a loud call to get attention — A playful shout to get attention; not for formal use.
Yoo-hoo. Jew?Jojo Rabbit · 2019 — 第 5 / 18 章 · 2'21" · B2
Jojo tries to bully Elsa out of the house and gets thrown out of his own room for his trouble. His imaginary friend Adolf then offers a strategy instead of force: make her feel safe, let her guard drop, and take control. The trick gets a name — reverse psychology — and Jojo listens carefully.
Jojo tells the girl hiding in the attic to find somewhere else to live, and she orders him out of his own room. His imaginary friend Adolf arrives with advice: use the situation to his advantage. Instead of fighting, Jojo should make her feel safe so she drops her guard, and then he will be in control.
注目の表現
use it to your advantagehellthe expertdrop her guard
このシーンの表現
pushing the opposite way
Jojo names the scheme reverse psychology, and Adolf tells him not to make it complicated.
Calling it reverse psychology does not make it a real plan.
turn it into an asset
a crude intensifier
sarcastic mock-experthood
let down one's defenses
destroy me with an explosion
47 行のセリフに 28 件のメモ
a loud call to get attention — A playful shout to get attention; not for formal use.
Yoo-hoo. Jew?the thing I must tell you
Okay, well, I'll just say what I have to say and that's this:afraid of someone
I'm not scared of you and I think you should find somewhere else to live.get out of, rudely
Get the hell out of my room.The t in out flaps before of.
Get the hell out of my room.a crude intensifier — Crude emphasis for anger; never in formal speech.
Get the hell out of my room.cut into pieces
- How are you going to chop up stuff? - I don't know!come up with an idea
- What are we gonna do about that Jew? - You think of something.Link the end of offering straight into me.
Stop offering me damned cigarettes! I'm ten!damn, blasted — A mild curse of annoyance; mind your company.
Stop offering me damned cigarettes! I'm ten!under great pressure
All right. Sorry. I'm stressed out!sever something
You can't tell your mother or that Jew will cut off your Nazi head,or-clause consequence: The or-clause states the punishment if he does tell.
You can't tell your mother or that Jew will cut off your Nazi head,no cause to do something
but there's no reason this thing in the attic needs to ruin your life.for your own benefit
In fact, you could use it to your advantage.Use it links into one sound, with to reduced.
In fact, you could use it to your advantage.destroy me with an explosion
Adolf brags about surviving the Stauffenberg bomb plot, reducing an assassination to a boast.
Remember last year when that one-arm pirate von Stauffenberg tried to blow me up with a table bomb?exactly right, jokingly — A jokey mash-up of correct and a Spanish ending.
Correctomundo.the sole cause
The only reason I survived, apart from having bombproof legs, is because I outwitted old von Stauffy.parenthetical phrase: The apart from phrase slips in a joke reason beside the main one.
The only reason I survived, apart from having bombproof legs, is because I outwitted old von Stauffy.in reality
I let him think that I was dead, when in actual fact, I was absolutely fine.contrast clause: The when-clause sets up the contrast between belief and reality.
I let him think that I was dead, when in actual fact, I was absolutely fine.by + gerund: The by-phrase names the means that produced the result.
By pretending I was dead, I drew out all the traitors.let down one's defenses
Adolf's plan is to make Elsa feel safe until she drops her guard, then take over.
make her feel safe and then she'll drop her guard and then you will be the one in control.causative make: Make takes a bare infinitive, here feel safe, to cause a state.
make her feel safe and then she'll drop her guard and then you will be the one in control.The p in drop is barely audible before her.
make her feel safe and then she'll drop her guard and then you will be the one in control.at someone's home
We're having unicorn for dinner at my place tonight.bye — German for bye, used casually between friends.
Tschüss.The scene is a comedy about strategy between two children, one of them imaginary. Jojo has no power over Elsa and can only shout at a wall, so Adolf reframes the problem: the intruder in the attic can be turned into an asset. "In fact, you could use it to your advantage," he says, and then gives the plan a slick name, reverse psychology. What makes it funny is that it is nonsense dressed as military wisdom, borrowed from Adolf's own fantasy of surviving the assassination attempt. But it also plants a real idea in Jojo's head: that the way to deal with Elsa is not to get rid of her but to win her over, which is the direction the whole story will take.
Get the hell out of my room.Elsa's blunt order, putting Jojo on the back foot and showing he has no authority over her.
Stop offering me damned cigarettes! I'm ten!Jojo's outburst at his imaginary friend, reminding us how young and out of his depth he is.
In fact, you could use it to your advantage.Adolf's suggestion that the problem in the attic can be turned into an asset.
The only reason I survived, apart from having bombproof legs, is because I outwitted old von Stauffy.Adolf's boast about surviving the assassination attempt, dressing up a fantasy of cleverness and invincibility as battlefield wisdom.
make her feel safe and then she'll drop her guard and then you will be the one in control.The reverse-psychology plan in one sentence: lower her defences first, then hold the power.
We're having unicorn for dinner at my place tonight.A throwaway line of absurd fantasy that shows how casually the imaginary Hitler slides between propaganda and childish make-believe.
That's just my two Pfennige.A German version of 'my two cents,' used to offer an opinion lightly, as if it carried no weight.
Because she is a Jew hiding in his house, which his ideology tells him to hate and fear. He tries to order her out, but she refuses to be intimidated by a ten-year-old.
Because direct force has failed. He tells Jojo to make her feel safe so she lets her guard down, and then he can control the situation, which he calls reverse psychology.
He listens closely, and the idea stays with him: dealing with Elsa by winning her over rather than driving her out shapes much of what follows in the story.
Because it lets him cast a simple trick as battlefield wisdom. The story about pretending to be dead is how he dresses up the advice as a proven tactic, which is part of the joke.
次のチャプター · 第 6 章get overRosie Calms Jojo and Warns Elsa
第 1 章on the back footCaptain K Addresses the Jungvolk
第 2 章let you in onJojo Refuses to Kill the Rabbit
第 3 章pluck up your courageRosie Pushes Jojo Out the Door
第 4 章in a pickleElsa Reveals Herself to Jojo
再生中 · 第 5 章reverse psychologyAdolf Teaches Jojo Reverse Psychology
第 6 章get overRosie Calms Jojo and Warns Elsa
第 7 章drawn outJojo Asks How to Spot a Jew
第 8 章neutral groundJojo and Elsa Strike a Stalemate
第 9 章turn your back on someoneJojo Fakes a Breakup Letter
第 10 章figure it outRosie Explains Why We Dance
第 11 章boss aroundElsa Tells Jojo a Tall Tale
第 12 章all hands on deckJojo Asks If He Gets a Medal
第 13 章let aloneElsa Tells Jojo He's Not a Nazi
第 14 章routine inspectionThe Gestapo Inspects Jojo's House
第 15 章give someone a ringOfficers Praise Jojo's Book on Jews
第 16 章a complete bustElsa Pretends to Be Inge
第 17 章been meaning to tell youKlenzendorf Comforts Jojo After the War
第 18 章for old time's sakeJojo Rejects His Imaginary Hitler