their face. They're crying their eyes out.fucking (intensifier) — A curse word; safe only with close friends.
He said, "I saw big brother come in here." Fuckin' great, right?did it perfectly
Trent quotes the producer's praise: he walked in owning the part and got it right at once.
He says, "You walked in with the role, you nailed it, you're great."The t in gotta often drops straight into be.
Then he says to me... He says, "Trent, I gotta be honest with you.have got to — Spoken shorthand; avoid it in formal writing.
Then he says to me... He says, "Trent, I gotta be honest with you.slightly; a bit
I think that it might be that you may be just a little bit old...hedging clause: Two hedges, it might be and may be, soften a refusal; together they just mean perhaps you are.
I think that it might be that you may be just a little bit old...The a in with a reduces to a schwa and almost vanishes.
So he says to me-I swear to God he says this to me with a straight face.Link make and it so it sounds like one word.
Because you know why? Because you make it happen on the bets.the fact is
But the truth of the matter was, you saw my picture, you saw my tape.The whole scene is Trent performing, and the audition story is his best number. He turns a humiliation — losing a child's role at twenty-four — into an epic, complete with tears, applause, and a punchline. "I was money," he says, and later, "You know I'm 24 years old. Why did you call me in?" The story is funny because he tells it as a triumph, but the facts he keeps repeating give him away: he was too old for the part, he has no West Coast agent, and he has been freelancing on his own. Mike, the actual struggling performer, mostly listens. The women are charmed because Trent never lets the failure land; he keeps the momentum and the punchlines, which is exactly the skill the scene is showing off.
Mikey, I'm telling you, man. I was money.Trent's boast, borrowing the film's own slang: during the audition he felt irresistible and on top of the room.
You know I'm 24 years old. Why did you call me in?The punchline of the story: he was asked to audition for an eleven-year-old, and his best question is why anyone would bother.
Well, we're not in Kansas anymore.A Wizard of Oz joke: they are far from home in Vegas, and the line fits the strange, glittering scene they are in.
But the truth of the matter was, you saw my picture, you saw my tape.Trent questioning the producer's excuse: they already knew how old he was, so being 'too old' cannot be the real reason he was cut.
He tried out for the role of 'brother' in an After School Special, gave an emotional read, and got the room clapping and crying — only to be told the part was for an eleven-year-old.
Because he can turn the failure into a performance. The story is embarrassing, but he tells it with tears, applause, and punchlines, so the women end up entertained rather than sorry for him.
He says so at the party, but the scene gives no evidence. Mike is the one with the performing résumé, while Trent tells a story about an audition he did not get.
It means to do something perfectly, especially in one go. Trent uses the phrase about his audition, even though he did not get the part.
次のチャプター · 第 7 章a reboundMike Talks About the Breakup
第 1 章there's the rubRob Explains the No-Call Rule
第 2 章get out of DodgeTrent Talks Mike Into Vegas
第 3 章look like the moneyTrent Schools Mike in Vegas
第 4 章double downTrent Coaches Mike at Blackjack
第 5 章get back out thereMike Opens Up at the Diner
再生中 · 第 6 章nail itTrent's After School Special Audition
第 7 章a reboundMike Talks About the Breakup
第 8 章moneyTrent Tells Mike He's Money
第 9 章speakeasyHockey Night and Party Plans
第 10 章the moneyDebating Goodfellas and Reservoir Dogs
第 11 章cry on cueThe 'What Do You Drive' Pickup Line
第 12 章moneyTrent's Bear and Bunny Speech
第 13 章industry standardThe Three-Day Rule for Calling
第 14 章manifest destinyRob Gives Mike the Future Speech
第 15 章tell me about itMike Meets Lorraine at the Bar
第 16 章be aroundMike Wants to Make Plans
第 17 章make a major productionTrent Embarrasses Mike at Dinner