Manhattan · 1979 — 第 20 / 23 章 · 2'08" · C1

Isaac Confronts His Ex-Wife's Memoir, Explained:balk at

Isaac reads his ex-wife's memoir aloud and finds himself described in print, including an explicit account of their marriage and a list of his worst qualities. He goes to confront her, saying he came to strangle her, and she answers that nothing she wrote was untrue. The argument turns on whether he meant to run her lover over.

あらすじ

Isaac and his friends read his ex-wife's new book and discover that it describes their marriage in detail, including their sex life and a damning summary of his character. He goes to her apartment, says he came to strangle her, and she answers that every word is true. Their fight then narrows to one question: whether he deliberately hit the gas when her lover walked in front of the car.

ArgumentsAccusationsConfrontingComplainingSpousesC1fastamericanClean
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注目の表現

charadenauseatinggiven tomisanthropy

00:00 / 02:08
Space 再生 · ← → セリフ移動 · R リピート
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  1. ❝ 独白The memoir's indictment6 行練習ページ ↗
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このシーンの表現

balk at

refuse to accept

The memoir says Isaac wanted to be an artist but balked at the sacrifices, which stings.

She balked at the price.

このシーンの他の表現

  • charade

    a pretence

  • nauseating

    disgusting

  • given to

    prone to

  • misanthropy

    dislike of humankind

  • self-obsessed

    obsessed with oneself

このシーンのメモ一覧

36 行のセリフに 26 件のメモ

発音listen to

The t in listen to often drops in fast speech.

Jesus, listen to this.
表現 · B2make someone realise

made me see

"Making love to this deeper, more masterful female made me realise what an empty experience, what a bizarre charade sex with my husband was."
表現 · B2what a/an ... experience

such an empty experience

"Making love to this deeper, more masterful female made me realise what an empty experience, what a bizarre charade sex with my husband was."
文法 · C1what an empty experience

exclamatory clause: The what-clause turns a judgment into an exclamation inside the sentence.

"Making love to this deeper, more masterful female made me realise what an empty experience, what a bizarre charade sex with my husband was."
表現 · B2make love with someone

have sex with

Is this true? Did you make love with Jill and a woman?
表現 · B2be a bad sport

be a poor sport

Christ! She wanted to, I think. I didn't wanna be a bad sport.
スラング · B2Christ

jeez — A casual exclamation; avoid it in formal or devout company.

Christ! She wanted to, I think. I didn't wanna be a bad sport.
スラング · A2wanna

want to — Spoken shorthand for want to; too casual for writing.

Christ! She wanted to, I think. I didn't wanna be a bad sport.
表現 · B2run someone over

hit with a car

Did you hear the one where he tried to run her lover over?
表現 · B2whose side are you on

whose team are you on

- Oh, yeah. - Whose side are you on?
表現 · C1fits of rage

sudden rages

Listen. "He was given to fits of rage,
表現 · C1male chauvinism

sexism

Jewish, liberal paranoia, male chauvinism, self-righteous misanthropy, and nihilistic moods of despair."
表現 · B1complaints about something

gripes about

"He had complaints about life, but never solutions."
表現 · C1balk at something

refuse to accept

The memoir says Isaac wanted to be an artist but balked at the sacrifices, which stings.

"He longed to be an artist, but balked at the necessary sacrifices."
文法 · C1which he elevated to tragic heights

non-defining relative clause: The which-clause adds a comment rather than identifying, set off by a comma.

of his fear of death which he elevated to tragic heights when, in fact, it was mere narcissism."
発音came here to

Came here to runs together with a reduced here.

- I came here to strangle you. - Nothing I wrote was untrue.
表現 · B2make someone out to be

portray someone as

You make me out to be Lee Harvey Oswald!
表現 · C1self-obsessed

obsessed with oneself

Isaac protests the word narcissistic, and the answer swaps in self-obsessed without softening it.

- That I'm narcissistic? - You're self-obsessed.
表現 · B2write garbage

write nonsense

- You let her write that garbage? - Wait. This is between you two.
スラング · B2garbage

nonsense — A harsh dismissal; avoid it about someone's work to their face.

- You let her write that garbage? - Wait. This is between you two.
表現 · B2hit the gas

step on the accelerator

You just happened to hit the gas as I walked in front of the car.
文法 · B2as I walked in front of the car

time clause: The as-clause lines up two events at once, which is what makes the sarcasm work.

You just happened to hit the gas as I walked in front of the car.
表現 · A2on purpose

deliberately

The whole fight turns on whether Isaac hit the gas on purpose, then Freud gets dragged in.

- Did I do it on purpose? - Well, what would Freud say?
発音do it on

Do it on links into one blurred phrase.

- Did I do it on purpose? - Well, what would Freud say?
表現 · A2have work to do

have work to do

Listen, I'm going upstairs. I got work to do.
表現 · B1interest in something

interest in

I've had some interest in this book for a movie sale.

「Isaac Confronts His Ex-Wife's Memoir」を読み解く

What's really going on

The memoir scene is a comedy about the difference between having a self and having a self-image. Isaac can laugh at other people's pretensions, but he cannot survive being summed up in print: "He had complaints about life, but never solutions." His ex-wife has done exactly what he does to everyone else, and she has done it better, in full sentences, for money. The argument moves from the sex he does not want described to the character he does not want examined, and every comeback he has only proves her case. Even his defence is an accusation, that she has made him out to be an assassin. Her calm answer, that nothing she wrote was untrue, is the whole verdict. She is not trying to hurt him; she simply stopped editing him.

Theme

IdentityIsaac can bear almost anything except seeing his own character written down accurately by someone else.
SatireThe writer's cruel summary of Isaac is funny because it is fair, and he cannot answer it with anything but outrage.

このチャプターで学べること

  • A memoir turns private fights into public property.
  • Isaac's outrage is mostly recognition, not denial.
  • Freud becomes a joke to end an argument no one can win.
  • Even the compliments in the book are a kind of insult.

発音のポイント

  • listen to — The t in listen to often drops in fast speech.
  • came here to — Came here to runs together with a reduced here.
  • do it on — Do it on links into one blurred phrase.
"He had complaints about life, but never solutions."

The memoir's line about him: he is full of grievances and empty of answers, which is precisely the charge he cannot refute.

"He longed to be an artist, but balked at the necessary sacrifices."

The sharper version: he wanted the artist's life without paying its price, and the phrasing makes the excuse impossible.

That I really wanted to run her over. That's why he was a genius.

His joke about the Freudian reading: if the unconscious wanted the car to hit her, then the accident was not an accident.

You cry when you see Gone With The Wind.

Her one nice line about him: he cries at a sentimental movie, which is offered as a redeeming detail and lands as mockery.

このシーンについての質問

What does the memoir say about Isaac?

It describes their marriage in detail, including their sex life, and sums up his character as full of complaints, self-righteous, misanthropic, and narcissistic. He objects to both the content and the fact that it is in print.

Did Isaac try to run over his ex-wife's lover?

He insists it was raining and the car lurched, while she points out that he happened to hit the gas exactly as the man walked in front of the car. The scene leaves the question open.

Why does Isaac go to his ex-wife's apartment?

He is furious about the book and says he came to strangle her. In practice, he wants her to admit the portrait is unfair, and she refuses, saying nothing she wrote was untrue.

What does "balk at the necessary sacrifices" mean?

It means refusing to accept the costs something requires. The memoir uses it to say Isaac wanted to be an artist but would not pay the price, which is the accusation that stings most.

Why is the memoir selling for a movie?

Isaac learns that the book has attracted interest from a film studio, which means the private details he hates will be made even more public. It is the final blow in the scene.

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