whenever
Or Grand Illusion. That's... I see that every time it's on television, if I'm aware of it.Manhattan · 1979 — 第 17 / 23 章 · 3'25" · C1
At his apartment, Isaac complains about an ancient corned beef sandwich and then suddenly kisses Mary. He says it is something he has wanted to do for ages; she says she thought he wanted to kiss her back at the planetarium. Then she pulls away, insisting she cannot keep going from relationship to relationship.
At Isaac's apartment, he complains about an old corned beef sandwich and then abruptly kisses Mary. He calls it something he has wanted for ages, and she admits she expected the kiss at the planetarium. But then she pulls back, saying she cannot go from relationship to relationship and that she is trouble.
注目の表現
corned beefhung up onnegative capabilitybucks
このシーンの表現
unable to get over someone
When Mary says she cannot move from one relationship to the next, Isaac asks if she is still hung up on Yale.
She is still hung up on her old roommate.
salted beef
comfort with uncertainty
dollars
become romantically involved with
51 行のセリフに 24 件のメモ
whenever
Or Grand Illusion. That's... I see that every time it's on television, if I'm aware of it.a salted beef sandwich
Oh, Jesus, what is this? You got a corned beef sandwich here from 1951, I think.time to cook
- I don't have time to cook. - Corned beef should not be blue.right on the mouth
What am I doing? You have to ask? I was kissing you flush on the mouth.Kissing you runs together into one smooth sound.
What am I doing? You have to ask? I was kissing you flush on the mouth.relaxed and unbothered
Do you? Cos I... I thought I was hiding it. I was trying to be real cool and casual.The to in trying to be often collapses in fast speech.
Do you? Cos I... I thought I was hiding it. I was trying to be real cool and casual.because — Spoken shorthand for because; too casual for writing.
Do you? Cos I... I thought I was hiding it. I was trying to be real cool and casual.date someone
But you were going out with Yale then and I would never in a million years interfere...absolutely never
But you were going out with Yale then and I would never in a million years interfere...emphatic adverbial: The phrase exaggerates never and sits between would and the verb.
But you were going out with Yale then and I would never in a million years interfere...drenched
But you were so sexy. You were soaking wet from the rain and I had a mad impulse to throw you down on the lunar surface and commit interstellar perversion with you.one relationship after another
I can't go from relationship to relationship. It's senseless. I can't do it.unable to get over someone
When Mary says she cannot move from one relationship to the next, Isaac asks if she is still hung up on Yale.
Well, what... Are you still hung up on Yale? Is that the problem?Hung up on links into a single rushed phrase.
Well, what... Are you still hung up on Yale? Is that the problem?become romantically involved with
Mary warns Isaac off getting involved with her, which is really a confession.
I'm really not the person to get involved with. I'm trouble.paired adjectives: Both A and B pairs opposite adjectives to show mixed feelings.
My problem is I'm both attracted and repelled by the male organ.start taking drugs
She got into drugs and she... moved to San Francisco.a sort of
This... this, I think, has a kind of wonderful otherness to it, you know.parenthetical: The inserted I think softens the claim into a passing opinion.
This... this, I think, has a kind of wonderful otherness to it, you know.keep watching
Yeah. You look so beautiful I can hardly keep my eyes on the meter.dollars — Casual for dollars; keep it out of formal documents.
It's 14 bucks!of course — The of is dropped in speech; informal only.
Yeah, I love seafood. Course I'm drunk. I don't know if you can tell or not.the one time ever
Hey, you know, it was the only time in my life I ever had Chianti from Warsaw.The kiss is the movie's romantic peak and its complication in one moment. Isaac does what he has been rehearsing internally, and his confession of it is charming: "It's something I wanted to do for ages." Mary's answer is more ambivalent. She had been expecting it since the planetarium, but she also has a speech ready about why she cannot fall into another relationship, and she asks whether he is over Yale. When she says, "I'm really not the person to get involved with. I'm trouble," the line is both a warning and a test — she wants him to say the warning is fine. His joke about his middle name turns it away. The rest of the scene, with the wine and the taxi, shows the two of them happy and a little drunk, but the question of whether she can stay in anything is left open.
I can't go from relationship to relationship. It's senseless. I can't do it.Mary's claim that serial dating is pointless and that she is not willing to start another one now.
But you were so sexy. You were soaking wet from the rain and I had a mad impulse to throw you down on the lunar surface and commit interstellar perversion with you.Isaac's comic confession of desire, mixing the planetarium setting with a joke about being unable to resist her.
I'm really not the person to get involved with. I'm trouble.Mary presenting herself as a bad idea, which is also her way of asking to be wanted anyway.
- I don't have time to cook. - Corned beef should not be blue.The scene's comic opening: an excuse about cooking answered by a line about how badly a sandwich has gone off.
He has wanted to for a long time, and he says he would never have interfered while she was with Yale. By the time he acts, that relationship is over, though the timing is still messy.
She says she cannot go from relationship to relationship and that she is trouble. The retreat is honest and also a test: she tells him she is a bad idea while hoping he disagrees.
When Mary calls herself trouble, he answers that trouble is his middle name, then deadpans that it is really Mortimer. The joke eases the tension without answering her question.
A first wife who was a kindergarten teacher, got into drugs, moved to San Francisco, joined the Moonies, and now works at a talent agency. It is told as a series of comic turns.
In a taxi after wine and seafood, both of them a little drunk. Mary worries that she has never had a relationship that lasted, and Isaac tells her she is drunk.
次のチャプター · 第 18 章in the same ballparkIsaac Tells Tracy About Someone Else
第 1 章have the nerve toThe Drowning Question at Dinner
第 2 章getting out of handIsaac and Yale Talk About an Affair
第 3 章get carried awayIsaac Sends Tracy Home
第 4 章overratedIsaac and Mary Argue About Art
第 5 章a sucker forIsaac Quits the TV Show
第 6 章far from the actionIsaac Cries Poor at the Benefit
第 7 章right on the moneyIsaac and Mary Meet Again
第 8 章basket caseIsaac and Mary Walk by the River
第 9 章break up a marriageYale and Mary Meet at Bloomingdale's
第 10 章wind upIsaac and Mary Walk in the Rain
第 11 章at my fingertipsIsaac and Mary Talk in the Rain
第 12 章the toast of the townIsaac Tells Tracy to Go to London
第 13 章a no-win situationMary Ends It With Yale
第 14 章make a commitmentIsaac Breaks Up in Tracy's New Flat
第 15 章wasting myself on someoneMary Visits Isaac Late at Night
第 16 章right up your alleyThey Push Isaac to Call Mary
再生中 · 第 17 章hung up onIsaac Finally Kisses Mary
第 18 章in the same ballparkIsaac Tells Tracy About Someone Else
第 19 章a sucker forIsaac and Mary Run Into Her Ex
第 20 章balk atIsaac Confronts His Ex-Wife's Memoir
第 21 章have it outMary Tells Isaac She Loves Yale
第 22 章get your story straightIsaac Confronts Yale in Class
第 23 章look the other wayWhy Is Life Worth Living?