originate from
What is that sound? Can you hear that? Listen. Where's it coming from?Manhattan · 1979 — 第 14 / 23 章 · 3'12" · B2
Isaac spends the night in Tracy's new apartment, where the pipes are rusty, the water is brown, and something keeps rumbling in the walls. Tracy asks what is going to happen to them, and Isaac answers by sending her to London and calling himself a fond memory. Then he admits they should stop seeing each other.
On Tracy's first night in her new apartment, the place is falling apart: there is a strange rumbling in the walls and the tap runs brown. She wants to know where the relationship is going, and Isaac answers by telling her to take the London opportunity and remember him as a fond memory, before admitting they have to stop seeing each other.
注目の表現
take your mind off somethinga kid your agetake advantage ofa fond memory
このシーンの表現
promise to commit
In the middle of the breakup, Isaac points out that she will not commit to anything.
He is not ready to make a commitment to anyone yet.
distract someone from it
someone as young as you
make full use of
a warm memory
badly messed up
53 行のセリフに 24 件のメモ
originate from
What is that sound? Can you hear that? Listen. Where's it coming from?participle phrase: The -ing phrase describes the man and the action happening at that moment.
Or somebody sawing... Like a man sawing a trumpet in half. Right? Right?distract someone from it
When the noise keeps Tracy awake, Isaac suggests fooling around to get her mind off it.
It'll take your mind off it.have sex
How many times a night...? How often can you make love in an evening?Can is reduced to a light syllable, so I can tell almost sounds like I cn tell.
- Well, a lot. - Yeah, I can tell. A lot. That's...have long wished to
Let's do it some strange way you've always wanted to do, but nobody would do with you.damned (profane) — Profane emphasis used in anger; avoid it in polite speech.
It's a rumbling. Listen to that goddamn... Where the hell is that coming from?where on earth — A blunt, slightly vulgar way to press a question; not for formal talk.
It's a rumbling. Listen to that goddamn... Where the hell is that coming from?Coming from links up, and the in from the nearly disappears.
- It's probably just the elevator shaft. - It's not. It's coming from the walls.register at a hotel
Let's... Let's... Can we check into a hotel?renovate a place
I can help you fix this place up, if you give me a chance.condition clause: The if-clause sets the condition attached to the offer of help.
I can help you fix this place up, if you give me a chance.christen a new place
I wanted to break in the place and I was afraid to sleep alone.continue to ignore me
Listen. You keep ignoring me. What's gonna happen with us?manner clause: As we discussed it states the manner, matching the plan they already agreed on.
Then you're gonna go to London exactly as we discussed it.make full use of
Isaac orders Tracy to seize the London chance instead of wasting it.
You're gonna take advantage of that opportunity and study acting over there.The v in of is mostly elided after advantage.
You're gonna take advantage of that opportunity and study acting over there.a warm memory
Isaac decides how Tracy will remember him, both tender and self-satisfied.
And you'll think of me always as a fond memory. It'll be nice.judging from how it sounds
I understand. I could tell by the sound of your voice over the phone.raise a topic
You brought this up. You're not happy the way things are going.promise to commit
In the middle of the breakup, Isaac points out that she will not commit to anything.
Look, you don't wanna make a commitment.not suited as a couple
And I don't wanna break up my marriage and then find out we're no good together.have every advantage
I got everything going for me. The point...damn (profanity) — A strong curse blurted out in frustration; never in formal settings.
The point is that... I don't know, I'm all fucked up. I'm just... Shit!The apartment scene is the breakup, disguised as a discussion of bad plumbing. Tracy keeps asking the direct question, "What's gonna happen to us?" and Isaac keeps answering with arrangements: she will go to London, she will study acting, she will remember him well. His line about being "a fond memory" is meant kindly, but it is also a way of turning a person into a souvenir. Only when she names it does he admit the real decision, that they should stop seeing each other. What follows is the truest part of the scene: she is not angry that it is ending, only that it ended the way it did, and she ends up describing herself as a wreck. The comedy of the brown water and the noise never quite covers the sadness underneath.
And you'll think of me always as a fond memory. It'll be nice.His goodbye in advance: instead of a future, he offers her a warm thing to remember him by.
You're gonna take advantage of that opportunity and study acting over there.The practical half of the speech, pushing her toward London as if the choice were obvious.
And I don't wanna break up my marriage and then find out we're no good together.His reason for ending it: he will not leave his wife for a relationship that might fail anyway.
Look, you don't wanna make a commitment.The plain diagnosis of the problem: she is not ready to promise anything, so there is nothing to build on.
He says he does not want to break up his marriage and then discover they are no good together. The relationship has reached the point where a promise would have to be made, and he will not make one.
She is not angry that it is over so much as at how it is being handled. She knew it would end eventually, but she wanted it said plainly instead of wrapped in talk about London and fond memories.
It means to make full use of a chance while it is available. Isaac uses it to send Tracy to London, which sounds generous but also ends the relationship.
It is his way of saying goodbye without admitting it. Instead of a future, he offers her a warm thing to look back on, which sounds kind but closes the door.
Yes. After she asks what will happen to them, Isaac admits that they have to stop seeing each other, and the rest of the scene is the two of them absorbing that.
次のチャプター · 第 15 章wasting myself on someoneMary Visits Isaac Late at Night
第 1 章have the nerve toThe Drowning Question at Dinner
第 2 章getting out of handIsaac and Yale Talk About an Affair
第 3 章get carried awayIsaac Sends Tracy Home
第 4 章overratedIsaac and Mary Argue About Art
第 5 章a sucker forIsaac Quits the TV Show
第 6 章far from the actionIsaac Cries Poor at the Benefit
第 7 章right on the moneyIsaac and Mary Meet Again
第 8 章basket caseIsaac and Mary Walk by the River
第 9 章break up a marriageYale and Mary Meet at Bloomingdale's
第 10 章wind upIsaac and Mary Walk in the Rain
第 11 章at my fingertipsIsaac and Mary Talk in the Rain
第 12 章the toast of the townIsaac Tells Tracy to Go to London
第 13 章a no-win situationMary Ends It With Yale
再生中 · 第 14 章make a commitmentIsaac Breaks Up in Tracy's New Flat
第 15 章wasting myself on someoneMary Visits Isaac Late at Night
第 16 章right up your alleyThey Push Isaac to Call Mary
第 17 章hung up onIsaac Finally Kisses Mary
第 18 章in the same ballparkIsaac Tells Tracy About Someone Else
第 19 章a sucker forIsaac and Mary Run Into Her Ex
第 20 章balk atIsaac Confronts His Ex-Wife's Memoir
第 21 章have it outMary Tells Isaac She Loves Yale
第 22 章get your story straightIsaac Confronts Yale in Class
第 23 章look the other wayWhy Is Life Worth Living?