right, isn't that so
Neff is the name, isn't it? Yeah.Double Indemnity · 1944 — 第 2 / 21 章 · 2'48" · B2
Neff comes to renew the Dietrichson car insurance and finds Phyllis alone. They spar over an anklet and what her husband never tells her, until she asks the one question that matters: "Accident insurance?" He flirts; she is already measuring him for something else.
Insurance salesman Walter Neff visits the Dietrichson house to renew the family cars' coverage. The husband is away, and his wife Phyllis lets Neff in. Their talk drifts from policies to her anklet, then to her question about accident insurance. By the time he leaves, the flirtation has already opened a door neither names.
注目の表現
The Philadelphia Storya honey of ait's a livingright down the line
このシーンの表現
an excellent one
Mid-pitch, Neff spots her anklet and drops an oversized compliment that pushes past the salesman's line.
They live in a honey of a cottage by the river.
a movie title standing in for two F's
it pays the bills
every kind, all the way through
how about you do it
release with only a warning
51 行のセリフに 25 件のメモ
right, isn't that so
Neff is the name, isn't it? Yeah.if you know the reference
With two "F's," like in Philadelphia, if you know the story.let us go ahead and
Suppose we sit down and you tell me about the insurance.present perfect continuous: Have been handling stresses an ongoing relationship that started in the past and still holds.
We've been handling this insurance for Mr. Dietrichson for three years...let coverage expire
and we'd hate to see the policies lapse.an excellent one
Mid-pitch, Neff spots her anklet and drops an oversized compliment that pushes past the salesman's line.
That's a honey of an anklet you're wearing, Mrs. Dietrichson.probably, I suppose — American casual for probably; formal speech prefers perhaps
I guess he's been too busy down at Long Beach in the oil fields.For a reduces to a soft fər-ə and runs into few.
Couldn't I catch him at home some evening for a few minutes?be affiliated with
You're not connected with the Automobile Club, are you?tag question: The negative statement plus a positive tag invites confirmation and hints at suspicion.
You're not connected with the Automobile Club, are you?reach or catch him — casual stand-in for contact someone
Somebody from the Automobile Club has been trying to get him.become a member
Well, then he'd have to join the club and pay the membership fee to start with.for a start
Well, then he'd have to join the club and pay the membership fee to start with.to criticize or badmouth — common in casual talk, risky in formal dealings
I never knock the other fellow's merchandise, Mrs. Dietrichson.serve you just as well
The Automobile Club's fine. I can do just as well for you, though.Aren't you runs together as arn-chu with a rising tail.
You're a smart insurance man, aren't you, Mr. Neff?it pays the bills
Phyllis calls him a smart insurance man, and Neff waves it off as just a way to make a living.
It's a living.every kind, all the way through
Asked what he handles, Neff lists fire, earthquake and liability, then finishes with right down the line to sound complete.
industrial stuff and so on, right down the line.a short test drive
I'd have to drive it around the block a couple of times.conditional would: Would have to frames an action as a condition, which turns a flat answer into a playful dodge.
I'd have to drive it around the block a couple of times.if you take my meaning
if you know what I mean.The t in get is dropped against down, so it sounds like ge-down off.
Suppose you get down off your motorcycle and give me a ticket.release with only a warning
Still playing traffic cop, Neff says he will let her off with a warning, taking back control of the game.
Suppose I let you off with a warning this time.suddenly burst into tears
Phyllis raises the stakes by picturing herself bursting into tears on his shoulder, forcing him to answer first.
Suppose I bust out crying and put my head on your shoulder.that ruins everything
When Phyllis moves the joke onto her husband's shoulder, Neff sees the game is over and calls it with That tears it.
That tears it.The scene is a seduction built out of shop talk. Neff is there to sell insurance, but the policies are furniture; what's really moving is the anklet, the perfume, the half-finished sentences. Phyllis plays the bored wife—"My husband never tells me anything"—and lets him do the talking. Her real move is the soft, almost careless question, "Accident insurance?" Neff answers without thinking, then catches himself: "Yeah, I was, but I'm sort of getting over the idea... if you know what I mean." The flirtation is mutual, but it's also a negotiation, with each testing how far the other will go. The famous "Suppose you" exchange is their courtship as a traffic stop, teasing and retreating in turn. Nothing is said outright, and that is the point: the whole deadly bargain starts as a joke about an anklet.
That's a honey of an anklet you're wearing, Mrs. Dietrichson.Neff's opening compliment, flirtation disguised as small talk: the anklet is the excuse, and "a honey of" means something skillfully made.
I'd have to drive it around the block a couple of times.Neff's answer when Phyllis asks if he likes her name: he'd need to try it out first, a car metaphor that keeps the flirtation rolling.
Suppose you get down off your motorcycle and give me a ticket.Start of the traffic-stop game: one of them plays a driver asking for a ticket, turning the courtship into a teasing give-and-take.
With two "F's," like in Philadelphia, if you know the story.Neff's joke about spelling his name, nodding to the film The Philadelphia Story; "if you know the story" dares her to catch the reference.
It looks like idle curiosity while Neff talks car coverage. But the question lands right after she learns he handles every kind of policy, and her interest is too calm for small talk. It's the first quiet step toward the plot she has in mind.
Both. He keeps circling back to business, yet the anklet and the perfume keep pulling him off it. His line about getting "over the idea" of seeing her husband shows he knows the flirtation has already changed the call.
It's old-fashioned praise meaning something is first-rate or finely made. Neff uses it on Phyllis's anklet—"a honey of an anklet"—as a smooth way to compliment her without sounding blunt. The phrase is dated slang, not everyday talk.
She's the wife of Neff's long-time client, and in this first meeting she's already probing. Her boredom with her husband and her careful question about accident coverage hint at a plan, though nothing is spelled out yet. The film lets you feel it before you can name it.
Phyllis asks whether he likes her name. Rather than answer straight, he compares trying the name to test-driving a car. It's a salesman's habit—and a way to keep the flirtation going without committing to it.
次のチャプター · 第 3 章tie knots in one's stomachKeyes Busts Garlopis's Fake Claim
第 1 章for my moneyWalter Meets Phyllis
再生中 · 第 2 章a honey of aNeff Flirts With Phyllis
第 3 章tie knots in one's stomachKeyes Busts Garlopis's Fake Claim
第 4 章worried sickPhyllis Pitches Accident Insurance
第 5 章knock someone offPhyllis Proposes Killing Her Husband
第 6 章a red-hot pokerPhyllis Returns in the Rain
第 7 章get ideasPhyllis Tells Walter Her Story
第 8 章crook the houseNeff's Roulette Wheel Speech
第 9 章at a crackNeff Fools Dietrichson Into Signing
第 10 章take it or leave itWalter Drives Lola to Nino
第 11 章accidentally on purposeWalter Meets Phyllis at the Market
第 12 章shaking like a leafKeyes Offers Neff the Claims Job
第 13 章back inWalter Builds His Alibi
第 14 章got the ballNorton Says It Wasn't an Accident
第 15 章a leg to stand onNorton Questions the Widow
第 16 章through the wringerKeyes Suspects the Beneficiary
第 17 章gets his teeth intoLola Tells Neff About the Nurse
第 18 章like a hawkKeyes Explains the Dietrichson Murder
第 19 章come apart at the seamsKeyes Exposes the Impersonation
第 20 章hang on to your hatKeyes Blames the Wrong Man
第 21 章brushed offWalter Confronts Phyllis