going to — Everyday speech; too casual for formal writing.
I spoke to Mary. Were you gonna tell me?Manhattan · 1979 — 第 22 / 23 章 · 2'34" · B2
Isaac walks into the classroom where Yale is teaching and confronts him about Mary. He accuses Yale of planning to leave his wife, and the argument turns into a fight about who liked her first, honesty, and moral posturing. It ends with Isaac storming out in the middle of the class.
Isaac storms into the classroom where Yale is teaching and says he has just spoken to Mary. He demands to know whether Yale is leaving Emily for her, and the argument escalates into a fight about the affair, who liked Mary first, and how honest each of them is. Isaac walks out.
注目の表現
self-righteousget your story straightchange your mindplay around the truth
このシーンの表現
make accounts agree
Isaac catches the mismatch between Mary's and Yale's accounts and mocks them for it.
You two need to get your story straight before the meeting.
smugly moral
switch your choice
bend the truth
identify others
copy someone as a model
43 行のセリフに 25 件のメモ
going to — Everyday speech; too casual for formal writing.
I spoke to Mary. Were you gonna tell me?Link go and into go-an before talk.
- I was, but... I'm trying to teach a class. - So where can we go and talk?pass through
- How'd you get past the security? - I walked right past.how did — Spoken contraction; keep it out of formal speech.
- How'd you get past the security? - I walked right past.elope with someone
Isaac asks in disbelief whether Yale means to leave Emily and run off with Mary.
What are you telling me? That you're gonna leave Emily and run away with the...Kind of usually collapses into kinda in fast speech.
- What kind of crazy friend are you? - A good friend. I introduced you two.because — Casual speech only; never in formal writing.
- Why? What was the point? - Cos I thought you liked her!ask someone on a date
Look, would I have encouraged you to take her out if I still liked her?urge someone to
Look, would I have encouraged you to take her out if I still liked her?rhetorical conditional: The inverted conditional is rhetorical: it means there is no way I would have helped you if I still cared.
Look, would I have encouraged you to take her out if I still liked her?switch your choice
Isaac mocks Yale's fickleness by pretending there is still time to change his mind again.
It's early. You can change your mind one more time before dinner.the only thing needed was
You could've said, but you... All you had to do was call me and talk to me.predicative clause: After all you had to do was, the bare verb call shows the single thing that was required.
You could've said, but you... All you had to do was call me and talk to me.make accounts agree
Isaac catches the mismatch between Mary's and Yale's accounts and mocks them for it.
A few? She said one. You guys should get your story straight. Don't you rehearse?slightly too much of a quality
Did you meet for Sanka? That's not too romantic. A little on the geriatric side.too lenient with someone
You're too easy on yourself. Don't you see?truthful with oneself
You're... You rationalise everything. You're not honest with yourself.in the end
You talk about you wanna write a book, but in the end you'd rather buy a Porsche.bend the truth
Isaac lists Yale's small betrayal of Emily and his slippery honesty toward him.
You cheat a little bit on Emily and you play around the truth with me.identify others
Isaac warns that small betrayals escalate until you are naming names before a committee.
The next thing you know you're in front of a Senate committee naming names.copy someone as a model
Isaac jokes that he needs someone to model himself after, half defending his moralising.
I gotta model myself after someone.have got to — Spoken shorthand; too casual for writing.
I gotta model myself after someone.clause of manner: The way you do describes his manner of living, with in dropped before the way.
You just can't live the way you do. It's all so perfect.What are blurs into something like wader when spoken quickly.
Jesus, what are future generations gonna say about us? My God!held in good regard
I'll be hanging in a classroom one day and I wanna make sure when I thin out that I'm... well thought of.The scene is a friendship collapsing in public. Isaac has learned about Yale and Mary, and he arrives at the classroom not to talk but to accuse. What he cannot stand is being managed: he says Yale should have called him instead of lying by omission. Yale's defense is that he is human, which is exactly the excuse Isaac refuses to accept: "we're just people. We're just human beings. You think you're God!" is how the argument is framed, but it is Isaac who keeps rising to the moral high ground. The sharpest exchange is the list of failings Isaac throws at him — the unfinished book, the Porsche, the small dishonesty — because it shows that the real wound is not just the affair but the sense of being treated as a fool. The class waits, and Isaac walks out.
I mean, we're just people. We're just human beings. You think you're God!Yale's counterattack: he refuses Isaac's moral standard and accuses him of acting superior to ordinary weakness.
You talk about you wanna write a book, but in the end you'd rather buy a Porsche.Isaac's charge that Yale prefers comfort to the serious life he claims to want, delivered as a list of betrayals.
The next thing you know you're in front of a Senate committee naming names.His escalation from small lies to informing on friends, borrowing the language of political hearings to make the point.
It's early. You can change your mind one more time before dinner.Isaac's sarcastic remark about how quickly Yale's feelings shift, implying the affair is just another change of mind.
He has just talked to Mary and learned about the affair. He goes to the classroom because he cannot wait to confront Yale, even though Yale is in the middle of teaching a class.
Because Mary told him one meeting and Yale told him a few. Catching them in different versions makes him feel lied to, so he mocks them for not rehearsing.
Isaac keeps attacking Yale's honesty and character, so Yale turns it back: he says Isaac acts as though he is better than ordinary people.
He says Yale talks about writing a book but would rather buy a Porsche, and that he cheats a little on Emily and plays around the truth. The charge is that Yale is not serious.
Isaac walks out of the classroom mid-lesson. There is no reconciliation; the fight has only exposed how differently the two men see what happened.
次のチャプター · 第 23 章look the other wayWhy Is Life Worth Living?
第 1 章have the nerve toThe Drowning Question at Dinner
第 2 章getting out of handIsaac and Yale Talk About an Affair
第 3 章get carried awayIsaac Sends Tracy Home
第 4 章overratedIsaac and Mary Argue About Art
第 5 章a sucker forIsaac Quits the TV Show
第 6 章far from the actionIsaac Cries Poor at the Benefit
第 7 章right on the moneyIsaac and Mary Meet Again
第 8 章basket caseIsaac and Mary Walk by the River
第 9 章break up a marriageYale and Mary Meet at Bloomingdale's
第 10 章wind upIsaac and Mary Walk in the Rain
第 11 章at my fingertipsIsaac and Mary Talk in the Rain
第 12 章the toast of the townIsaac Tells Tracy to Go to London
第 13 章a no-win situationMary Ends It With Yale
第 14 章make a commitmentIsaac Breaks Up in Tracy's New Flat
第 15 章wasting myself on someoneMary Visits Isaac Late at Night
第 16 章right up your alleyThey Push Isaac to Call Mary
第 17 章hung up onIsaac Finally Kisses Mary
第 18 章in the same ballparkIsaac Tells Tracy About Someone Else
第 19 章a sucker forIsaac and Mary Run Into Her Ex
第 20 章balk atIsaac Confronts His Ex-Wife's Memoir
第 21 章have it outMary Tells Isaac She Loves Yale
再生中 · 第 22 章get your story straightIsaac Confronts Yale in Class
第 23 章look the other wayWhy Is Life Worth Living?