Fargo · 1996 — 第 11 / 16 章 · 2'54" · B1

Marge Follows a Name, Explained:would you happen to know

Marge's husband brings her the phone records she asked for, and one name on the list stops the conversation: Shep Proudfoot. "That's a name." The lead sends Marge to the Twin Cities, while elsewhere Wade and Jerry collide over who delivers the ransom. "It's my show here," Wade snaps.

あらすじ

At a diner, Marge looks over the phone records from the Blue Ox lobby. Two calls went to Minneapolis that night: one to a trucking company, the other to a private residence belonging to a Shep Proudfoot. Intrigued by the name, Marge decides to drive to the Twin Cities. Meanwhile, Wade and Jerry argue over who will hand over the ransom money, and Marge checks into a hotel.

InvestigationArgumentsAskingConfrontingSpousesB1mediumamerican
IMDb ↗

注目の表現

a part of thiswith all due respectmuck uptake a drive

00:00 / 02:54
Space 再生 · ← → セリフ移動 · R リピート
いま
セリフをタップするとそこから再生

このシーンの表現

would you happen to know

a very polite way to ask

After business, Marge asks the detective for lunch advice in the softest possible way.

Would you happen to know where the station is?

このシーンの他の表現

  • a part of this

    involved in this matter

  • with all due respect

    a polite lead-in to disagreement

  • muck up

    ruin or mess up

  • take a drive

    go for a car ride

  • deal with me

    negotiate with me

このシーンのメモ一覧

56 行のセリフに 25 件のメモ

表現 · B1pretty darn good

quite good

Pretty darn good. You want some?
発音want some

Link want and some so it sounds like wan-some.

Pretty darn good. You want some?
スラング · A2darn

a mild intensifier — A softened form of damn; fine with friends, not in formal talk.

Pretty darn good. You want some?
表現 · B1go ice fishing

go fishing through ice

Hey, Norm, I thought you was going ice fishing up at Mille Lacs.
文法 · B1I thought you was going

nonstandard past: Spoken dialect uses was with you; standard English would say you were going.

Hey, Norm, I thought you was going ice fishing up at Mille Lacs.
表現 · A2ask for something

that you requested

The numbers you asked for.
表現 · B1a pay phone

a public coin phone

Calls made from the lobby pay phone at the Blue Ox.
発音pay phone at

Run pay phone at together as one smooth string.

Calls made from the lobby pay phone at the Blue Ox.
表現 · B2a private residence

a private home

First one's a trucking company and second one's a private residence, a Shep Proudfoot.
表現 · B1be a part of something

involved in this matter

Wade swears that he will not be left out of the ransom handover.

Damn it, I want to be a part of this thing.
スラング · B1Damn it

a mild curse — A mild curse for frustration; keep it out of formal settings.

Damn it, I want to be a part of this thing.
表現 · B1by someone alone

by one person only

They said they'd call tomorrow with instructions, and it's gotta be delivered by me alone.
表現 · A2on the phone

during a phone call

You feel this nervousness on the phone there.
表現 · C1with all due respect

a polite lead-in to disagreement

Wade wraps a blunt insult in a polite formula, undercutting Jerry in front of the others.

With all due respect, Jerry, I don't want you mucking this up.
スラング · A2heck

a softened hell — A mild stand-in for hell; common in casual speech.

What the heck do you mean?
表現 · B1deal with someone

negotiate with me

Wade ties the ransom to his own money and insists the kidnappers must negotiate with him.

They want my money, they can deal with me.
表現 · B2someone's show

one's own affair

It's my show here. That's that!
表現 · B1have a reservation

a booking held in advance

At the front desk Marge gives her name and says she has a booking, calm and practiced.

I'm Mrs. Gunderson. I have a reservation.
文法 · B1you think

parenthetical tag: You think at the end asks for an opinion, like do you think but more offhand.

Is there a phone down here, you think?
表現 · B1from up somewhere

from somewhere up north

Yeah, this is Marge Gunderson from up Brainerd. We spoke.
文法 · B2I thought I'd check in with you

future in the past: After thought, I'd marks a plan seen from the past, not a present intention.

I had to do a few things in the Twin Cities, so I thought I'd check in with you
表現 · B1visit with someone

meet and talk with someone

Well, maybe I'll go visit with him if I have...
表現 · B2would you happen to know

a very polite way to ask

After business, Marge asks the detective for lunch advice in the softest possible way.

Say, say, would you happen to know a good place for lunch in the downtown area?
発音happen to

The t in to often disappears, leaving something like happena.

Say, say, would you happen to know a good place for lunch in the downtown area?
表現 · B1be reasonable

is the price fair

Oh, yeah? Is it reasonable?

「Marge Follows a Name」を読み解く

What's really going on

The chapter is built on a quiet contrast. Marge works the case the slow way — a phone record, a name, a drive down to the Cities. "Shep Proudfoot. That's a name," she or Norm remarks, and it is the whole method in miniature: a detail nobody else noticed becomes the next lead. In the other storyline, the men with money panic. Wade treats the kidnapping like a deal he should run personally, brushing past Jerry's warning that the kidnappers will only talk to him. "It's my money, I'll deliver it," he insists, and "It's my show here" follows. Both lines are about control, and both make things worse. Jerry, who has something to hide, keeps pushing back, but the family keeps debating procedure while the clock runs. The film cuts between them to show how far apart careful police work and desperate improvisation really are.

Theme

PowerWade insists on running the ransom himself, treating the crisis as his show, while Jerry fights to keep control of the only channel he has.
MoneyEverything turns on the cash: Wade claims the ransom because it is his money, and the investigation follows a phone record to a name.

このチャプターで学べること

  • A polite formula can carry a blunt warning inside it.
  • A phone log turns a nickname into a real lead.
  • Wade's claim on the money is also a claim on control.
  • Marge stays soft-spoken even while pushing the case forward.

発音のポイント

  • want some — Link want and some so it sounds like wan-some.
  • pay phone at — Run pay phone at together as one smooth string.
  • happen to — The t in to often disappears, leaving something like happena.
With all due respect, Jerry, I don't want you mucking this up.

A polite opener wrapped around a blunt warning: the speaker will say Jerry is not trusted to handle the handoff without ruining it.

It's my show here. That's that!

The speaker plants a flag: this is his operation, his decision, and the discussion is over.

Say, say, would you happen to know a good place for lunch in the downtown area?

After all the police business, Marge stays practical and friendly, using a soft, roundabout question to ask for a restaurant recommendation.

It's my money, I'll deliver it.

The claim of ownership becomes a claim of authority: because the ransom is his cash, the speaker insists on being the one to hand it over.

このシーンについての質問

Who is Shep Proudfoot and why does the name matter?

He is the person the second Minneapolis call was made to from the Blue Ox pay phone. In a case built on tiny details, a name attached to a phone record becomes the next lead Marge decides to follow down to the Twin Cities.

Why does Jerry refuse to let Wade deliver the ransom?

Jerry says the kidnappers made it clear they will only deal with him and that the money must be delivered by him alone. He also says these men are dangerous. Wade counters that it is his money, so he should be the one to bring it.

Who is really in charge in the ransom argument?

Wade acts as if he is, brushing aside Jerry's warnings and declaring "It's my show here." Stan tries to mediate, suggesting he could handle the call, but Wade keeps pushing to take over the handoff.

Why does Marge go to the Twin Cities herself?

She tells Detective Sibert she had a few things to do in the Twin Cities, and while she is there she wants to check on the search involving Shep Proudfoot. She uses the trip to follow the lead in person.

What does Marge ask the hotel clerk about?

She asks whether there is a phone downstairs, then calls Detective Sibert about the Shep Proudfoot search. Before hanging up, she also asks the detective for a good place to have lunch downtown.

ファーゴ · 全 16 章

すべて見る →
第 11 / 16 章 · 残り約 15 分