run out on the questioning
For Pete's sake, he's fleeing the interview.Fargo · 1996 — 第 16 / 16 章 · 3'43" · B2
The Kidnappers Fight Over the Car, Explained：are we square
Two kidnappers ride with the money after a bloody handoff, and the argument turns petty fast: one wants the tan Cierra, the other won't give it up. "Are we square?" becomes the only question that matters. Meanwhile, Marge, back on the road, picks up the case over the radio and suddenly spots the very car they are fighting over.
あらすじ
In the car, the two kidnappers turn on each other over the money and the car. One has been shot and keeps pointing it out; the other barely speaks. They settle with "Are we square?" On the radio, Lou tells Marge that Gustafson and Lundegaard are wanted statewide; then Marge spots a tan Cierra on the road.
注目の表現
fleeingcome upno doubt about itthe other guy
00:00 / 03:43Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
are we square
are we even now
After the shouting, Carl asks twice whether they are even, but gets no answer.
Here's the twenty I owe you, so we're square.
このシーンの他の表現
- fleeing
running away from
- come up
arise suddenly
- no doubt about it
completely certain
- the other guy
the opponent who fared worse
- split the bill
divide between people
このシーンのメモ一覧
73 行のセリフに 27 件のメモ
a line to the outside
How do I get an outside line here?Get an runs together into one quick phrase.
How do I get an outside line here?an unplanned matter
But something's come up.completely certain
On the phone, the woman stacks up test and certificate to make her claim undeniable.
I've had a doctor's test, I've got the certificate, and there's no doubt about it, I'm gonna have your baby.present perfect: The present perfect shows the test is done and its result now stands.
I've had a doctor's test, I've got the certificate, and there's no doubt about it, I'm gonna have your baby.the opponent who fared worse
A wry line after a fight makes light of the damage and saves face.
You should see the other guy.what became of her
What happened to her?obtained the cash
Well, I got the money.emphatic insertion: The fuck adds force between question word and auxiliary without changing the structure.
How the fuck do you split a fucking car, you dummy?one buys out the other
One of us pays the other for half.absolutely not
Hold on. No fucking way.Link shot and in so the t crosses over.
I got fucking shot in the face!be shot
I got shot fucking picking it up!an intensifying swear — Strong profanity; avoid it in formal settings.
I'm taking that fucking car!nonsense, crudely — Heavy and crude; never use it in polite speech.
You know, I've been listening to your fucking bullshit all week!are we even now
After the shouting, Carl asks twice whether they are even, but gets no answer.
Are we square?Stress fucking and drag mute for the insult.
Yeah, you fucking mute!a mute person, as an insult — An insulting label; do not use it on anyone.
Yeah, you fucking mute!condition clause: The if-clause sets a condition; the order tell him follows in the next line.
And if you see your friend, Shep Proudfoot,on the day of
The day of our homicides.not found yet
Still missing. We're looking.message received — Radio jargon; not for everyday talk.
Copy. And Lundegaard, too?sent out on the police wire
Over the radio Lou says the alert is already out on the wire for the whole state.
Yeah. It's over the wire.sent out on the wire — Police and news jargon; rare in daily talk.
Yeah. It's over the wire.have a promising clue
Mid-sentence about a new lead, Marge suddenly spots the car and the chase begins.
Yeah, we got a lead on this...dispatch a few cars
Okay. Careful, Margie. I'll send a couple cars.「The Kidnappers Fight Over the Car」を読み解く
What's really going on
The two men in the car have just pulled off the worst version of their plan, and the partnership falls apart while the engine is still running. One is bleeding from a gunshot and keeps insisting he earned his share; the other barely answers. The fight is not really about a car — it is about who owes whom and who gets to walk away. "Are we square?" is the whole relationship in three words: not loyalty, just a balance to be settled before they part. The film then cuts back to Marge, where the same missing car becomes the break the police have been waiting for.
Theme
MoneyThe partnership ends over cash and a car: once the money is in hand, the two men immediately start dividing it and asking who owes what.
BetrayalTrust between the two criminals evaporates, and one of them even warns a friend through the other man that he will not forget Shep Proudfoot.
このチャプターで学べること
- Jerry's flight turns Marge from questioner into pursuer.
- The car was split, and that split is what breaks them.
- Radio shorthand moves the case faster than any interview.
- Carl keeps asking for a clean account no one will give.
発音のポイント
- get an — Get an runs together into one quick phrase.
- shot in — Link shot and in so the t crosses over.
- you fucking — Stress fucking and drag mute for the insult.
You should see the other guy.A cocky line after a fight: the speaker admits he looks bad, but claims the person he fought looks far worse.
His wife. This guy says she was kidnapped last Wednesday.A clue delivered over the radio: the woman who was taken is a wife, and the timing lines up with the case the police are already working.
There's the car! There's the car!The excited shout of someone who has just spotted the suspect vehicle, turning a vague lead into something the police can act on right now.
For Pete's sake, he's fleeing the interview.A mild, exasperated exclamation — the speaker is annoyed and disbelieving as someone bolts from an interview.
このシーンについての質問
Why do the two kidnappers fight over the car?
After the handoff, the two men turn on each other over the money and the car. One was shot and feels he earned more, while the other says almost nothing. The tan Cierra is the last thing left to divide, and neither will give it up.
Who got shot in the car argument?
The talkative one, who keeps repeating that he was shot in the face while picking up the money. He uses the injury as leverage in the argument over the car, reminding the other man what he went through to bring the cash back.
Why does Marge suddenly get excited on the radio?
She has been briefed that the missing Gustafson and Lundegaard are wanted statewide. Then, driving near Moose Lake, she recognizes a tan Cierra — the car tied to the case — and calls it in immediately.
What does "Are we square?" mean here?
It means "do we owe each other anything, or are we even?" After dividing the money, the two men use it to close out their partnership before parting ways. It is not a friendly question; it is a final accounting.
What is the lead the police get in this scene?
The kidnapping is tied to the day of the homicides, the accountant has come forward with information, and Gustafson and Lundegaard are now wanted statewide. The biggest break comes when Marge spots the tan Cierra on the road.
ファーゴ · 全 16 章
すべて見る →
第 1 章rob Peter to pay PaulJerry Hires Two Kidnappers
第 2 章a heck of a lotJerry Haggles With the Kidnappers
第 3 章talk in circlesJerry Sells the TruCoat
第 4 章two could play at that gameCarl and Gaear's Silent Drive
第 5 章triple homicideMarge Arrives at the Triple Homicide
第 6 章all's I know isMarge Finds the Dealer Plates
第 7 章call the shotsJerry and Wade Argue Over the Ransom
第 8 章a good leadNorm Brings Marge Lunch
第 9 章the Marlboro ManWitness Describes the Marlboro Man
第 10 章a deal's a dealKidnappers Call Jerry for More Money
第 11 章would you happen to knowMarge Follows a Name
第 12 章the limits of your lifeCarl Rants at the Parking Attendant
第 13 章went andMarge Meets Mike Yanagita
第 14 章passed awayMike Yanagita Confesses to Marge
第 15 章no call toMarge Questions Jerry at the Dealership
再生中 · 第 16 章are we squareThe Kidnappers Fight Over the Carこの作品の 16 章はここまでです