object clause: Felt takes a that-clause, here with that dropped, to report her judgement.
- Great. Absolutely great. Did you? - No, I really felt it was very derivative.Manhattan · 1979 — 第 4 / 23 章 · 3'20" · C1
At a gallery, four friends compare opinions on the photography downstairs and on who is overrated. One calls the show derivative, another defends a steel cube, and the talk turns into the 'Academy of the Overrated,' a club invented to nominate Mahler, Bergman, and other famous names.
Isaac, Mary, Yale, and Tracy run into each other at a gallery and start discussing the photography downstairs. Mary calls it derivative and compares it to Diane Arbus, while the others disagree about a steel cube. Then Mary and Isaac list their 'Academy of the Overrated,' naming Mahler, Fitzgerald, and Bergman.
注目の表現
derivativenegative capabilitybullshitschmucks
このシーンの表現
praised too highly
Mary says LeWitt is overrated and jokes he belongs in her academy of the overrated.
That novel is overrated and everyone knows it.
imitative, unoriginal
comfort with uncertainty
nonsense, rubbish
fools, jerks
a wry Lolita allusion
54 行のセリフに 24 件のメモ
object clause: Felt takes a that-clause, here with that dropped, to report her judgement.
- Great. Absolutely great. Did you? - No, I really felt it was very derivative.taken directly from
To me it looked like it was straight out of Diane Arbus, but it had none of the wit.missing all the cleverness
To me it looked like it was straight out of Diane Arbus, but it had none of the wit.Straight out of runs together, with of almost swallowed.
To me it looked like it was straight out of Diane Arbus, but it had none of the wit.far better than
It was a lot better than that... that steel cube. Did you see it?the worst one
- Oh, yeah. That was the worst. - Now that was brilliant to me.rich in texture
To me it was very textural. You know what I mean?what is left of
The rest of the stuff was bullshit.Rest of the links into something like res-to-the.
The rest of the stuff was bullshit.want to — Spoken shorthand; keep it out of writing.
- You wanna see the Sol Lewitt? - Sure. That'd be fun.an article about
He opens at the Modern soon. I was gonna do a piece on Sol for Insights.fools — Mildly crude slang; never in formal talk.
They're such schmucks up there. Really mired in Thirties radicalism.secondary school
- What do you do, Tracy? - I go to high school.eligible for
LeWitt is overrated. In fact, he may be a candidate for the academy.famous figures like
Mary and I have invented the Academy of the Overrated for such notables as - Gustav Mahler, - Isak Dinesen and Carl Jung.present perfect: The present perfect presents the academy as an established fact up to now.
Mary and I have invented the Academy of the Overrated for such notables as - Gustav Mahler, - Isak Dinesen and Carl Jung.omit
- Overrated? - Don't wanna leave out Heinrich.wow, geez — An old-fashioned exclamation; rare among younger speakers.
Gee, what about Mozart? You guys don't wanna leave out Mozart.be in trouble
When someone nominates Bergman, he is warned that he will get in trouble for it.
- Or Ingmar Bergman? - You'll get in trouble.the sole genius
Bergman? Bergman's the only genius in cinema today, I think.You're reduces to yer while so takes the stress.
God, you're so the opposite. You write that fabulous television show.grow too old for it
Mary admits she loved that bleak style at Radcliffe, then says you outgrow it.
OK, OK, OK. I mean, I loved it when I was at Radcliffe, but, all right, you outgrow it.linking them onto
It is the dignifying of one's psychological and sexual hang-ups by attaching them to these grandiose, philosophical issues?gerund phrase: By plus a gerund names the method behind the act of dignifying.
It is the dignifying of one's psychological and sexual hang-ups by attaching them to these grandiose, philosophical issues?The gallery argument is the film's comedy of taste: everyone performs an opinion, and no one will admit that it is mostly performance. Mary dismisses the photography as derivative and tied to Diane Arbus, while the others defend a steel cube she finds absurd. The vocabulary escalates from 'textural' to a phrase borrowed from literary criticism, as if saying 'negative capability' could settle the matter. Isaac gets the last word on the art: "The rest of the stuff was bullshit." From there the group invents its "Academy of the Overrated," a game that lets them rank Mahler and Bergman and show how quickly admiration turns into a competition. The Nabokov joke aimed at Tracy makes the game uglier, because it turns a teenage girl into a punchline about age. The closing line about dignifying personal hang-ups as philosophy describes the scene better than the characters can.
The rest of the stuff was bullshit.Isaac's blunt verdict after the other art: whatever is not the piece he likes is dismissed in three words.
Bergman? Bergman's the only genius in cinema today, I think.His defense of the director Mary lists as overrated, turning taste into a loyalty test.
It is the dignifying of one's psychological and sexual hang-ups by attaching them to these grandiose, philosophical issues?A jab at the group's habit of dressing personal problems as philosophy, which is also a description of the conversation they are having.
Oh, really. Really. Somewhere Nabokov is smiling, if you know what I mean.A mocking line aimed at Tracy's age: it invokes the author of Lolita to tease an older man dating a teenager.
She thinks it is derivative and looks like Diane Arbus without the wit. Her taste favors the intellectual and the original, so the show reads to her as imitation.
Some find it textural and perfectly integrated, while Mary thinks it is the worst piece there. The argument is less about the cube than about who has better taste.
It is a joke club invented by Mary and Isaac for famous people they consider overrated. In this scene they nominate Mahler, Isak Dinesen, Carl Jung, Scott Fitzgerald, and Lenny Bruce.
It is aimed at Tracy, who is in high school, and it implies her older boyfriend by invoking Lolita. The joke turns a young woman's age into a punchline.
It accuses the group of dressing personal hang-ups up as grand philosophical issues. Coming at the end, it makes the whole art argument look like status and psychology rather than taste.
次のチャプター · 第 5 章a sucker forIsaac Quits the TV Show
第 1 章have the nerve toThe Drowning Question at Dinner
第 2 章getting out of handIsaac and Yale Talk About an Affair
第 3 章get carried awayIsaac Sends Tracy Home
再生中 · 第 4 章overratedIsaac and Mary Argue About Art
第 5 章a sucker forIsaac Quits the TV Show
第 6 章far from the actionIsaac Cries Poor at the Benefit
第 7 章right on the moneyIsaac and Mary Meet Again
第 8 章basket caseIsaac and Mary Walk by the River
第 9 章break up a marriageYale and Mary Meet at Bloomingdale's
第 10 章wind upIsaac and Mary Walk in the Rain
第 11 章at my fingertipsIsaac and Mary Talk in the Rain
第 12 章the toast of the townIsaac Tells Tracy to Go to London
第 13 章a no-win situationMary Ends It With Yale
第 14 章make a commitmentIsaac Breaks Up in Tracy's New Flat
第 15 章wasting myself on someoneMary Visits Isaac Late at Night
第 16 章right up your alleyThey Push Isaac to Call Mary
第 17 章hung up onIsaac Finally Kisses Mary
第 18 章in the same ballparkIsaac Tells Tracy About Someone Else
第 19 章a sucker forIsaac and Mary Run Into Her Ex
第 20 章balk atIsaac Confronts His Ex-Wife's Memoir
第 21 章have it outMary Tells Isaac She Loves Yale
第 22 章get your story straightIsaac Confronts Yale in Class
第 23 章look the other wayWhy Is Life Worth Living?