be quiet, stop talking
Mike and Trent bicker at the table, one telling the other to be quiet while praise keeps coming.
- Will you shut up? - You were great tonight!Swingers · 1996 — 第 17 / 17 章 · 2'07" · B2
After the swing-dancing night, the friends hit a diner and Trent turns the meal into a show. He shouts, jokes with the waitress, and keeps announcing, "Our little baby's all 'growns' up," until Mike snaps: "Why do you have to make a major production every time we go out and embarrass me?"
At dinner after the dance, Trent is loud and performative: he yells, asks the waitress where the high school girls hang out, and teases Mike about Lorraine. When Trent repeats that the baby is all 'growns' up, Mike finally asks why every night out has to become a production that embarrasses him.
注目の表現
growns upbig boyfuckin' off your asshang out
このシーンの表現
blow something out of proportion
After a whole evening of teasing, Mike finally asks Trent why he turns every night out into a scene.
Don't make a major production out of a simple lunch.
a joke mispronunciation of grown up
a teasing, mock-affectionate address
performing wildly well
spend relaxed time somewhere
be liked by someone
47 行のセリフに 31 件のメモ
be quiet, stop talking
Mike and Trent bicker at the table, one telling the other to be quiet while praise keeps coming.
- Will you shut up? - You were great tonight!charm in abundance
Personality plus, all the time. Everytime I come in here.only, nothing except
Nothin' but smiles for me. Whatever. Here it is.Nothing loses its ending and slides straight into but.
Nothin' but smiles for me. Whatever. Here it is.be liked by someone
Hearing that people talk about him behind his back, Mike answers calmly that he refuses to chase everyone's approval.
I don't have to be liked by everyone.what on earth
Aww. What the hell are you kickin' me for?spend relaxed time somewhere
Trent wants to meet young women and bluntly asks the waitress where local high school girls usually gather.
Ma'am! Where do the high school girls hang out around here?in this area
Ma'am! Where do the high school girls hang out around here?The g drops in fuckin', so it ends on the n sound.
You know what, man, you were fuckin' off your ass tonight.fucking, as intensifier — Rough intensifier for friends; never in polite speech.
You know what, man, you were fuckin' off your ass tonight.took a dance class
I took a ballroom class with Michelle.the single one
She's the only one I danced with till tonight. That Lorraine is good.danced with someone
She's the only one I danced with till tonight. That Lorraine is good.relative clause: The relative pronoun after the only one is dropped, so I danced with attaches straight to it.
She's the only one I danced with till tonight. That Lorraine is good.giving you strong signals
You are definitely good. Did you even see how she was vibing you tonight?drive someone home
You know what you probably coulda hit that if you didn't have to take us home.counterfactual if: The past-tense if clause signals a counterfactual: in reality he did have to drive them home.
You know what you probably coulda hit that if you didn't have to take us home.Could have weakens into coulda, almost a single beat.
You know what you probably coulda hit that if you didn't have to take us home.could have — Spoken contraction; write could have in formal text.
You know what you probably coulda hit that if you didn't have to take us home.hook up with someone — Vulgar and objectifying; avoid it in mixed company.
You know what you probably coulda hit that if you didn't have to take us home.wait a few days first
Honestly you should probably wait three days before you call her.be anxious about someone
Well, I guess we don't have to worry about him anymore.a joke malapropism — A deliberate malapropism; do not use it seriously.
Our little baby's all "growns" up.blow something out of proportion
After a whole evening of teasing, Mike finally asks Trent why he turns every night out into a scene.
Why do you have to make a major production every time we go out and embarrass me?make someone look bad
Why do you have to make a major production every time we go out and embarrass me?time clause: Every time works as a conjunction here, meaning whenever we go out.
Why do you have to make a major production every time we go out and embarrass me?be an adult now
You know what, big boy? You're grown up! You're grown up!really dig it
Yeah! Dig that!love it, dig it — Old-school slang; good for period films, dated today.
Yeah! Dig that!a jerk, an insult — Vulgar insult; never use it in polite speech.
I'm the asshole in the place. Right? I'm the asshole?leaving right now — Casual way to announce you are leaving.
- Oh, God. - I'm outta here, honey.The scene is the downside of Trent's charm. On the dance floor his loudness got Mike a partner; at the table the same loudness ruins the night. Trent is not trying to wound Mike; the mock-parent voice — "Our little baby's all 'growns' up" — is meant as affection. But to Mike it is public humiliation, and the film lets both be true at once. Notice that the tease is about Mike finally acting like an adult, and Mike's reaction is to sound like an embarrassed teenager: "Why do you have to make a major production every time we go out and embarrass me?" The scene quietly notes how the group keeps Mike in the role of the baby — and how much their friendship depends on that role.
Our little baby's all "growns" up.Trent's teasing chant about Mike, using a deliberately wrong 'growns' to sound like a proud — and mocking — parent.
Why do you have to make a major production every time we go out and embarrass me?Mike's exasperated question: Trent turns every ordinary night out into a loud public spectacle that leaves Mike humiliated.
I don't have to be liked by everyone.Mike's attempt to shrug off the table's teasing: he will not shape his life around being liked by everybody.
Well, I guess we don't have to worry about him anymore.A mock-serious line that frames Mike as a child who has finally grown up, so the friends can stop worrying about him.
Trent turns the meal into a performance: yelling, quizzing the waitress, and repeating that Mike is all 'growns' up. Mike feels the loud teasing is meant to embarrass him in public.
Probably not. The chant is affectionate in tone, a proud-parent joke. But the effect is humiliation, and the scene keeps both readings alive instead of choosing one.
Because he has been the fragile, heartbroken one they worry about. Calling him grown up is a joke that also keeps him in the baby role.
His friends are arguing about whether to wait two or three days before calling Lorraine. Mike cuts it off, insisting he knows what he is doing and needs no coaching.
第 1 章there's the rubRob Explains the No-Call Rule
第 2 章get out of DodgeTrent Talks Mike Into Vegas
第 3 章look like the moneyTrent Schools Mike in Vegas
第 4 章double downTrent Coaches Mike at Blackjack
第 5 章get back out thereMike Opens Up at the Diner
第 6 章nail itTrent's After School Special Audition
第 7 章a reboundMike Talks About the Breakup
第 8 章moneyTrent Tells Mike He's Money
第 9 章speakeasyHockey Night and Party Plans
第 10 章the moneyDebating Goodfellas and Reservoir Dogs
第 11 章cry on cueThe 'What Do You Drive' Pickup Line
第 12 章moneyTrent's Bear and Bunny Speech
第 13 章industry standardThe Three-Day Rule for Calling
第 14 章manifest destinyRob Gives Mike the Future Speech
第 15 章tell me about itMike Meets Lorraine at the Bar
第 16 章be aroundMike Wants to Make Plans
再生中 · 第 17 章make a major productionTrent Embarrasses Mike at Dinner