Practice You gonna be with one clear stress group.
- You're five? You gonna be a fighter? - Yeah.Mighty Aphrodite · 1995 — Chapter 12 of 15 · 2'04" · B2
Lenny brings young Max to a boxing gym and falls into a trainer's monologue about Kevin, a talented fighter who lacks the one thing that matters. The verdict is blunt: fast hands, heavy punches, but no "killer instinct," and a dream of going back to an onion farm. His girlfriend took everything he had.
Lenny takes five-year-old Max to a boxing gym and introduces him around. A trainer sizes up Max, then talks at length about Kevin, a quick, hard-hitting fighter with no killer instinct who wants to quit and grow onions. Between the boxing talk, he mentions Kevin's girlfriend leaving and taking everything.
Listen for
the way you're carryin' himbest shape of his lifehit the bagkiller instinct
Phrase of the scene
the will to finish an opponent
Speed is granted; the finishing urge is not.
She's fast. I still don't see the killer instinct.
judging by how you are holding him
fitter than ever
go work the punching bag
remain instead of leaving
stripped him of all he had
28 notes across 46 lines
Practice You gonna be with one clear stress group.
- You're five? You gonna be a fighter? - Yeah.going to — casual speech; don't write it in formal notes
- You're five? You gonna be a fighter? - Yeah.time clause: The phrase when he gets older shapes the meaning of the line.
Max is gonna be a middleweight when he gets older.manner clause: The phrase the way you're carryin' him shapes the meaning of the line.
He's gonna be a heavyweight, the way you're carryin' him.Practice you're carryin' him with one clear stress group.
He's gonna be a heavyweight, the way you're carryin' him.the heavy bag — gym talk for the punching bag
- You wanna go hit the bag with me? - Okay.a sweetheart — warm praise for a kid or a likable person
- Nice kid. - He's a doll."what's with the Sanchez thing" is useful here.
So, what's with the Sanchez thing?"shape of" is useful here.
He can do it. He's in the best shape of his life.object clause: The phrase what these guys do outside the gym shapes the meaning of the line.
The only thing is, you don't know what these guys do outside the gym."get warmed up" is useful here.
- Listen, I'm gonna get warmed up, all right? - Show us what you can do.Practice I'm gonna get warmed with one clear stress group.
- Listen, I'm gonna get warmed up, all right? - Show us what you can do."Wrap it up" is useful here. tape the sore hand well
- My hand's still a little sore. - Wrap it up good. You'll be okay."hand speed" is useful here.
Got nice hand speed, you know?Practice Got nice hand speed with one clear stress group.
Got nice hand speed, you know?"lack desire" is useful here. no real hunger to win
Only thing is, you don't know about these guys-- sometimes they lack desire.where clause: The phrase where he comes from shapes the meaning of the line.
Keeps talkin' about goin' back upstate where he comes from on an onion farm.the northern inland part of the state — U.S. local talk, often away from the city
Keeps talkin' about goin' back upstate where he comes from on an onion farm.remain instead of leaving
The farm is already pulling him out of the gym.
He's an onion farmer, yeah. I don't know how long he's gonna stick around.simile with like: like plus a noun: the punch is a mule.
That's the problem. It's a shame too; he hits like a fuckin' mule, he's fast!Practice hits like a with one clear stress group.
That's the problem. It's a shame too; he hits like a fuckin' mule, he's fast!very / damn — vulgar intensifier; keep it out of polite rooms
That's the problem. It's a shame too; he hits like a fuckin' mule, he's fast!"hang out" is useful here.
But he wants to quit boxing, go back and hang out on the farm."quit on him" is useful here.
- She quit on him. - Really?"between you and I" is useful here.
He's a nice, sweet kid, but between you and I, he ain't got too much upstairs.Practice he ain't got too with one clear stress group.
He's a nice, sweet kid, but between you and I, he ain't got too much upstairs.isn't / hasn't / doesn't have — rough, informal; paints the speaker
He's a nice, sweet kid, but between you and I, he ain't got too much upstairs."on your mind" is useful here.
Looks like you got somethin' on your mind. I don't understand.The scene works on two levels at once. On the surface it is a comic detour into fight talk: a trainer praises a young boxer's speed and power, then lists everything wrong with him in the same breath. The jokes are the window into the film's real concern, which is people who are good at something but do not want it. Kevin hits hard and could go far, yet he talks about an onion farm, and the trainer treats that as a fatal flaw rather than a choice: 'I don't know if he's got the killer instinct.' What makes the verdict sharper is how fond it is, since he also calls the kid 'a nice, sweet kid' and then admits, 'he ain't got too much upstairs.' Meanwhile Lenny, whose mind is on Linda, misses the irony: the person everyone is praising for his talent is quietly trying to walk away from it, which is exactly the question the film keeps asking about Lenny himself.
He's gonna be a heavyweight, the way you're carryin' him.A playful line about the baby: Lenny is holding Max so high that the trainer jokes he will grow into a heavyweight boxer.
The only thing is, you don't know what these guys do outside the gym.The trainer's caution about fighters: what you see in the ring says nothing about their habits or reliability outside it.
Took him for everything he's got.The girlfriend did not just leave Kevin; she left with all his money, which makes his wish to quit even more hopeless.
He's a nice, sweet kid, but between you and I, he ain't got too much upstairs.The trainer's blunt aside about Kevin's intelligence, delivered as a confidence: a good kid, but not smart enough to manage his own career.
Kevin has speed and power but lacks killer instinct, and he keeps talking about leaving boxing for a farm. The trainer thinks that attitude means he will not last.
He is preoccupied with Linda and with finding his son's birth mother. He introduces Max and listens, but he is not really following the boxing talk.
It means the willingness to finish an opponent without hesitation. A fighter can have skill and still fail if he does not have that edge.
She left him and took everything he had. The trainer mentions it as the latest bad break for a fighter who already seems ready to quit.
It is the trainer's proof that Kevin does not really want to fight. A boxer with a future who dreams of farming onions is, to him, a waste of talent.
Up next · Chapter 13drove me up the wallLenny Sets Linda Up With a Farmer
Chapter 1out of left fieldLenny and Amanda Debate a Baby
Chapter 2put my foot downLenny and Amanda Name the Baby
Chapter 3old passionLenny and Amanda's Hamptons Fight
Chapter 4Let sleeping dogs lieLenny Wants to Find Max's Mother
Chapter 5in the ballparkLenny Meets Linda Ash
Chapter 6gone straightLinda Tells Lenny Her Backstory
Chapter 7long shotLenny and Linda at the Races
Chapter 8a hundred percent definiteLinda Reveals She Gave Up a Child
Chapter 9a way with wordsLinda Asks Lenny for a Favor
Chapter 10level with youLenny Negotiates With Ricky
Chapter 11gave up on youLinda Says She's Starting Over
Watching · Chapter 12killer instinctLenny Visits the Boxing Gym
Chapter 13drove me up the wallLenny Sets Linda Up With a Farmer
Chapter 14superfluousLinda and Kevin's Blind Date
Chapter 15flew off the handleKevin Blows Up at Lenny