Manhattan · 1979 — 第 22 / 23 章 · 2'34" · B2

Isaac Confronts Yale in Class, Explained:get your story straight

Isaac walks into the classroom where Yale is teaching and confronts him about Mary. He accuses Yale of planning to leave his wife, and the argument turns into a fight about who liked her first, honesty, and moral posturing. It ends with Isaac storming out in the middle of the class.

あらすじ

Isaac storms into the classroom where Yale is teaching and says he has just spoken to Mary. He demands to know whether Yale is leaving Emily for her, and the argument escalates into a fight about the affair, who liked Mary first, and how honest each of them is. Isaac walks out.

ArgumentsAccusationsConfrontingComplainingFriendsB2fastamericanClean
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注目の表現

self-righteousget your story straightchange your mindplay around the truth

00:00 / 02:34
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いま
  1. ❝ 独白Isaac's moral lecture5 行練習ページ ↗
  2. ❝ 独白Isaac's mortality riff5 行練習ページ ↗
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このシーンの表現

get your story straight

make accounts agree

Isaac catches the mismatch between Mary's and Yale's accounts and mocks them for it.

You two need to get your story straight before the meeting.

このシーンの他の表現

  • self-righteous

    smugly moral

  • change your mind

    switch your choice

  • play around the truth

    bend the truth

  • naming names

    identify others

  • model myself after someone

    copy someone as a model

このシーンのメモ一覧

43 行のセリフに 25 件のメモ

スラング · A2gonna

going to — Everyday speech; too casual for formal writing.

I spoke to Mary. Were you gonna tell me?
発音go and talk

Link go and into go-an before talk.

- I was, but... I'm trying to teach a class. - So where can we go and talk?
表現 · A2get past something

pass through

- How'd you get past the security? - I walked right past.
スラング · A2How'd

how did — Spoken contraction; keep it out of formal speech.

- How'd you get past the security? - I walked right past.
表現 · B1run away with someone

elope with someone

Isaac asks in disbelief whether Yale means to leave Emily and run off with Mary.

What are you telling me? That you're gonna leave Emily and run away with the...
発音kind of

Kind of usually collapses into kinda in fast speech.

- What kind of crazy friend are you? - A good friend. I introduced you two.
スラング · A2Cos

because — Casual speech only; never in formal writing.

- Why? What was the point? - Cos I thought you liked her!
表現 · A2take someone out

ask someone on a date

Look, would I have encouraged you to take her out if I still liked her?
表現 · B1encourage someone to do something

urge someone to

Look, would I have encouraged you to take her out if I still liked her?
文法 · C1would I have encouraged you

rhetorical conditional: The inverted conditional is rhetorical: it means there is no way I would have helped you if I still cared.

Look, would I have encouraged you to take her out if I still liked her?
表現 · A2change one's mind

switch your choice

Isaac mocks Yale's fickleness by pretending there is still time to change his mind again.

It's early. You can change your mind one more time before dinner.
表現 · B1all someone had to do was ...

the only thing needed was

You could've said, but you... All you had to do was call me and talk to me.
文法 · B2All you had to do was call

predicative clause: After all you had to do was, the bare verb call shows the single thing that was required.

You could've said, but you... All you had to do was call me and talk to me.
表現 · B2get one's story straight

make accounts agree

Isaac catches the mismatch between Mary's and Yale's accounts and mocks them for it.

A few? She said one. You guys should get your story straight. Don't you rehearse?
表現 · C1a little on the ... side

slightly too much of a quality

Did you meet for Sanka? That's not too romantic. A little on the geriatric side.
表現 · B1be easy on someone

too lenient with someone

You're too easy on yourself. Don't you see?
表現 · B1be honest with oneself

truthful with oneself

You're... You rationalise everything. You're not honest with yourself.
表現 · A2in the end

in the end

You talk about you wanna write a book, but in the end you'd rather buy a Porsche.
表現 · B2play around the truth

bend the truth

Isaac lists Yale's small betrayal of Emily and his slippery honesty toward him.

You cheat a little bit on Emily and you play around the truth with me.
表現 · C1name names

identify others

Isaac warns that small betrayals escalate until you are naming names before a committee.

The next thing you know you're in front of a Senate committee naming names.
表現 · B2model oneself after someone

copy someone as a model

Isaac jokes that he needs someone to model himself after, half defending his moralising.

I gotta model myself after someone.
スラング · A2gotta

have got to — Spoken shorthand; too casual for writing.

I gotta model myself after someone.
文法 · B1the way you do

clause of manner: The way you do describes his manner of living, with in dropped before the way.

You just can't live the way you do. It's all so perfect.
発音what are

What are blurs into something like wader when spoken quickly.

Jesus, what are future generations gonna say about us? My God!
表現 · C1be well thought of

held in good regard

I'll be hanging in a classroom one day and I wanna make sure when I thin out that I'm... well thought of.

「Isaac Confronts Yale in Class」を読み解く

What's really going on

The scene is a friendship collapsing in public. Isaac has learned about Yale and Mary, and he arrives at the classroom not to talk but to accuse. What he cannot stand is being managed: he says Yale should have called him instead of lying by omission. Yale's defense is that he is human, which is exactly the excuse Isaac refuses to accept: "we're just people. We're just human beings. You think you're God!" is how the argument is framed, but it is Isaac who keeps rising to the moral high ground. The sharpest exchange is the list of failings Isaac throws at him — the unfinished book, the Porsche, the small dishonesty — because it shows that the real wound is not just the affair but the sense of being treated as a fool. The class waits, and Isaac walks out.

Theme

BetrayalIsaac learns his friend has been seeing Mary behind his back, and the classroom becomes the scene of the accusation.
FriendshipThe fight is about more than Mary: it is about whether the two men ever told each other the truth.

このチャプターで学べること

  • The fight is about jealousy dressed up as principle.
  • Isaac moralises because he cannot admit his own envy.
  • A tiny inconsistency exposes the whole affair.
  • Friends know exactly which words will hurt most.

発音のポイント

  • go and talk — Link go and into go-an before talk.
  • kind of — Kind of usually collapses into kinda in fast speech.
  • what are — What are blurs into something like wader when spoken quickly.
I mean, we're just people. We're just human beings. You think you're God!

Yale's counterattack: he refuses Isaac's moral standard and accuses him of acting superior to ordinary weakness.

You talk about you wanna write a book, but in the end you'd rather buy a Porsche.

Isaac's charge that Yale prefers comfort to the serious life he claims to want, delivered as a list of betrayals.

The next thing you know you're in front of a Senate committee naming names.

His escalation from small lies to informing on friends, borrowing the language of political hearings to make the point.

It's early. You can change your mind one more time before dinner.

Isaac's sarcastic remark about how quickly Yale's feelings shift, implying the affair is just another change of mind.

このシーンについての質問

Why does Isaac confront Yale in the classroom?

He has just talked to Mary and learned about the affair. He goes to the classroom because he cannot wait to confront Yale, even though Yale is in the middle of teaching a class.

Why does Isaac say they should get their story straight?

Because Mary told him one meeting and Yale told him a few. Catching them in different versions makes him feel lied to, so he mocks them for not rehearsing.

Why does Yale call Isaac self-righteous?

Isaac keeps attacking Yale's honesty and character, so Yale turns it back: he says Isaac acts as though he is better than ordinary people.

What does Isaac accuse Yale of wanting?

He says Yale talks about writing a book but would rather buy a Porsche, and that he cheats a little on Emily and plays around the truth. The charge is that Yale is not serious.

How does the scene end?

Isaac walks out of the classroom mid-lesson. There is no reconciliation; the fight has only exposed how differently the two men see what happened.

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