“Then again, I was getting the impression I was all that was left.”
Then again takes back the headcount and leaves only the speaker.
Informal
Chapter 9 of 10 · 2'12"
Friends ask what is the matter and float a new girl to meet. "Nothing's the matter. I'm right as rain" answers with perfectly fine and can shut the question. Later a big heart is cut down to the size of a pea, and someone asks not to be pitied.
The Last Two Punks
❝ Monologue · 4 lines A Pea-Sized Heart
❝ Monologue · 5 lines Refusing pity
The big heart shrinks to a pea, then the speaker asks them to stop feeling sorry.
Lines go from the first two punks to the last two. The speaker calls it an impression that they were all that was left. Next, Bob is in love. Someone offers to introduce Stevo to a friend. Sandy really got you gets a No. Stevo is called big-hearted. The next line, to Trish, denies it. The line after makes that heart the size of a pea.
"First two punks" becomes "The last two punks," and then the speaker says, "I was getting the impression I was all that was left." The next line is "Bob was in love." Someone offers to introduce Stevo to a young friend. "What's the matter" brings "Nothing's the matter. I'm right as rain." "Why are you always depressed all the time" brings "I'm not depressed." Sandy is named in "I think Sandy really got you," and the next word is "No." The line "you should fucking kill her" is followed by "She had the right. It was the agreement." The lines do not name which voice says which. Later, "That Stevo's got a big heart." The next line, speaking to Trish, is "I don't have a big heart." The line after that is "I have a heart the size of a pea." The others being happy is called okay. Then "Please just don't pity me."
A1–C2 is the CEFR scale. Cards above the level you pick fade, and playback will not auto-pause on them.
“Then again, I was getting the impression I was all that was left.”
Then again takes back the headcount and leaves only the speaker.
Informal
“Nothing's the matter. I'm right as rain.”
The line is so sunny that the worry underneath shows through.
Informal
“She had the right. It was the agreement.”
Two short sentences hand the right back and treat the hurt as a deal already made.
Neutral
“I have a heart the size of a pea.”
A pea shrinks the compliment until there is nothing left to praise.
Informal
“Please just don't pity me.”
Please and just make the refusal sound like a plea that still shuts the door.
Informal
You know, dude, it's no big deal. You're like my brother... and I love you and all. But what that fucking bitch did, you should fucking kill her.
I don't have a big heart, Trish. I have a heart the size of a pea. It's okay, though. I mean, you guys are... You guys are happy. That's okay. Please just don't pity me.
Up next · 10That's not rebellion. That's fashion.The scene: That's Not Rebellion, That's FashionThe line before is "But what that fucking bitch did, you should fucking kill her." Then come "She had the right" and "She had the right. It was the agreement." The next line is "Should've been more careful." The agreement is the reason given. The lines do not spell out its terms, and they do not name who speaks.
Someone says "She's a rich girl, dude." Next are "That's okay" and "I'm a rich boy, right?" The following line is "Yeah, but you're a cool rich boy." The lines never say why she is rich or why he is cool.
The lines just before are "She's smart..." and "and she's ambitious." The next line is "I'm not ambitious" with "Not yet, dude." "Not yet" only marks that it has not happened yet. The lines do not name a speaker, and they do not say that ambition will come later.
The speaker says it in the first person: "Then again, I was getting the impression I was all that was left." It comes after "First two punks" and "The last two punks." The next line is "Bob was in love." The lines do not name that speaker, and no one else confirms they are literally the last punk.