Manhattan · 1979 — 第 4 / 23 章 · 3'20" · C1

Isaac and Mary Argue About Art, Explained:overrated

At a gallery, four friends compare opinions on the photography downstairs and on who is overrated. One calls the show derivative, another defends a steel cube, and the talk turns into the 'Academy of the Overrated,' a club invented to nominate Mahler, Bergman, and other famous names.

あらすじ

Isaac, Mary, Yale, and Tracy run into each other at a gallery and start discussing the photography downstairs. Mary calls it derivative and compares it to Diane Arbus, while the others disagree about a steel cube. Then Mary and Isaac list their 'Academy of the Overrated,' naming Mahler, Fitzgerald, and Bergman.

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注目の表現

derivativenegative capabilitybullshitschmucks

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このシーンの表現

overrated

praised too highly

Mary says LeWitt is overrated and jokes he belongs in her academy of the overrated.

That novel is overrated and everyone knows it.

このシーンの他の表現

  • derivative

    imitative, unoriginal

  • negative capability

    comfort with uncertainty

  • bullshit

    nonsense, rubbish

  • schmucks

    fools, jerks

  • Nabokov is smiling

    a wry Lolita allusion

このシーンのメモ一覧

54 行のセリフに 24 件のメモ

文法 · B1I really felt it was

object clause: Felt takes a that-clause, here with that dropped, to report her judgement.

- Great. Absolutely great. Did you? - No, I really felt it was very derivative.
表現 · B2straight out of something

taken directly from

To me it looked like it was straight out of Diane Arbus, but it had none of the wit.
表現 · B2none of the something

missing all the cleverness

To me it looked like it was straight out of Diane Arbus, but it had none of the wit.
発音straight out of

Straight out of runs together, with of almost swallowed.

To me it looked like it was straight out of Diane Arbus, but it had none of the wit.
表現 · A2a lot better than something

far better than

It was a lot better than that... that steel cube. Did you see it?
表現 · A2the worst

the worst one

- Oh, yeah. That was the worst. - Now that was brilliant to me.
表現 · B2very textural

rich in texture

To me it was very textural. You know what I mean?
表現 · A2the rest of something

what is left of

The rest of the stuff was bullshit.
発音rest of the

Rest of the links into something like res-to-the.

The rest of the stuff was bullshit.
スラング · A2wanna

want to — Spoken shorthand; keep it out of writing.

- You wanna see the Sol Lewitt? - Sure. That'd be fun.
表現 · B2do a piece on someone

an article about

He opens at the Modern soon. I was gonna do a piece on Sol for Insights.
スラング · C1schmucks

fools — Mildly crude slang; never in formal talk.

They're such schmucks up there. Really mired in Thirties radicalism.
表現 · A1go to high school

secondary school

- What do you do, Tracy? - I go to high school.
表現 · B2a candidate for something

eligible for

LeWitt is overrated. In fact, he may be a candidate for the academy.
表現 · C1such notables as someone

famous figures like

Mary and I have invented the Academy of the Overrated for such notables as - Gustav Mahler, - Isak Dinesen and Carl Jung.
文法 · B1have invented

present perfect: The present perfect presents the academy as an established fact up to now.

Mary and I have invented the Academy of the Overrated for such notables as - Gustav Mahler, - Isak Dinesen and Carl Jung.
表現 · B1leave someone out

omit

- Overrated? - Don't wanna leave out Heinrich.
スラング · A2Gee

wow, geez — An old-fashioned exclamation; rare among younger speakers.

Gee, what about Mozart? You guys don't wanna leave out Mozart.
表現 · A2get in trouble

be in trouble

When someone nominates Bergman, he is warned that he will get in trouble for it.

- Or Ingmar Bergman? - You'll get in trouble.
表現 · B2the only genius in something

the sole genius

Bergman? Bergman's the only genius in cinema today, I think.
発音you're so

You're reduces to yer while so takes the stress.

God, you're so the opposite. You write that fabulous television show.
表現 · B2outgrow something

grow too old for it

Mary admits she loved that bleak style at Radcliffe, then says you outgrow it.

OK, OK, OK. I mean, I loved it when I was at Radcliffe, but, all right, you outgrow it.
表現 · C1attach something to something

linking them onto

It is the dignifying of one's psychological and sexual hang-ups by attaching them to these grandiose, philosophical issues?
文法 · B2by attaching them to

gerund phrase: By plus a gerund names the method behind the act of dignifying.

It is the dignifying of one's psychological and sexual hang-ups by attaching them to these grandiose, philosophical issues?

「Isaac and Mary Argue About Art」を読み解く

What's really going on

The gallery argument is the film's comedy of taste: everyone performs an opinion, and no one will admit that it is mostly performance. Mary dismisses the photography as derivative and tied to Diane Arbus, while the others defend a steel cube she finds absurd. The vocabulary escalates from 'textural' to a phrase borrowed from literary criticism, as if saying 'negative capability' could settle the matter. Isaac gets the last word on the art: "The rest of the stuff was bullshit." From there the group invents its "Academy of the Overrated," a game that lets them rank Mahler and Bergman and show how quickly admiration turns into a competition. The Nabokov joke aimed at Tracy makes the game uglier, because it turns a teenage girl into a punchline about age. The closing line about dignifying personal hang-ups as philosophy describes the scene better than the characters can.

Theme

SatireThe friends turn art into a contest of taste, and the invented Academy of the Overrated mocks how quickly they rank and dismiss.
IdentityEach person defines themselves by what they praise and what they call overrated, which is exactly what the scene is laughing at.

このチャプターで学べること

  • Taste here is built by what she refuses to praise.
  • Calling the work derivative accuses it of copying.
  • Nabokov is a polite way to point at the age gap.
  • The long sentence at the end is itself the thing it mocks.

発音のポイント

  • straight out of — Straight out of runs together, with of almost swallowed.
  • rest of the — Rest of the links into something like res-to-the.
  • you're so — You're reduces to yer while so takes the stress.
The rest of the stuff was bullshit.

Isaac's blunt verdict after the other art: whatever is not the piece he likes is dismissed in three words.

Bergman? Bergman's the only genius in cinema today, I think.

His defense of the director Mary lists as overrated, turning taste into a loyalty test.

It is the dignifying of one's psychological and sexual hang-ups by attaching them to these grandiose, philosophical issues?

A jab at the group's habit of dressing personal problems as philosophy, which is also a description of the conversation they are having.

Oh, really. Really. Somewhere Nabokov is smiling, if you know what I mean.

A mocking line aimed at Tracy's age: it invokes the author of Lolita to tease an older man dating a teenager.

このシーンについての質問

Why does Mary dislike the photography exhibition?

She thinks it is derivative and looks like Diane Arbus without the wit. Her taste favors the intellectual and the original, so the show reads to her as imitation.

Why do they argue about the steel cube?

Some find it textural and perfectly integrated, while Mary thinks it is the worst piece there. The argument is less about the cube than about who has better taste.

What is the Academy of the Overrated?

It is a joke club invented by Mary and Isaac for famous people they consider overrated. In this scene they nominate Mahler, Isak Dinesen, Carl Jung, Scott Fitzgerald, and Lenny Bruce.

Why does the Nabokov line upset people?

It is aimed at Tracy, who is in high school, and it implies her older boyfriend by invoking Lolita. The joke turns a young woman's age into a punchline.

What does the closing question about philosophy mean?

It accuses the group of dressing personal hang-ups up as grand philosophical issues. Coming at the end, it makes the whole art argument look like status and psychology rather than taste.

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