anything more
Is there anything else you can tell me about him?Fargo · 1996 — 第 9 / 16 章 · 2'13" · B1
Two wanted men are on the run, and a witness is trying to help the police picture them. The first man was just 'funny-looking'; the second, she says, 'looked like the Marlboro Man.' She immediately second-guesses herself, admitting it may only be because he chain-smoked Marlboros.
In a police interview, an investigator asks a witness for more details about the two men she saw. The witness can barely describe the first one, but the second reminds her of the Marlboro Man, the rugged cowboy from the cigarette ads. She also remembers that the men said they were heading to the Twin Cities.
注目の表現
the Marlboro Manyou betchaplug ina lot of
このシーンの表現
the rugged cowboy in the ads
Groping for words, the waitress compares the second man to the cowboy from the cigarette ads.
The ad made him look like the Marlboro Man.
sure, definitely
connect to a power source
a large amount of
below conscious awareness
go to bed
40 行のセリフに 26 件のメモ
anything more
Is there anything else you can tell me about him?relative clause: The clause describing anything else drops its relative pronoun.
Is there anything else you can tell me about him?as I keep saying
No. Like I say, he was funny-looking.more than average
More than most people, even.the other man
What about the other fella?slightly older
He was a little older.resemble someone
You know, he looked like the Marlboro Man.a large amount of
The waitress second-guesses herself, saying the association may just come from how much he smoked.
But maybe I'm saying that, you know, 'cause he smoked a lot of Marlboros.reason clause: The 'cause-clause gives the reason behind her comparison, in casual speech.
But maybe I'm saying that, you know, 'cause he smoked a lot of Marlboros.it is not unusual
When the waitress worries her memory played tricks, Marge reassures her that it happens to everyone.
Oh, yeah, that can happen.heading to a place
Hey, they said they were going to the Twin Cities.helpful to you
Yeah, is that useful to you?you bet — A folksy regional yes; fine among locals and friends.
You betcha. Yeah.The t in it often drops, leaving a soft ending.
Goddamn it!a strong curse — A heavy curse; never in polite or professional speech.
Goddamn it!a junk machine — A vulgar word for a useless machine; avoid it in polite talk.
Fucking shitbox.stuck somewhere for days
Been here for days.nothing to occupy oneself
Damn it. Nothing to do.connect to a power source
Carl yells at his partner to plug the set in, his impatience sliding straight into swearing.
Damn it, come on! Plug me in, man. Give me a fucking signal.the strongest common swear — One of the heaviest swears; keep it out of public speech.
Fuck!Link plug me into so it comes out as one run.
Come on, plug me into the ozone, baby! Come on!In this narration the is reduced to a quick, weak sound.
The bark beetle carries the worm to its nestfor as long as six months
where it will feed its young for up to six months.relative adverb where: Where links back to the nest, meaning in which it will feed its young.
where it will feed its young for up to six months.go to bed
Done for the night, Marge tells Norm she is going to bed, in a flat, familiar tone.
I'm turning in, Norm.shedding something
Here it is, throwing off the larval envelope.What the scene really shows is how thin eyewitness memory is, and how the police have to work with it anyway. The witness reaches for the most ordinary reference she has, a cigarette ad, and then instantly doubts herself: 'But maybe I'm saying that, you know, 'cause he smoked a lot of Marlboros.' It's played for comedy, but it's also honest: people describe strangers through whatever images they already carry. The one solid detail she gives isn't a face at all: 'they said they were going to the Twin Cities.' That scrap of information is what actually moves the investigation. The scene sets up how the case will be cracked, not by sharp-eyed witnesses but by patient police work and a lucky break.
Is there anything else you can tell me about him?The investigator asks the witness for any further detail about the first man, still hoping for one concrete clue.
You know, he looked like the Marlboro Man.The witness says the second suspect reminded her of the rugged cowboy in Marlboro ads, a tall, tough-looking man.
Come on, plug me into the ozone, baby! Come on!Frustrated by a dead TV signal, the character pleads with the set to work, using 'the ozone' loosely for the airwaves.
Hey, they said they were going to the Twin Cities.The witness recalls the men mentioning their destination, the first concrete lead the police get on where the pair went.
The Marlboro Man was the rugged cowboy in cigarette ads, so she reaches for the toughest image she knows to describe a big, intimidating stranger, though she admits it may just be because he smoked Marlboros.
It's a folksy Upper Midwest way of saying 'yes, absolutely.' The investigator uses it to show the witness's lead is genuinely useful, and it's one of the film's signature regional touches.
Almost by accident. Her description of the men is vague and second-hand, but her last memory, that they were headed to the Twin Cities, is the first real lead, and it points the manhunt in the right direction.
That's what they told the witness, and it fits where they were headed after the kidnapping. The detail matters less as a destination than as proof that the witness was paying attention to the right thing.
次のチャプター · 第 10 章a deal's a dealKidnappers Call Jerry for More Money
第 1 章rob Peter to pay PaulJerry Hires Two Kidnappers
第 2 章a heck of a lotJerry Haggles With the Kidnappers
第 3 章talk in circlesJerry Sells the TruCoat
第 4 章two could play at that gameCarl and Gaear's Silent Drive
第 5 章triple homicideMarge Arrives at the Triple Homicide
第 6 章all's I know isMarge Finds the Dealer Plates
第 7 章call the shotsJerry and Wade Argue Over the Ransom
第 8 章a good leadNorm Brings Marge Lunch
再生中 · 第 9 章the Marlboro ManWitness Describes the Marlboro Man
第 10 章a deal's a dealKidnappers Call Jerry for More Money
第 11 章would you happen to knowMarge Follows a Name
第 12 章the limits of your lifeCarl Rants at the Parking Attendant
第 13 章went andMarge Meets Mike Yanagita
第 14 章passed awayMike Yanagita Confesses to Marge
第 15 章no call toMarge Questions Jerry at the Dealership
第 16 章are we squareThe Kidnappers Fight Over the Car