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Antonio Is Arrested, Viola Hopes, Explained

Twelfth Night · 2012

Capítulo 20 de 25 · 3'05"

Antonio is seized in the street and pleads for the youth he saved, unaware he is defending Sebastian in disguise. Viola hears her brother's name and dares to hope: "Prove true, imagination." Meanwhile Sir Andrew, called a coward, swears he will go and beat the boy.

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Key moments

Start here, then watch the full scene
  1. ❝ Monólogo · 5 frases Antonio Defends the Youth He Saved

    0:02–0:52
    50s
  2. Viola Hopes Sebastian Is Alive

    0:59–1:38
    39s
  1. ❝ MonólogoAntonio's betrayed speech5 frasesPracticar ↗

Antonio Is Arrested, Viola Hopes, explained

What happens

Antonio is arrested and, still loyal, argues that the youth he rescued is honorable — though he is really defending Sebastian, not the disguised Viola. Overhearing the name Sebastian, Viola privately hopes her brother is alive: "Prove true, imagination." The scene also includes Sir Andrew, mocked as a coward, deciding to challenge the boy after all.

What's really going on

The scene quietly stacks two kinds of confusion. Antonio mistakes Viola for Sebastian, so his loyalty lands on the wrong twin — yet his words are true, and Viola hears them: 'In nature, there's no blemish but the mind.' For her, the error becomes hope. When he names Sebastian, she lets herself believe her brother lives, and the famous line follows — 'Prove true, imagination.' The play lets identity be both a trap and a gift: the same resemblance that gets Antonio arrested also gives Viola back a brother. The rest of the scene plays the mix for comedy, as the cowardly Sir Andrew is mocked as 'more a coward than a hare,' and Viola brushes off the man who cannot tell her from her twin.

Key lines & what they mean

“In nature, there's no blemish but the mind.”
Antonio's moral claim: nature itself makes nothing ugly; the only true disfigurement is a bad mind.
“Oh if it prove, tempests are kind and salt waves fresh in love.”
Viola's hope: if her brother is alive, then even the storm and salt sea that separated them were kind, because they led to love.
“Nothing that is so is so.”
A line about confusion: things that clearly are true are being denied, as when someone won't admit who is standing in front of them.
“None can be called deformed but the unkind.”
Antonio's companion proverb: only the cruel, not the ugly, deserve to be called deformed.
“I do not know you, nor I am not sent to you by my lady to bid you come speak with her.”
Viola flatly denies knowing the man who insists he recognizes her, deepening his confusion.

Theme

  • Identity — Antonio mistakes Viola for Sebastian, and the same resemblance both arrests him and renews Viola's hope.
  • Family love — Hearing Sebastian's name, Viola lets herself hope her lost twin is alive.

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Capítulo 20 de 25 · quedan unos 17 min

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Ideas clave

Lo que te llevas
  1. No blemish but the mind locates ugliness in character
  2. The jaws of death means the very brink of dying
  3. Vent my folly means to pour out your foolishness
  4. A paltry boy is a worthless, low fellow

Preguntas frecuentes

La pregunta, luego la frase
Why is Antonio arrested?

He is seized in the street because he once fought against the Duke's galleys at sea, so he has enemies in the city. He walks in danger, as he warned Sebastian.

Why does Antonio defend Cesario?

He thinks Cesario is Sebastian, the youth he saved from the sea. Loyal and mistaken, he argues that the young man is honorable and begs the officers to spare him.

Why does Viola hope after hearing Antonio?

Antonio names Sebastian, so Viola realizes her twin may still be alive. She says 'Prove true, imagination' and reasons that her brother's likeness is why she can pass as a man.

What does 'the jaws of death' mean?

It means the threat of death, pictured as a gaping mouth. Antonio says he snatched the youth 'one half out of the jaws of death' during the shipwreck.

Why is Sir Andrew called a coward?

He talks about fighting but never follows through. The others call him 'a very dishonest paltry boy and more a coward than a hare,' and joke he is religious in his cowardice.