tag question: The negative statement plus have you makes a tag question checking on him.
You haven't been drinking, have you?Swingers · 1996 — 第 14 / 17 章 · 4'07" · B1
Mike has barely eaten or slept for two days after the Dresden, and Rob forces the question: look at what you have, not at what you lack. "You gotta let go of the past, and Mikey, when you do I'm telling you the future is beautiful," he says. Then Mike asks how Rob got over his own heartbreak.
Two days after the incident at the Dresden, Rob finds Mike moping at home and pushes him to eat. Mike says he has nothing to show for his time in LA, but Rob argues it depends how you look at it and that Mike only sees what he lacks. Rob insists the future is beautiful and finally drags him out to eat.
注目の表現
what's the pointspecialize independ onlove someone to pieces
このシーンの表現
a destined expansion
Rob points at the constant sunshine and calls staying here a kind of manifest destiny.
Moving to the coast felt like manifest destiny to him.
why bother
focus on one field
be decided by
love someone deeply
recover from something
61 行のセリフに 29 件のメモ
tag question: The negative statement plus have you makes a tag question checking on him.
You haven't been drinking, have you?The closing have you weakens to something like həv-yə.
You haven't been drinking, have you?apologetic about
Sorry about what happened at the Dresden, man.why bother
Rob offers to talk about the fight, and Mike shrugs it off as pointless.
- You wanna talk about it? - What's the point?someone's kind of person
Not your type.be doing well
You're doing really well out here, Mike.so what, sarcastic — A sarcastic put-down; rough and friends-only.
Big fuckin' deal.focus on one field
Mike lists his achievements and sneers that his agent mainly handles magicians.
I got an agent that specializes in magicians.reject someone
Did you get turned down for Goofy?be decided by
Rob tells Mike that everything comes down to how he chooses to look at it.
The point is, Mike, it all depends on how you look at it. All right?is terrible — Blunt slang for something being awful; keep it casual.
I mean, you're telling me that your life sucks.one reason is
You know, part of the reason that I moved out here is because I saw how well you were doing...succeed
and I figured if you could make it, then I could make it too.conditional clause: The if-clause sets a condition about ability in the past, and could mirrors it in the main clause.
and I figured if you could make it, then I could make it too.succeed — Everyday talk for succeeding or making it in time.
and I figured if you could make it, then I could make it too.what you already own
You don't look at the things that you have.love someone deeply
Rob admits he still loves the girl deeply, in a soft, resigned tone.
Alright. She's a sweet girl and I love her to pieces...move on with life
but fuck her, man- you gotta get on with your life.forget her, roughly — A rough way to say let her go; only between close friends.
but fuck her, man- you gotta get on with your life.The t in let often drops, and go of runs together.
You gotta let go of the past, and Mikey, when you do I'm telling you the future is beautiful.a destined expansion
Rob points at the constant sunshine and calls staying here a kind of manifest destiny.
It's sunny every day here. It's like manifest destiny.relative clause: The clause that is past defines everything and serves as the subject of the sentence.
And everything that is past is prologue to this.all that crap — Shit here means all the bad experiences, said loosely among friends.
All of the shit that didn't kill us is only- You know. All that shit.recover from something
Rob reassures Mike that he will recover, speaking as someone who has been there.
You're gonna get over it.Get over it links into one sound, with the t sliding into over.
You're gonna get over it.not in the least
then you wake up one day and it doesn't hurt at all.negative emphasis: Not at all strengthens the negative, meaning the pain is completely gone.
then you wake up one day and it doesn't hurt at all.look terrible
Before they leave to eat, Rob looks Mike over and tells him bluntly that he looks awful.
You look like shit.terrible — Rough slang for looking awful; never outside close company.
You look like shit.The pep talk works by refusing Mike's framing. Mike measures himself against what he has not achieved — no big roles, no call from Nikki — so Rob answers with a different ledger: "You don't look at the things that you have." Then he goes further, turning his own move to Los Angeles into evidence; he came because he saw how well Mike was doing. The final section is the film's most quoted, and the most double-edged: "You gotta let go of the past, and Mikey, when you do I'm telling you the future is beautiful." Mike, who wants a deadline, asks how long it took, and Rob's answer — that sometimes it still hurts, that you almost miss the pain — quietly undercuts the big speech. The scene argues that optimism and grief can share a table, and that getting over someone is less a decision than a slow daily subtraction.
And everything that is past is prologue to this.A grand, theatrical line — borrowed from The Tempest — meaning that everything before now was only setup for this present life.
You gotta let go of the past, and Mikey, when you do I'm telling you the future is beautiful.Rob's core promise: release the past, and the future opens up. It is encouragement delivered as a slogan.
You don't look at the things that you have.Rob's diagnosis: Mike ignores his own achievements, so his self-image is built entirely from what is missing.
You only look at the stuff you don't have.The blunt version of the same point: Mike's attention is fixed on his lacks, which is why he feels like a failure.
He wants Mike to stop defining himself by his ex and his missed roles. By saying the future is beautiful, Rob tries to replace Mike's despair with a reason to keep going.
He wants a timeline. Rob's answer is not comforting in the usual way: sometimes it still hurts, and recovery is a slow daily lessening rather than a decision.
He says part of the reason was seeing how well Mike was doing. If Mike could make it, Rob thought he could too, which is why Mike's self-doubt worries him so much.
To make the move West feel fated. He points out the constant sunshine and treats their being in Los Angeles as proof they already made it, not as a place to keep doubting.
次のチャプター · 第 15 章tell me about itMike Meets Lorraine at the Bar
第 1 章there's the rubRob Explains the No-Call Rule
第 2 章get out of DodgeTrent Talks Mike Into Vegas
第 3 章look like the moneyTrent Schools Mike in Vegas
第 4 章double downTrent Coaches Mike at Blackjack
第 5 章get back out thereMike Opens Up at the Diner
第 6 章nail itTrent's After School Special Audition
第 7 章a reboundMike Talks About the Breakup
第 8 章moneyTrent Tells Mike He's Money
第 9 章speakeasyHockey Night and Party Plans
第 10 章the moneyDebating Goodfellas and Reservoir Dogs
第 11 章cry on cueThe 'What Do You Drive' Pickup Line
第 12 章moneyTrent's Bear and Bunny Speech
第 13 章industry standardThe Three-Day Rule for Calling
再生中 · 第 14 章manifest destinyRob Gives Mike the Future Speech
第 15 章tell me about itMike Meets Lorraine at the Bar
第 16 章be aroundMike Wants to Make Plans
第 17 章make a major productionTrent Embarrasses Mike at Dinner