a fortunate day
Pat greets the office by calling it his lucky day, trying to warm up a cold room with easy charm.
Nance. It's my lucky day. Look at you working on a Sunday.Silver Linings Playbook · 2012 — 第 4 / 23 章 · 2'28" · B1
Pat goes back to the school where he used to teach, hoping to get his job back, but the conversation about his old life sets him off. He tells someone to get away from him, then recovers. Later his friend Ronnie welcomes him home and invites him to dinner.
Pat returns to the school where he taught and asks the principal, Nancy, about working again. He offers to teach full-time or part-time, and even to substitute. But talking about the past upsets him, and he has a meltdown. Later his friend Ronnie invites him to dinner, and despite his doubts, Pat agrees to come next Sunday.
注目の表現
give someone a handget over itgo downbuy the invitation
このシーンの表現
to believe the offer
Ronnie invites Pat to dinner; Pat congratulates him but says he is not buying the invitation, suspecting an agenda.
I'm not buying that invitation to the reunion.
to help someone
to recover from something
to happen
a playful twist on silver lining
in contact with someone
44 行のセリフに 31 件のメモ
a fortunate day
Pat greets the office by calling it his lucky day, trying to warm up a cold room with easy charm.
Nance. It's my lucky day. Look at you working on a Sunday.prepared to work
I just came by to say hi, I'm ready to work.ought not to be present
- You shouldn't be here. - Full-time, half-time.to substitute for someone
Pitching himself for any opening, Pat says he will sub, school jargon for standing in as a substitute teacher.
I'll work, I'll sub, I'll work history, whatever.to substitute — School slang; also fine in casual work talk.
I'll work, I'll sub, I'll work history, whatever.to help someone
Pat offers a colleague a hand with her load, hoping to smooth things over, though she keeps her distance.
Let me give you a hand. Sorry.I can handle it
- I got it. I got it. - Let me ask you something.to ask a question
- I got it. I got it. - Let me ask you something.Link ask and you so they run together.
- I got it. I got it. - Let me ask you something.not allowed to say
- Does Nikki still work here? - Can't tell you.to wreck a marriage
He broke up my marriage. Are you being a troublemaker?someone who stirs up trouble — A blunt spoken jab; not for formal settings.
He broke up my marriage. Are you being a troublemaker?to slim down
You look good. Did you lose a lot of weight?move off from me
- I did. Yeah, I did. Thank you. - Aah! Get away from me. Get away.Both words take stress when shouted in alarm.
- I did. Yeah, I did. Thank you. - Aah! Get away from me. Get away.improved by now
OK, all right. I'm better. I'm better now. OK, I'm better.allow time to pass
You have to give it time. A lot went down.to recover from something
Ronnie tries to reassure Pat that people will get over the gossip and move on with time.
- People will get over it. It'll work out. - I'll take that as a silver development.to turn out fine
- People will get over it. It'll work out. - I'll take that as a silver development.nice, impressive — Casual approval; use great in formal talk.
Yeah, you're "out" out? Cool. You lost a lot of weight.The t in didn't drops, linking straight into recognise.
I didn't recognise you. I'm sorry I didn't visit you.not under control
Work's out of control. You know, she had the baby.a person to confide in
I miss you. I really need someone to talk to.to cook a meal for
Come see the baby. She's beautiful. Veronica wants to make dinner for you.object clause: The that-clause is the object of said, reporting what Nikki used to claim.
Yes, it is. Nikki always said that Ronnie's wife keeps his social calendara crude word for male anatomy — Crude slang; avoid it in polite company.
- where she keeps his balls, her purse. - That's not true.conditional clause: The if-clause sets up the assumption and the main clause flatly denies it.
If you think she still hates you, you're wrongrhetorical question: The rhetorical why would question really argues she cannot still hate him.
because why would she invite you to dinner, hm?to be able to attend
Ronnie asks if Pat can make it next Sunday, the natural way to check someone can attend.
- Can you make it next Sunday? - Sure.in contact with someone
Agreeing to dinner, Pat slips in the real question: is Ronnie still in touch with Nikki?
- I'll see you next Sunday. - You are still in touch with Nikki, right?come inside
- Get in here, please. I need you. - (RONNIE) OK.The scene shows Pat trying to re-enter normal life and failing in real time. He wants the school to take him back, and his pitch is a little desperate — full-time, part-time, he will 'sub,' anything. But he cannot get through a normal conversation about the past without snapping, and the moment is ugly: 'Get away from me.' What saves the scene is Ronnie, who treats him like a person rather than a patient and simply invites him over. Pat resists at first, joking that he is 'not buying the invitation,' but the invitation is exactly what he needs, and he takes it. The film keeps doing this: the kindness that helps Pat is ordinary, offered by friends, and accepted only after he argues with it first.
You have to give it time. A lot went down.A friend's advice that Pat needs patience: too much has happened for people to simply move on.
Congratulations on the baby but I'm not buying the invitation.Pat congratulates Ronnie, then fends off the dinner invitation as if it were a sales pitch.
I miss you. I really need someone to talk to.Ronnie's honest admission of loneliness, which is why he wants Pat back in his life.
I feel so good. Look at my eyes. Look how clear they are.Pat insisting he is well, using his own eyes as evidence, right after a public meltdown.
- People will get over it. It'll work out. - I'll take that as a silver development.A hopeful exchange, and Pat's wordplay: he turns a 'silver lining' into a 'silver development.'
He used to teach there and wants his job back. He tells the principal he is ready to work, and offers to teach full-time or part-time, or to substitute.
Talking about his old life — Nikki, and the man who broke up his marriage — sets him off, and he suddenly tells someone to get away from him.
His friend Ronnie, who has just had a baby, invites him to come over and see the baby and have dinner with him and Veronica.
He believes Veronica still hates him because of what happened, so he treats the invitation as something he should not trust.
Yes, despite his doubts he ends up agreeing to come the following Sunday.
次のチャプター · 第 5 章silver liningPolice Warn Pat About Restraining Order
第 1 章out on a limbPat Rides Home From the Hospital
第 2 章silver liningPat's Silver Lining Speech
第 3 章white-knuckling itPat Tells Dr. Patel the Truth
再生中 · 第 4 章buy the invitationPat Visits His Old School
第 5 章silver liningPolice Warn Pat About Restraining Order
第 6 章hoity-toityPat Wears a Jersey to Dinner
第 7 章flatten someone outDinner Guests Compare Medications
第 8 章make out a reportPat Hunts for His Wedding Video
第 9 章easier said than doneDr. Jones Tells Pat to Help Tiffany
第 10 章on thin iceTiffany Offers to Deliver Pat's Letter
第 11 章lump togetherWho's Crazier, Pat or Tiffany?
第 12 章make it a monsterThe Cops Break Up the Fight
第 13 章make a joke out ofPat Sr. Hunts the Missing Envelope
第 14 章take advantage ofTiffany Trades the Letter for a Dance
第 15 章on a rollDanny Visits on Game Day
第 16 章nothing but loveJake Brags About His Life
第 17 章a deal is a dealTiffany Teaches Pat to Dance
第 18 章silver liningDanny Teaches Pat to Dance
第 19 章nail somethingPat Sr. Bets Everything on the Eagles
第 20 章in a million yearsCliff Shows Up at the Eagles Game
第 21 章right on all countsTiffany Crashes the Family Fight
第 22 章double or nothingPat Sr. Bets Double or Nothing
第 23 章out the windowPat and Tiffany Dance in the Finals