served with ice
At the bar, one orders whiskey with ice and the other a Bud, both sounding at ease.
I'll get a Dewars on the rocks. What are you getting?Swingers · 1996 — 第 10 / 17 章 · 2'25" · B2
Debating Goodfellas and Reservoir Dogs, Explained：the money
Two friends at the bar turn a night out into a film-school argument. Is the Steadicam shot through the Copa in Goodfellas the greatest shot ever — "that was the money" — or is the slow-motion walk in Reservoir Dogs just as good? Someone insists Tarantino "bites everything from Scorsese," and nobody can agree.
あらすじ
At the bar, Mike, Rob, and Charles catch up on auditions, parents, and the pilot nobody booked. Then the talk turns to movies: the long Steadicam shot in Goodfellas versus the slow-motion opening of Reservoir Dogs. One side calls the Goodfellas shot 'the money'; the other argues Tarantino steals from Scorsese. They leave to make the party.
注目の表現
on the rocksshittake itcut out
00:00 / 02:25Space 再生 · ← → セリフ移動 · R リピート
いま
セリフをタップするとそこから再生
このシーンの表現
the money
the best part
In the argument, one man declares the Steadicam shot in Goodfellas the best thing in the film.
That final shot was the money.
このシーンの他の表現
- on the rocks
served with ice
- shit
crap; junk
- take it
react to news
- cut out
removed in editing
- that's the dope
that's the good stuff
このシーンのメモ一覧
54 行のセリフに 31 件のメモ
Get a links into a single blurred sound.
I'll get a Dewars on the rocks. What are you getting?find it hard to accept
God, I can't believe the women in this city.The t in can't often drops into believe.
God, I can't believe the women in this city.in its finest form
Darwinism at its best.how are things
- Yo, Mikey, what's up? - Charles! How you doin', man?crap; junk — Crude; fine for venting, not for formal talk.
- That shit wasn't funny anyway. - Piece of shit.react to news
Hearing Mike has no official answer yet, Charles asks how his parents took the news.
Oh man. How'd your folks take it?noun clause: A that-clause is the object of told: it spells out what he has not told his parents.
That's all right, man. I still haven't told my folks I didn't get Deep Space Nine.work it out
You figure they'd figure it out by now, right?zero that-clause: The that after figure is left out; the clause still works as the object of figure.
You figure they'd figure it out by now, right?be removed in editing
Not till you book it. You know, you might get cut out.accept a role
I'm considering taking a part as Goofy.on the bright side
- Well, at least it's Disney, right? - Yeah.come along
Beautiful babies. You want to come with?sure, let's do it
Yeah, why not? This place is dead anyway.the best part
In the argument, one man declares the Steadicam shot in Goodfellas the best thing in the film.
that the SteadiCam shot in Goodfellas was the money.the best part — Nineties slang for the best thing.
that the SteadiCam shot in Goodfellas was the money.dummy subject: It is a dummy subject; the real subject is the infinitive to light that shot.
It took them four days to light that shot.be very expensive
Jesus, that must've cost a fortune.be crazy to do it
Wait. You gotta be nuts to shoot in a casino.The t in gotta drops straight into be.
Wait. You gotta be nuts to shoot in a casino.crazy — Casual for crazy; used to tease or scold.
Wait. You gotta be nuts to shoot in a casino.the best; the coolest — Very casual slang; keep it out of formal talk.
- That's the dope. - Dude, dude. Reservoir Dogs.at the start
The one right in the beginning where they're walking in slow motion, man.set the two side by side
How can you even compare the two, man?copies; steals from — A put-down in film talk; means copied, not bit.
Tarantino completely bites everything from Scorsese.ten thousand dollars
I heard they did that whole thing for under ten grand.a thousand dollars — Casual for a thousand dollars; avoid in writing.
I heard they did that whole thing for under ten grand.leave quickly
Let's get the hell out of here if we wanna make this party.Get the hell runs together, with the nearly swallowed.
Let's get the hell out of here if we wanna make this party.「Debating Goodfellas and Reservoir Dogs」を読み解く
What's really going on
The bar scene is a portrait of a certain kind of Los Angeles friendship. The men trade failure stories as jokes — pilots they did not get, a part as Goofy — and the ease of it shows how common disappointment is in their world. Then the conversation becomes a competition about taste, complete with arguments over lighting costs and shot counts. Nobody is really fighting; this is how they spend time. The one line that lands as a thesis is "Everybody steals from everybody. That's movies," which shrugs off the Tarantino-versus-Scorsese quarrel in a single sentence. The scene also quietly sets up the night's plan: a party in the hills with 'beautiful babies,' which is what actually matters to them.
Theme
FriendshipThe scene shows friends passing time the way they know: trading failed-audition stories, arguing about movies, and heading out together.
DreamsEvery conversation keeps brushing against stalled acting careers, from pilots that went nowhere to considering a role as Goofy.
このチャプターで学べること
- Film talk here is really a contest over who has better taste.
- 'That did look money' praises a shot without one technical term.
- 'Everybody steals from everybody' shrugs off the whole plagiarism fight.
- A low budget becomes the proof that style beats money.
発音のポイント
- get a — Get a links into a single blurred sound.
- can't believe — The t in can't often drops into believe.
- gotta be — The t in gotta drops straight into be.
- get the hell — Get the hell runs together, with the nearly swallowed.
Everybody steals from everybody. That's movies.The line that ends the argument: influence is normal in filmmaking, so the Tarantino-versus-Scorsese dispute is pointless.
You know what? You gotta admit that did look money.'Money' here means excellent, worth the hype; the speaker concedes the rival's shot actually looked great.
You figure they'd figure it out by now, right?A joke about parents still waiting for news of a role; the children assume the silence should have given the truth away by now.
How can you even compare the two, man?The heart of the argument: the two shots are treated as so different in quality that comparing them is, to one fan, absurd.
このシーンについての質問
What are Mike, Rob, and Charles talking about?
First their acting careers — pilots that did not get picked up, whether to tell their parents, and a possible role as Goofy. Then the talk turns into an argument about great movie shots.
Why do they argue about Goodfellas and Reservoir Dogs?
Both sides are showing off their taste. One calls the long Steadicam shot in Goodfellas 'the money,' while the other prefers the slow-motion walk in Reservoir Dogs and accuses Tarantino of copying Scorsese.
What does "the money" mean in this scene?
It is slang for the best or most impressive part — here, the shot everyone agrees is worth the hype. It is praise, not about actual cash.
Where are they going at the end?
To a party in the hills, thrown by what sounds like a modeling agency. The last line rushes them out so they will not miss it.
スウィンガーズ · 全 17 章
すべて見る →
次のチャプター · 第 11 章cry on cueThe 'What Do You Drive' Pickup Line
第 1 章there's the rubRob Explains the No-Call Rule
第 2 章get out of DodgeTrent Talks Mike Into Vegas
第 3 章look like the moneyTrent Schools Mike in Vegas
第 4 章double downTrent Coaches Mike at Blackjack
第 5 章get back out thereMike Opens Up at the Diner
第 6 章nail itTrent's After School Special Audition
第 7 章a reboundMike Talks About the Breakup
第 8 章moneyTrent Tells Mike He's Money
第 9 章speakeasyHockey Night and Party Plans
再生中 · 第 10 章the moneyDebating Goodfellas and Reservoir Dogs
第 11 章cry on cueThe 'What Do You Drive' Pickup Line
第 12 章moneyTrent's Bear and Bunny Speech
第 13 章industry standardThe Three-Day Rule for Calling
第 14 章manifest destinyRob Gives Mike the Future Speech
第 15 章tell me about itMike Meets Lorraine at the Bar
第 16 章be aroundMike Wants to Make Plans
第 17 章make a major productionTrent Embarrasses Mike at Dinner第 10 / 17 章 · 残り約 22 分