Jojo Rabbit · 2019 — 第 5 / 18 章 · 2'21" · B2

Adolf Teaches Jojo Reverse Psychology, Explained:reverse psychology

Jojo tries to bully Elsa out of the house and gets thrown out of his own room for his trouble. His imaginary friend Adolf then offers a strategy instead of force: make her feel safe, let her guard drop, and take control. The trick gets a name — reverse psychology — and Jojo listens carefully.

あらすじ

Jojo tells the girl hiding in the attic to find somewhere else to live, and she orders him out of his own room. His imaginary friend Adolf arrives with advice: use the situation to his advantage. Instead of fighting, Jojo should make her feel safe so she drops her guard, and then he will be in control.

ArgumentsSmall talkSuggestingPersuadingFriendsB2fastother-accent
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注目の表現

use it to your advantagehellthe expertdrop her guard

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  1. ❝ 独白Adolf's reverse-psychology lecture20 行練習ページ ↗
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このシーンの表現

reverse psychology

pushing the opposite way

Jojo names the scheme reverse psychology, and Adolf tells him not to make it complicated.

Calling it reverse psychology does not make it a real plan.

このシーンの他の表現

  • use it to your advantage

    turn it into an asset

  • hell

    a crude intensifier

  • the expert

    sarcastic mock-experthood

  • drop her guard

    let down one's defenses

  • blow me up

    destroy me with an explosion

このシーンのメモ一覧

47 行のセリフに 28 件のメモ

スラング · A2Yoo-hoo

a loud call to get attention — A playful shout to get attention; not for formal use.

Yoo-hoo. Jew?
表現 · B1what I have to say

the thing I must tell you

Okay, well, I'll just say what I have to say and that's this:
表現 · A2be scared of someone

afraid of someone

I'm not scared of you and I think you should find somewhere else to live.
表現 · B2get the hell out of something

get out of, rudely

Get the hell out of my room.
発音out of

The t in out flaps before of.

Get the hell out of my room.
スラング · B2the hell

a crude intensifier — Crude emphasis for anger; never in formal speech.

Get the hell out of my room.
表現 · A2chop up something

cut into pieces

- How are you going to chop up stuff? - I don't know!
表現 · A2think of something

come up with an idea

- What are we gonna do about that Jew? - You think of something.
発音offering me

Link the end of offering straight into me.

Stop offering me damned cigarettes! I'm ten!
スラング · B2damned

damn, blasted — A mild curse of annoyance; mind your company.

Stop offering me damned cigarettes! I'm ten!
表現 · B1be stressed out

under great pressure

All right. Sorry. I'm stressed out!
表現 · B1cut off something

sever something

You can't tell your mother or that Jew will cut off your Nazi head,
文法 · B2You can't tell your mother or

or-clause consequence: The or-clause states the punishment if he does tell.

You can't tell your mother or that Jew will cut off your Nazi head,
表現 · B1there's no reason to ...

no cause to do something

but there's no reason this thing in the attic needs to ruin your life.
表現 · B2use something to your advantage

for your own benefit

In fact, you could use it to your advantage.
発音use it to

Use it links into one sound, with to reduced.

In fact, you could use it to your advantage.
表現 · B2blow someone up

destroy me with an explosion

Adolf brags about surviving the Stauffenberg bomb plot, reducing an assassination to a boast.

Remember last year when that one-arm pirate von Stauffenberg tried to blow me up with a table bomb?
スラング · B2Correctomundo

exactly right, jokingly — A jokey mash-up of correct and a Spanish ending.

Correctomundo.
表現 · B1the only reason ... is because ...

the sole cause

The only reason I survived, apart from having bombproof legs, is because I outwitted old von Stauffy.
文法 · B2apart from having bombproof legs

parenthetical phrase: The apart from phrase slips in a joke reason beside the main one.

The only reason I survived, apart from having bombproof legs, is because I outwitted old von Stauffy.
表現 · B2in actual fact

in reality

I let him think that I was dead, when in actual fact, I was absolutely fine.
文法 · B2when in actual fact

contrast clause: The when-clause sets up the contrast between belief and reality.

I let him think that I was dead, when in actual fact, I was absolutely fine.
文法 · B1By pretending I was dead

by + gerund: The by-phrase names the means that produced the result.

By pretending I was dead, I drew out all the traitors.
表現 · B2drop one's guard

let down one's defenses

Adolf's plan is to make Elsa feel safe until she drops her guard, then take over.

make her feel safe and then she'll drop her guard and then you will be the one in control.
文法 · B1make her feel safe

causative make: Make takes a bare infinitive, here feel safe, to cause a state.

make her feel safe and then she'll drop her guard and then you will be the one in control.
発音drop her guard

The p in drop is barely audible before her.

make her feel safe and then she'll drop her guard and then you will be the one in control.
表現 · A2at someone's place

at someone's home

We're having unicorn for dinner at my place tonight.
スラング · A2Tschüss

bye — German for bye, used casually between friends.

Tschüss.

「Adolf Teaches Jojo Reverse Psychology」を読み解く

What's really going on

The scene is a comedy about strategy between two children, one of them imaginary. Jojo has no power over Elsa and can only shout at a wall, so Adolf reframes the problem: the intruder in the attic can be turned into an asset. "In fact, you could use it to your advantage," he says, and then gives the plan a slick name, reverse psychology. What makes it funny is that it is nonsense dressed as military wisdom, borrowed from Adolf's own fantasy of surviving the assassination attempt. But it also plants a real idea in Jojo's head: that the way to deal with Elsa is not to get rid of her but to win her over, which is the direction the whole story will take.

Theme

Coming of ageA boy learns to handle a problem with strategy instead of shouting, even if the teacher is imaginary.
Dark humorA childhood standoff is treated like a military campaign, with fake insight and a made-up term for a simple trick.

このチャプターで学べること

  • The boy loses the argument the moment he enters the room.
  • Adolf's advice is smug, wrong and weirdly confident.
  • A threat can be recast as a strategy if you rename it.

発音のポイント

  • out of — The t in out flaps before of.
  • offering me — Link the end of offering straight into me.
  • use it to — Use it links into one sound, with to reduced.
  • drop her guard — The p in drop is barely audible before her.
Get the hell out of my room.

Elsa's blunt order, putting Jojo on the back foot and showing he has no authority over her.

Stop offering me damned cigarettes! I'm ten!

Jojo's outburst at his imaginary friend, reminding us how young and out of his depth he is.

In fact, you could use it to your advantage.

Adolf's suggestion that the problem in the attic can be turned into an asset.

The only reason I survived, apart from having bombproof legs, is because I outwitted old von Stauffy.

Adolf's boast about surviving the assassination attempt, dressing up a fantasy of cleverness and invincibility as battlefield wisdom.

make her feel safe and then she'll drop her guard and then you will be the one in control.

The reverse-psychology plan in one sentence: lower her defences first, then hold the power.

We're having unicorn for dinner at my place tonight.

A throwaway line of absurd fantasy that shows how casually the imaginary Hitler slides between propaganda and childish make-believe.

That's just my two Pfennige.

A German version of 'my two cents,' used to offer an opinion lightly, as if it carried no weight.

このシーンについての質問

Why does Jojo want Elsa to leave?

Because she is a Jew hiding in his house, which his ideology tells him to hate and fear. He tries to order her out, but she refuses to be intimidated by a ten-year-old.

Why does Adolf suggest being nice to Elsa?

Because direct force has failed. He tells Jojo to make her feel safe so she lets her guard down, and then he can control the situation, which he calls reverse psychology.

Does Jojo follow Adolf's advice?

He listens closely, and the idea stays with him: dealing with Elsa by winning her over rather than driving her out shapes much of what follows in the story.

Why does Adolf talk about surviving an assassination attempt?

Because it lets him cast a simple trick as battlefield wisdom. The story about pretending to be dead is how he dresses up the advice as a proven tactic, which is part of the joke.

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