Stress both words to sound genuinely warm.
Jeez! You look great!Fargo · 1996 — 第 13 / 16 章 · 2'07" · A2
On the surface it's two old classmates catching up over Diet Coke: where do you live now, are you married, do you have kids. But "I was married to Linda Cooksey" is where Mike stops asking and starts confessing, and "No. Why don't you sit over there?" is Marge quietly putting the table back between them.
Pregnant police chief Marge Gunderson is away on a case in Brainerd when she runs into Mike Yanagita, a high-school classmate, at the Radisson hotel restaurant. They catch up over drinks — Edina, the school district, marriage, kids — until Mike's eager small talk starts turning into something more uncomfortable.
注目の表現
a couple of yearswent andexpectingschool district
このシーンの表現
actually went ahead and did it
Spotting her married name, Mike teases Marge for actually marrying into the Gunderson family.
She went and bought a car without telling anyone.
about two or three years
pregnant
the local school area
what brings you here
a murder case
47 行のセリフに 24 件のメモ
Stress both words to sound genuinely warm.
Jeez! You look great!a mild exclamation — Casual surprise; keep it out of formal talk.
Jeez! You look great!pregnant, said politely — A polite euphemism, fine in most settings.
I'm expecting now.what would you like
What can I get you?a pleasant place
This is a nice place.residing in
You're living in Edina, then?present continuous: The continuous here marks an ongoing situation, not a moment.
You're living in Edina, then?Link living and in so they blur together.
You're living in Edina, then?about two or three years
Asked how long she has lived there, Marge answers casually with a rough number of years.
Yeah, yeah, yeah. A couple of years now.Couple of runs together with a weak of.
Yeah, yeah, yeah. A couple of years now.the local school area
Mike corrects his address to Eden Prairie, and Marge notes the school district as the reason people move.
That school district.go and do: Go and do marks surprise at what someone actually did.
So, you went and married Norm son-of-a-Gunderson.long in the past
Oh, yeah. Long time ago.what brings you here
After the small talk, Mike asks what has brought Marge down here, steering toward business.
So, what brings you down?not very much
But there's not a heck of a lot to discuss.negative there-be: A casual negative there-be sentence meaning very little to talk about.
But there's not a heck of a lot to discuss.a softened hell — A mild stand-in for hell; still casual.
But there's not a heck of a lot to discuss.and you
Well, what about you, Mike?have children
You got kids?would you object if I
You mind if I sit over here?was someone's spouse
I was married to Linda Cooksey.one school year younger
You remember Linda. She was a year behind us.it failed
So, it didn't work out?employed by
After his marriage, Mike adds that he has worked for Honeywell for a few years now.
And then I've been working for Honeywell for a few years now.What looks like a warm reunion is really two people remembering the same years very differently. Marge is gracious and guarded — she answers questions about her life but volunteers nothing uncomfortable. Mike is the opposite: lonely, overfamiliar, and increasingly fixed on a past he can't let go. The turn comes with "I was married to Linda Cooksey," a name he drops like it should mean something; he never actually says what went wrong. Then he asks to sit beside her, and Marge's "No. Why don't you sit over there? I prefer that." is polite and completely firm. She never raises her voice, but she moves him back across the table — and the scene shows how someone kind sets a boundary without making a scene.
So, you went and married Norm son-of-a-Gunderson.His teasing way of saying she actually ended up marrying Norm; "went and" adds surprise, as if it were a bold move.
No. Why don't you sit over there? I prefer that.A firm, polite refusal. She won't let him sit beside her and puts the table back between them without making a scene.
I was married to Linda Cooksey.He names his ex-wife to find common ground, but the past tense says the marriage is over — and he never explains why.
No, no. Just so I can see you. Don't have to turn my neck.Her practical excuse for keeping him across the table: facing her to talk is easier than twisting around.
He's lonely after a failed marriage and reads the reunion as more intimate than she does. Marge refuses and keeps him across the table.
She was a classmate a year behind them and Mike's ex-wife. He mentions her to share something personal and find common ground, but it only makes the mood awkward.
No. She says it politely — "Why don't you sit over there? I prefer that" — and even gives a practical reason about being able to see him. She's setting a boundary, not rejecting him.
Only that she's in town for it. When he asks, she says there's "not a heck of a lot to discuss," so she keeps her work private.
次のチャプター · 第 14 章passed awayMike Yanagita Confesses to Marge
第 1 章rob Peter to pay PaulJerry Hires Two Kidnappers
第 2 章a heck of a lotJerry Haggles With the Kidnappers
第 3 章talk in circlesJerry Sells the TruCoat
第 4 章two could play at that gameCarl and Gaear's Silent Drive
第 5 章triple homicideMarge Arrives at the Triple Homicide
第 6 章all's I know isMarge Finds the Dealer Plates
第 7 章call the shotsJerry and Wade Argue Over the Ransom
第 8 章a good leadNorm Brings Marge Lunch
第 9 章the Marlboro ManWitness Describes the Marlboro Man
第 10 章a deal's a dealKidnappers Call Jerry for More Money
第 11 章would you happen to knowMarge Follows a Name
第 12 章the limits of your lifeCarl Rants at the Parking Attendant
再生中 · 第 13 章went andMarge Meets Mike Yanagita
第 14 章passed awayMike Yanagita Confesses to Marge
第 15 章no call toMarge Questions Jerry at the Dealership
第 16 章are we squareThe Kidnappers Fight Over the Car