Mighty Aphrodite · 1995 — Chapter 5 of 15 · 7'28" · B2

Lenny Meets Linda Ash, Explained: in the ballpark

Lenny arrives to meet Linda Ash, the woman he believes is his son's birth mother, and immediately loses his nerve. She tries to guess his job and gets it wildly wrong; he wants to talk, she wants to get to work. The visit turns into a tug-of-war over what this appointment is even for.

What happens

Lenny visits Linda Ash at her apartment, though he is so nervous he can barely speak. She offers him a drink and shows him a gag gift, then guesses he sells rugs — she is not even close. He only wants to chat; she repeatedly turns the talk toward the service he has come for, until the meeting becomes an argument.

Small talkArgumentsPersuadingConfrontingStrangersB2mediumamerican
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Listen for

take a jokemake it bigin the ballparkGet it?

00:00 / 07:28
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Phrase of the scene

in the ballpark

approximately right

Rug salesman misses sportswriter by a mile.

Your budget isn't even in the ballpark.

Also in this scene

  • take a joke

    not get offended by teasing

  • make it big

    become a success

  • Get it?

    did you catch the joke

  • up close and personal

    very close, no buffer

  • a show of good faith

    a gesture meant to prove trust

Everything marked in this scene

35 notes across 152 lines

SoundAre you my

Practice Are you my with one clear stress group.

Hi. Are you my 3:00?
Phrase · A2Come on in

"Come on in" is useful here.

- I'm Lenny. - Hello, Lenny. Come on in.
Phrase · A2spoke on the phone

"spoke on the phone" is useful here.

- 'Cause we spoke on the phone? - Yeah.
Slang · C1a pisser

hilarious; a riot — Rough praise for something funny. Not for polite rooms.

- That. Isn't it a pisser? - Ohh!
Phrase · B2take a joke

not get offended by teasing

She licenses the clock gag by claiming she can take a joke.

That's something you're going to find out about me-- I'm funny and I can take a joke.
Phrase · B1find out about me

"find out about me" is useful here.

That's something you're going to find out about me-- I'm funny and I can take a joke.
Grammar · B2you're going to find out about me

relative clause: The phrase you're going to find out about me shapes the meaning of the line.

That's something you're going to find out about me-- I'm funny and I can take a joke.
Soundgoing to find

Practice going to find with one clear stress group.

That's something you're going to find out about me-- I'm funny and I can take a joke.
Soundtake a joke

Practice take a joke with one clear stress group.

That's something you're going to find out about me-- I'm funny and I can take a joke.
Phrase · B1for a living

"for a living" is useful here.

I have a great knack for guessing what people do for a living.
Phrase · B2in the ballpark

approximately right

Rug salesman misses sportswriter by a mile.

I'm-- I'm a sportswriter. Because-- - Shit. I wasn't even in the ballpark. - Well, it was not-- Wait. Ballpark. Sportswriter. Get it?
SoundI wasn't even

Practice I wasn't even with one clear stress group.

I'm-- I'm a sportswriter. Because-- - Shit. I wasn't even in the ballpark. - Well, it was not-- Wait. Ballpark. Sportswriter. Get it?
Slang · B2Shit

damn; oh hell — Burst of shock or embarrassment when you blow it.

I'm-- I'm a sportswriter. Because-- - Shit. I wasn't even in the ballpark. - Well, it was not-- Wait. Ballpark. Sportswriter. Get it?
Phrase · B2make it big

become a success

A teacher's line is offered as a career forecast.

He says he thinks I'm gonna make it big.
Grammar · C1He says he thinks I'm gonna make it big

nested clauses: The phrase He says he thinks I'm gonna make it big shapes the meaning of the line.

He says he thinks I'm gonna make it big.
Phrase · B2must-see

"must-see" is useful here.

Not yet, but I-I-- It's on my list of must-see.
Phrase · B2get into it slowly

"get into it slowly" is useful here.

I thought I'd get into it slowly and, you know-- You're married, aren't you?
Grammar · B1You're married, aren't you?

tag question: The phrase You're married, aren't you? shapes the meaning of the line.

I thought I'd get into it slowly and, you know-- You're married, aren't you?
Phrase · C1up close and personal

very close, no buffer

Study becomes a body-distance invitation.

- You can study me up close and personal. - Oh! Oh.
Phrase · B1to tell you the truth

"to tell you the truth" is useful here.

I-- No. But yes, I am nervous, to tell you the truth.
Soundto tell you

Practice to tell you with one clear stress group.

I-- No. But yes, I am nervous, to tell you the truth.
Phrase · B1ahead of time

"ahead of time" is useful here.

This is-- I-I-- Oh. Okay. I-- Um, incidentally, Len, I think I should tell you ahead of time I-I get 200 dollars.
Phrase · B2a show of good faith

a gesture meant to prove trust

Cash is labeled a show of good faith.

- Just a-- Just a show of good faith. - Thanks, Lenny. Wow!
Phrase · B1right from the start

"right from the start" is useful here.

No, but seriously, you want to know why I liked you right from the start?
Phrase · B2johns who come

"johns who come" is useful here.

I can't stand those johns who come here and throw down a couple of hundred...
Slang · C1johns

paying sex clients — Trade talk for customers. Cold and insider.

I can't stand those johns who come here and throw down a couple of hundred...
Phrase · B2whip out

"whip out" is useful here.

and whip out a big dick and wave it all over the joint.
Slang · B2the joint

this place — Casual, a bit seedy: the room, the club, the apartment.

and whip out a big dick and wave it all over the joint.
Grammar · B2If you're-- If you're serious about being a Broadway actress

conditional gerund: The phrase If you're-- If you're serious about being a Broadway actress shapes the meaning of the line.

If you're-- If you're serious about being a Broadway actress, what are you wasting your time with all this porn for?
Soundwhat are you

Practice what are you with one clear stress group.

If you're-- If you're serious about being a Broadway actress, what are you wasting your time with all this porn for?
Phrase · B1in front of the camera

"in front of the camera" is useful here.

How? Making it with a woman in front of the camera is good experience?
Grammar · B2Making it with a woman in front of the camera

gerund subject: The phrase Making it with a woman in front of the camera shapes the meaning of the line.

How? Making it with a woman in front of the camera is good experience?
Soundlet go of me

Practice let go of me with one clear stress group.

- You could have a family. - Hey, let go of me!
Phrase · B2bought the time

"bought the time" is useful here.

- I bought the time. - Then you get your money back.
Phrase · B1giving it back

"giving it back" is useful here.

- I'm giving it back. Refund. - No, keep the money.

Lenny Meets Linda Ash, explained

What's really going on

The scene is a comedy of crossed expectations. Lenny has come to find the mother of his adopted son, but he can't say that, so he fumbles through small talk; Linda assumes he is a client and moves straight to business. Every offer — a drink, a gift, a guess at his job — lands wrong, and the mismatch keeps widening. Her blunt 'What's it to you?' when he criticizes her life is the turning point: it names the fact that she never asked for his opinion. Lenny's lecture about making it big and having a family is sincere and also condescending, and it is what gets him thrown out. The scene works because both people are decent and neither can hear the other.

Theme

ClassA wealthy suburban man lectures a sex worker about how to live, while she sees him only as another lonely client.
IdentityLenny hides his real reason for coming, so the whole meeting runs on mistaken assumptions about who each person is.

What you'll learn

  • Use take a joke to say you accept teasing
  • Hear make it big as a dream of success
  • Catch the flirtation in up close and personal
  • Tell humor from possessive control
  • Notice how "take a joke" changes the exchange.

Listen for

  • Are you my — Practice Are you my with one clear stress group.
  • going to find — Practice going to find with one clear stress group.
  • take a joke — Practice take a joke with one clear stress group.
  • I wasn't even — Practice I wasn't even with one clear stress group.
That's something you're going to find out about me-- I'm funny and I can take a joke.

Linda's way of saying she is easygoing and won't be offended — the first hint that she reads the visit as casual and friendly.

- Why? - 'Cause I'm always attracted to losers.

Her blunt answer about liking Lenny: his lack of confidence is exactly what draws her, which he takes as an insult.

Put it down as a religious contribution.

Her joke about accepting his money — she reframes a payment for sex as a church donation.

It's sweet. I like that in a man.

Her verdict on his shyness, said warmly, even as it undercuts him by calling him sweet rather than confident.

A little nibbling makes me... go crazy.

Her matter-of-fact disclosure about what she likes, which lands in awkward contrast to Lenny's nervous small talk.

Questions about this scene

Why is Lenny so nervous when he meets Linda?

He has come to find out whether she is the mother of his adopted son, but he can't admit that, so he fumbles through small talk while hiding his real motive.

Why does Linda think Lenny is a client?

He made an appointment and showed up, so she assumes it is business. She keeps steering the conversation to the service she expects he paid for.

Why does Linda call Lenny a loser?

She means he has no confidence, and she says she is always drawn to men like that. It flatters him and insults him at once.

Why does Lenny criticize her job?

He thinks she is too attractive and capable to live that way, and he says she could make it big and have a family. She hears it as condescending meddling.

How does the meeting end?

Linda refuses to be lectured, gives his money back, and tells him to get out — shutting down the conversation before Lenny can explain what he really came for.

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