“I'm just passing on the information.”
Right after a killing, he files it as a casual bulletin.
Informal
Chapter 5 of 10 · 4'59"
Someone complains two bags of grass are gone because people try to stiff him. A crash story follows, with the line "she never took her eyes off of me," before a sleeping friend is searched and his pockets come up empty.
❝ Monologue · 22 lines The head that never looks away
In a kitchen, someone tells Stevo the grass is gone and people try to stiff him, then claims two killings in Miami. Called on it, he tells a childhood plane crash: a crying pilot, a mother's head that never looked away, the family in pieces. A sleeping friend is woken and told to empty his pockets. They are empty. Sorry is thrown back, then I'm not mad, and a kiss.
The Miami boast dies fast. "You didn't kill anybody" and "Put it away. I get the joke. Now put it away" end it. A childhood crash replaces it. The mother warns things will "get bumpy," the father says not to worry, and "even at five" the teller knows better because the pilot is crying. Then "she never took her eyes off of me," and he wakes to the family "in pieces." He wants to kick the father's body "'Cause he lied." "You know what I'm trying to tell you, Stevo?" is followed by people who try at "every chance they get," then "Do you trust Bob?" Bob is asleep. They wake him and empty his pockets. "See, he doesn't have anything. I told you." "I'm sorry" comes after that. "Well, fuck you, man!" throws the sorry back. Only later come "I'm not mad," a kiss, and "Good one, buddy." He points at the father's lie, then searches a friend who has nothing.
A1–C2 is the CEFR scale. Cards above the level you pick fade, and playback will not auto-pause on them.
“I'm just passing on the information.”
Right after a killing, he files it as a casual bulletin.
Informal
“Why do you think I'm here? 'Cause I love this place?”
The sweeter the fake reason, the clearer he hates being stuck.
Informal
“But, hey, even at five I knew we had trouble because the pilot was crying.”
A child's evidence, the pilot crying, knocks down every don't worry.
Informal
“And when I woke up, my family was all around me in pieces.”
In pieces lays the wreckage out around him.
Informal
“- This is fucking uncool, Mark! - We'll see about cool in a minute.”
He steals cool from the complaint and turns it into a countdown.
Informal
My mother told us to buckle up because things were going to get bumpy... so I did. And then like this, boom, the plane was going down. My dad was next to the pilot, and he told us not to worry. But, hey, even at five I knew we had trouble because the pilot was crying. So I looked at my sister. She was like, "Oh, man. We're getting close. " So I looked at my mom again, and she smiled at me again... and so this time I smiled. And then we hit the ground... and something came through that plane... and cut my mother's head off. So now this head was flying straight at me... and she never took her eyes off of me. That's when I passed out. And when I woke up, my family was all around me in pieces. I saw my mother's arm, my sister's leg... my brother's head... but I couldn't find my father. I wanted to, though... 'cause I was going to kick his fuckin' dead body. 'Cause he lied. You know what I'm trying to tell you, Stevo?
Up next · 06Where else?The scene: Choice B Is WyomingHe says the father told them not to worry, then says he wanted to kick the body because "he lied." After that comes "You know what I'm trying to tell you, Stevo?" The talk turns to people who "try" at "every chance they get." Only then does someone ask, "Do you trust Bob?"
No. He says "In Miami I shot two men" and "I shot them in the head." The answer in the room is "You didn't kill anybody" and "Put it away. I get the joke." This scene marks the boast as a bit and tells him to drop it.
Two bags of grass were in the kitchen and are now the thing he thinks was taken. "Do you trust Bob?" gets "Bob? Yeah," plus "He's not a thief" and "he's asleep." He still says Bob "could have taken it then" and "I think we should ask him." They wake him with "You have my shit!" and "Empty your pockets."
Not at first. "I'm sorry" and "I just thought you had my shit" are answered with "Well, fuck you, man!" and "No, fuck you!" "Come on, Bob. You're like my brother" gets "No. Get away." Only after that: "All right. I'm not mad," "Give me a kiss," and "Good one, buddy." The sorry is shoved back. The anger drops once "I'm not mad" is said.
Inside the story he "was next to the pilot, and he told us not to worry." The teller says that even at five he knew they were in trouble "because the pilot was crying." When the body cannot be found, he wants to kick it "'Cause he lied." The lie he names is that reassurance.