quite good
Pretty darn good. You want some?Fargo · 1996 — 第 11 / 16 章 · 2'54" · B1
Marge's husband brings her the phone records she asked for, and one name on the list stops the conversation: Shep Proudfoot. "That's a name." The lead sends Marge to the Twin Cities, while elsewhere Wade and Jerry collide over who delivers the ransom. "It's my show here," Wade snaps.
At a diner, Marge looks over the phone records from the Blue Ox lobby. Two calls went to Minneapolis that night: one to a trucking company, the other to a private residence belonging to a Shep Proudfoot. Intrigued by the name, Marge decides to drive to the Twin Cities. Meanwhile, Wade and Jerry argue over who will hand over the ransom money, and Marge checks into a hotel.
注目の表現
a part of thiswith all due respectmuck uptake a drive
このシーンの表現
a very polite way to ask
After business, Marge asks the detective for lunch advice in the softest possible way.
Would you happen to know where the station is?
involved in this matter
a polite lead-in to disagreement
ruin or mess up
go for a car ride
negotiate with me
56 行のセリフに 25 件のメモ
quite good
Pretty darn good. You want some?Link want and some so it sounds like wan-some.
Pretty darn good. You want some?a mild intensifier — A softened form of damn; fine with friends, not in formal talk.
Pretty darn good. You want some?go fishing through ice
Hey, Norm, I thought you was going ice fishing up at Mille Lacs.nonstandard past: Spoken dialect uses was with you; standard English would say you were going.
Hey, Norm, I thought you was going ice fishing up at Mille Lacs.that you requested
The numbers you asked for.a public coin phone
Calls made from the lobby pay phone at the Blue Ox.Run pay phone at together as one smooth string.
Calls made from the lobby pay phone at the Blue Ox.a private home
First one's a trucking company and second one's a private residence, a Shep Proudfoot.involved in this matter
Wade swears that he will not be left out of the ransom handover.
Damn it, I want to be a part of this thing.a mild curse — A mild curse for frustration; keep it out of formal settings.
Damn it, I want to be a part of this thing.by one person only
They said they'd call tomorrow with instructions, and it's gotta be delivered by me alone.during a phone call
You feel this nervousness on the phone there.a polite lead-in to disagreement
Wade wraps a blunt insult in a polite formula, undercutting Jerry in front of the others.
With all due respect, Jerry, I don't want you mucking this up.a softened hell — A mild stand-in for hell; common in casual speech.
What the heck do you mean?negotiate with me
Wade ties the ransom to his own money and insists the kidnappers must negotiate with him.
They want my money, they can deal with me.one's own affair
It's my show here. That's that!a booking held in advance
At the front desk Marge gives her name and says she has a booking, calm and practiced.
I'm Mrs. Gunderson. I have a reservation.parenthetical tag: You think at the end asks for an opinion, like do you think but more offhand.
Is there a phone down here, you think?from somewhere up north
Yeah, this is Marge Gunderson from up Brainerd. We spoke.future in the past: After thought, I'd marks a plan seen from the past, not a present intention.
I had to do a few things in the Twin Cities, so I thought I'd check in with youmeet and talk with someone
Well, maybe I'll go visit with him if I have...a very polite way to ask
After business, Marge asks the detective for lunch advice in the softest possible way.
Say, say, would you happen to know a good place for lunch in the downtown area?The t in to often disappears, leaving something like happena.
Say, say, would you happen to know a good place for lunch in the downtown area?is the price fair
Oh, yeah? Is it reasonable?The chapter is built on a quiet contrast. Marge works the case the slow way — a phone record, a name, a drive down to the Cities. "Shep Proudfoot. That's a name," she or Norm remarks, and it is the whole method in miniature: a detail nobody else noticed becomes the next lead. In the other storyline, the men with money panic. Wade treats the kidnapping like a deal he should run personally, brushing past Jerry's warning that the kidnappers will only talk to him. "It's my money, I'll deliver it," he insists, and "It's my show here" follows. Both lines are about control, and both make things worse. Jerry, who has something to hide, keeps pushing back, but the family keeps debating procedure while the clock runs. The film cuts between them to show how far apart careful police work and desperate improvisation really are.
With all due respect, Jerry, I don't want you mucking this up.A polite opener wrapped around a blunt warning: the speaker will say Jerry is not trusted to handle the handoff without ruining it.
It's my show here. That's that!The speaker plants a flag: this is his operation, his decision, and the discussion is over.
Say, say, would you happen to know a good place for lunch in the downtown area?After all the police business, Marge stays practical and friendly, using a soft, roundabout question to ask for a restaurant recommendation.
It's my money, I'll deliver it.The claim of ownership becomes a claim of authority: because the ransom is his cash, the speaker insists on being the one to hand it over.
He is the person the second Minneapolis call was made to from the Blue Ox pay phone. In a case built on tiny details, a name attached to a phone record becomes the next lead Marge decides to follow down to the Twin Cities.
Jerry says the kidnappers made it clear they will only deal with him and that the money must be delivered by him alone. He also says these men are dangerous. Wade counters that it is his money, so he should be the one to bring it.
Wade acts as if he is, brushing aside Jerry's warnings and declaring "It's my show here." Stan tries to mediate, suggesting he could handle the call, but Wade keeps pushing to take over the handoff.
She tells Detective Sibert she had a few things to do in the Twin Cities, and while she is there she wants to check on the search involving Shep Proudfoot. She uses the trip to follow the lead in person.
She asks whether there is a phone downstairs, then calls Detective Sibert about the Shep Proudfoot search. Before hanging up, she also asks the detective for a good place to have lunch downtown.
次のチャプター · 第 12 章the limits of your lifeCarl Rants at the Parking Attendant
第 1 章rob Peter to pay PaulJerry Hires Two Kidnappers
第 2 章a heck of a lotJerry Haggles With the Kidnappers
第 3 章talk in circlesJerry Sells the TruCoat
第 4 章two could play at that gameCarl and Gaear's Silent Drive
第 5 章triple homicideMarge Arrives at the Triple Homicide
第 6 章all's I know isMarge Finds the Dealer Plates
第 7 章call the shotsJerry and Wade Argue Over the Ransom
第 8 章a good leadNorm Brings Marge Lunch
第 9 章the Marlboro ManWitness Describes the Marlboro Man
第 10 章a deal's a dealKidnappers Call Jerry for More Money
再生中 · 第 11 章would you happen to knowMarge Follows a Name
第 12 章the limits of your lifeCarl Rants at the Parking Attendant
第 13 章went andMarge Meets Mike Yanagita
第 14 章passed awayMike Yanagita Confesses to Marge
第 15 章no call toMarge Questions Jerry at the Dealership
第 16 章are we squareThe Kidnappers Fight Over the Car