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Jojo Rabbit · 2019 — 第 6 / 18 章 · 3'27" · B2

Rosie Calms Jojo and Warns Elsa, Explained：get over

Rosie comes home to find Jojo awake and claiming he heard a ghost upstairs. She turns it into a joke about rats and tells him to keep away. The warmth then becomes a warning: if she has to choose between the hidden girl and her son, she does not know what she would do. 'You have to be more quiet.'

あらすじ

Late at night, Rosie comes home and finds Jojo still awake. He says he heard a ghost upstairs, and she jokes that it is only rats, then tells him to stay away from the attic. Later she goes up and warns the hidden girl to be quieter, admitting she does not know where she would send her if she had to protect her son first.

Parents & kidsComforting a friendComfortingWarningParent & childB2mediumother-accent
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注目の表現

goddamnso sad for youget overlive with

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このシーンの表現

get over

recover from, accept

Rosie recalls how long it took the captain to get over a family fact, showing what the boy was taught.

It took her a year to get over the breakup.

このシーンの他の表現

  • goddamn

    a curse of annoyance

  • so sad for you

    sarcastic fake sympathy

  • live with

    tolerate or share a home with

  • as long as

    provided that

  • not just

    not merely

このシーンのメモ一覧

64 行のセリフに 29 件のメモ

スラング · A2cub

little one — An affectionate nickname, mostly for a child.

Darling cub, why are you up, huh?
表現 · B2lose track of time

not notice the time passing

Sorry, I lost track of time.
発音lost track of

Both t sounds in lost track of tend to drop.

Sorry, I lost track of time.
表現 · A2take a long walk

go for a long walk

I was taking a long walk and having a thing...
スラング · A2My goodness

goodness me — A mild exclamation, softer than oh my God.

What are we going to do with these laces, huh? My goodness.
表現 · A2learn how to do something

pick up a skill

You'll learn how to tie them eventually, no?
文法 · B1because I have to live with

reason clause: The because-clause gives the reason, while though adds a turn.

It's sadder for me, though, because I have to live with a crazy person.
発音live with a

Live with a links into one smooth sound.

It's sadder for me, though, because I have to live with a crazy person.
表現 · A2hear noises

hear sounds

I heard noises. Upstairs.
スラング · B1Honestly

really, come on — Spoken exasperation; too casual for writing.

Ghosts? Honestly. You know what I heard? Rats.
表現 · B1can you believe it

is it not surprising

Yes, we have them. Can you believe that?
表現 · B2have been meaning to do something

have intended to for a while

I've been meaning to tell you to stay away from upstairs, until I've cleared them all, okay?
表現 · A2stay away from something

keep away from

I've been meaning to tell you to stay away from upstairs, until I've cleared them all, okay?
文法 · B2I've been meaning to tell you

present perfect continuous: Have been meaning to stresses an intention held from the past up to now.

I've been meaning to tell you to stay away from upstairs, until I've cleared them all, okay?
表現 · B1watch out for something

keep an eye out for

I'll watch out for those dirty rats.
スラング · B2goddamn

damn — A curse for anger; never in polite speech.

Where are all the goddamn knives?
スラング · A1ja

yes — German for yes, common in this film's speech.

I'm the boss here, ja?
文法 · B2If I have to choose between you and my son

conditional clause: The if-clause sets up a forced choice between two people she loves.

If I have to choose between you and my son, I...
表現 · B2reason with someone

argue sensibly with someone

- You could reason with him. - You don't know him.
表現 · B2the fact that ...

the truth that

It took him three weeks to get over the fact that his grandfather was not blond.
文法 · B1It took him three weeks to get over

it takes pattern: The pattern states how long the process took before the result.

It took him three weeks to get over the fact that his grandfather was not blond.
発音get over the

Over the links, with the reduced.

It took him three weeks to get over the fact that his grandfather was not blond.
表現 · B1in the end

ultimately

In the end, that's all you have.
表現 · B1not just ... but ...

not merely

Rosie hopes her last child is not just another ghost, with not just setting the minimum she clings to.

that your only remaining child is not just another ghost.
表現 · B1come true

become reality

If that comes true, then they win.
表現 · A2so far

up to now

They've been winning so far.
表現 · B1as long as ...

provided that

Rosie tells Elsa that as long as one person is alive, the enemy loses; survival itself is the win.

As long as there's someone alive, somewhere, then they lose.
文法 · B1As long as there's someone alive

conditional clause: As long as introduces the condition that guarantees the result.

As long as there's someone alive, somewhere, then they lose.
発音as there's

As links into there's as one sound.

As long as there's someone alive, somewhere, then they lose.

「Rosie Calms Jojo and Warns Elsa」を読み解く

What's really going on

The scene moves between two kinds of tenderness in the same house. Downstairs, Rosie plays along with Jojo's ghost story and turns it into a joke about rats, keeping him out of the attic without ever explaining why. Upstairs, the same mother admits the truth she cannot say in front of him: 'If I have to choose between you and my son, I...' — and then the sentence that matters, 'He can't know. If he knows, then they know.' She is protecting two children at once and knows she may fail. What she offers instead of safety is faith: she still believes the little boy inside Jojo is alive, and says that in the end hope is all you have. The last exchange — that they will never win as long as someone is still alive, and that 'Tomorrow must be the same' — turns a bedtime talk into a quiet act of resistance.

Theme

Family loveRosie protects Jojo and Elsa at once, hiding the truth to keep her son safe while still caring for the girl.
CourageThe bedtime talk reframes survival as defiance: as long as someone is alive, the regime has not won, so tomorrow must look the same.

このチャプターで学べること

  • A mother hides one truth with another to keep a girl safe.
  • Survival is framed as a way of beating the enemy.
  • The tenderest line here is also the most stubborn.

発音のポイント

  • lost track of — Both t sounds in lost track of tend to drop.
  • live with a — Live with a links into one smooth sound.
  • get over the — Over the links, with the reduced.
  • as there's — As links into there's as one sound.
It's sadder for me, though, because I have to live with a crazy person.

Rosie's dry joke about Jojo's ghost stories, pretending his imagination is the problem while she keeps a real secret.

It took him three weeks to get over the fact that his grandfather was not blond.

Her example of how literal Jojo is: he needed weeks to accept a fact about his own family, showing how deep the ideology runs.

In the end, that's all you have.

Rosie's summary of parenthood and survival: when everything else is gone, hope about your child is what remains.

Perhaps we're all ghosts now. We just don't know it.

A line about living under a regime that erases people, until even the living feel like they have already been lost.

They'll never win. That's the power you have.

Rosie's reassurance to Elsa: the regime loses simply by failing to kill her, and that survival is her own form of power.

They didn't get you yesterday or today. You make tomorrow the same.

A formula for enduring persecution one day at a time, turning survival into a daily act of defiance.

Tomorrow must be the same.

The chapter's title line, repeated as both instruction and hope: keep going, stay alive, do it again tomorrow.

このシーンについての質問

Why does Rosie tell Jojo the noises are rats?

Because the truth is that she is hiding a Jewish girl in the house. Calling it a rat problem keeps Jojo away from the attic and protects both him and Elsa without revealing anything.

Why does Rosie warn Elsa instead of letting her stay?

Jojo heard noises, and Rosie cannot be sure he will keep quiet. She is trying to protect her son and the girl at the same time, and admits she does not know where she would send Elsa if it came to that.

What does 'Tomorrow must be the same' mean?

It means keeping alive for another day is itself a victory. By surviving into tomorrow, Elsa denies the regime the win it expects, so the same routine becomes an act of resistance.

Who is Inge?

Inge is a name Jojo brings up when he says he heard a ghost. It is tied to his grief and imagination, part of why a noise upstairs becomes a ghost story to him.

Why does Rosie keep saying she is the boss?

It is her way of shutting down Jojo's questions with affection. Saying she is in charge lets her end the conversation without explaining the secret she is keeping.

ジョジョ・ラビット · 全 18 章

すべて見る →
次のチャプター · 第 7 章drawn outJojo Asks How to Spot a Jew
第 1 章on the back footCaptain K Addresses the Jungvolk第 2 章let you in onJojo Refuses to Kill the Rabbit第 3 章pluck up your courageRosie Pushes Jojo Out the Door第 4 章in a pickleElsa Reveals Herself to Jojo第 5 章reverse psychologyAdolf Teaches Jojo Reverse Psychology再生中 · 第 6 章get overRosie Calms Jojo and Warns Elsa第 7 章drawn outJojo Asks How to Spot a Jew第 8 章neutral groundJojo and Elsa Strike a Stalemate第 9 章turn your back on someoneJojo Fakes a Breakup Letter第 10 章figure it outRosie Explains Why We Dance第 11 章boss aroundElsa Tells Jojo a Tall Tale第 12 章all hands on deckJojo Asks If He Gets a Medal第 13 章let aloneElsa Tells Jojo He's Not a Nazi第 14 章routine inspectionThe Gestapo Inspects Jojo's House第 15 章give someone a ringOfficers Praise Jojo's Book on Jews第 16 章a complete bustElsa Pretends to Be Inge第 17 章been meaning to tell youKlenzendorf Comforts Jojo After the War第 18 章for old time's sakeJojo Rejects His Imaginary Hitler
第 6 / 18 章 · 残り約 42 分