go into the details
You didn't have to get into it, baby.Swingers · 1996 — 第 8 / 17 章 · 3'10" · B2
Mike comes home from the party convinced no one liked him, and Trent refuses to let it stand. He insists both women thought Mike was "money," blames Mike's own habit of turning dates into friendships, and ends with the line the movie is remembered for: "Baby, you are so money, and you don't even know it."
Back from the party, Mike is sure the women were not interested. Trent tells him he is wrong: both of them thought he was 'money.' He says Mike talks himself out of every date by steering the conversation to friendship, and then lifts him up by reminding him he has a part in a movie while his ex is selling scrap metal.
注目の表現
fagdo it for someonemoneyout of the game
このシーンの表現
excellent; attractive
Trent keeps telling Mike that he is a catch, if only Mike could see it.
That comeback was money, the whole bar laughed.
a slur for a gay man
attract or appeal to someone
out of the running
blame yourself harshly
used to push a question
60 行のセリフに 32 件のメモ
go into the details
You didn't have to get into it, baby.enjoy oneself
I just wanted you to have a good time, that's all.frankly speaking
Yeah, I really didn't like her that much, to be honest.attract or appeal to someone
Asked why he did not like Christy, Mike fumbles and says she just did not do it for him.
I don't know, man. She just... she didn't really do it for me.attract someone
The whole Judy Garland thing kinda turned me on.a slur for a gay man — A heavy slur; never use it anywhere.
- Does that make me some kind of a fag? - No, baby, you're money.be a catch
- She thought you were money. - I don't think so.Heard and 'em link so the contraction attaches to the verb.
I heard 'em both talking. Both those girls thought you were money.them — A spoken contraction of them; avoid it in writing.
I heard 'em both talking. Both those girls thought you were money.out of the running
Trent blames Mike for chatting his way into the friend zone, taking himself out of the running.
Look, you take yourself outta the game.Outta and the run together into one sound.
Look, you take yourself outta the game.out of — A fast-speech contraction; keep it out of formal writing.
Look, you take yourself outta the game.turn out to be
of course it's going to end up on the friendship tip.romantically
I just don't think she liked me in that way.The t in don't often drops, gluing the two words together.
Baby, you are so money, and you don't even know it.excellent; attractive — Nineties slang for something excellent.
Baby, you are so money, and you don't even know it.be attracted to someone
Look, T, the girls don't go for me the way they go for you, okay?sense of self-worth
Listen to me, Mike. Your self-esteem is low right now because she's with somebody else.reason clause: The because-clause gives the reason; hear the main idea first, then the cause.
Listen to me, Mike. Your self-esteem is low right now because she's with somebody else.blame yourself harshly
Trent mocks Mike's request for time, saying it really means sitting home and punishing himself.
Why, so you can sit around your stuffy apartment beating yourself up over it?purpose clause: So you can marks a purpose; in a rhetorical question it mocks the purpose rather than states it.
Why, so you can sit around your stuffy apartment beating yourself up over it?wallow in self-pity
sitting there, drinking orange juice, feeling sorry for yourself.a role in a film
Now look at you, man. Right? I mean, you got a part in a movie.used to push a question
Trent contrasts their lives and pushes the question hard, as if daring Mike to feel small.
You're doing what you love to do. What the hell is she doing now?The final g of sweatin' drops and slides into some.
and you're sweatin' some lawn jockey.a racist slur for a Black man — A racist slur; recognize it, never say it.
and you're sweatin' some lawn jockey.sweating; stressing — Casual for sweating; here it means stressing over someone.
and you're sweatin' some lawn jockey.in a better situation
Trent closes the pep talk by saying Mike is better without her and should trust him.
You're better off without this girl. You gotta trust me on this, Mike.believe me about this
You're better off without this girl. You gotta trust me on this, Mike.be quiet
- All right, buddy? - Stop talking. Shut up.conditional clause: The if-clause sets a condition; the main clause with will states the promise.
Okay, I'm gonna try. I promise you I will shut up if you shut the hell up.make something succeed
- We're gonna make this work. - You're damn right you're gonna try.The scene is the film's thesis delivered by a friend: confidence is the whole game, and Mike keeps losing it before he starts. Trent's method is not subtle — he repeats 'money' until it becomes a fact, insists the women liked him, and refuses every self-critical line Mike offers. When Mike says he needs more time, Trent answers with the apartment, the orange juice, the weeks he could not leave the house; he is not going to let the sadness get comfortable. The pep talk also carries a sting: Mike's real problem, Trent argues, is that he talks to women about 'puppy dogs and ice cream' and turns romance into friendship. It is blunt, a little ridiculous, and exactly what Mike needs — someone who refuses to agree that he is a loser.
Baby, you are so money, and you don't even know it.Trent's signature compliment: money means attractive and desirable, and the tragedy is that Mike cannot see it in himself.
You're better off without this girl. You gotta trust me on this, Mike.Trent's blunt comfort: the breakup is a gain, not a loss, and he asks Mike to take his word for it until he can feel it himself.
Why, so you can sit around your stuffy apartment beating yourself up over it?Trent's challenge to Mike's request for 'more time': more time only means more hours alone, blaming himself for the breakup.
You're doing what you love to do. What the hell is she doing now?Trent reframes the comparison: Mike is chasing his dream while his ex has moved on to something dull, so his life is not the one that stalled.
He is trying to rebuild Mike's confidence after the breakup. By repeating it, he wants Mike to hear the compliment instead of the doubts he keeps voicing.
He says Mike takes himself out of the game by talking about puppy dogs and ice cream, which pushes the conversation toward friendship instead of romance.
To show Mike that his life is moving forward. Mike only got a one-day role, but Trent insists it is work he loves, while his ex is selling scrap metal and dating a carriage driver.
It is slang for being attractive or on top — the opposite of a loser. Trent uses it as a compliment, not about actual cash.
次のチャプター · 第 9 章speakeasyHockey Night and Party Plans
第 1 章there's the rubRob Explains the No-Call Rule
第 2 章get out of DodgeTrent Talks Mike Into Vegas
第 3 章look like the moneyTrent Schools Mike in Vegas
第 4 章double downTrent Coaches Mike at Blackjack
第 5 章get back out thereMike Opens Up at the Diner
第 6 章nail itTrent's After School Special Audition
第 7 章a reboundMike Talks About the Breakup
再生中 · 第 8 章moneyTrent Tells Mike He's Money
第 9 章speakeasyHockey Night and Party Plans
第 10 章the moneyDebating Goodfellas and Reservoir Dogs
第 11 章cry on cueThe 'What Do You Drive' Pickup Line
第 12 章moneyTrent's Bear and Bunny Speech
第 13 章industry standardThe Three-Day Rule for Calling
第 14 章manifest destinyRob Gives Mike the Future Speech
第 15 章tell me about itMike Meets Lorraine at the Bar
第 16 章be aroundMike Wants to Make Plans
第 17 章make a major productionTrent Embarrasses Mike at Dinner