Double Indemnity · 1944 — 第 13 / 21 章 · 2'10" · B2

Walter Builds His Alibi, Explained:back in

Before the murder, Walter walks through every step meant to prove he was somewhere else: leaving his rate book behind, getting his car washed, calling a coworker so the phone company keeps a record. "That was part of my alibi," he says, and the care in his voice is the point.

あらすじ

Alone with his thoughts, Walter lays out the alibi for the coming night. He leaves his rate book at the office on purpose, has Charlie wash his car, tells the garage he is staying in, and phones a coworker from home so there will be a record of the call. Then he changes, hides in the back of the Dietrichsons' car, and waits.

MonologuesCrime scenesExplainingConfessingB2fastamericanClean
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注目の表現

as ifthere'd be a recordlooked likethat way

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このシーンの表現

back in

reverse a car in

Phyllis backs the sedan in exactly as Neff told her, hiding him inside.

I always back in when the driveway is narrow.

このシーンの他の表現

  • as if

    as though

  • there'd be a record

    it would be logged

  • looked like

    seemed similar to

  • that way

    by doing so

このシーンのメモ一覧

41 行のセリフに 13 件のメモ

表現 · A2part of something

one piece of it

That was part of my alibi.
表現 · B1a question of doing something

a matter of

From here on, it was a question of following the timetable...
表現 · A2give something a wash job

a quick wash

How about giving the heap a wash job?
スラング · B1the heap

the old car — A joking word for a beat-up car among people who know it.

How about giving the heap a wash job?
表現 · A2a couple of something

two or three

I got a couple cars ahead of you.
表現 · B1a toll call

a charged long-distance call

He lived in Westwood, so it was a toll call and there'd be a record of it.
表現 · A2a lot of something

many numbers

Lou Schwartz called me back and gave me a lot of figures.
表現 · B1a roll of something

one roll of tape

I stuffed a hand towel and a roll of adhesive into my pockets...
表現 · A1look like something

seemed similar to

He pads his pockets so his leg will look like it is in a cast.

so I could fake something that looked like a cast on a broken leg.
表現 · A2in case something happens

just in case

Then I did the same thing to the doorbell in case anybody came to see me.
表現 · B2there's a chance that ...

the possibility that

because there was always the chance that someone might remember seeing me on it.
表現 · B1the way someone told you to

as I instructed

She'd backed the sedan in, just the way I told her to.
表現 · A1on the way to a place

heading toward

All the time I was thinking about that dark street on the way to the station...

「Walter Builds His Alibi」を読み解く

What's really going on

Walter narrates this stretch of the film himself, and what he describes is not a crime so much as a checklist. Every ordinary thing he does, from leaving a rate book to having his car washed to making a toll call, is chosen because it can be witnessed or traced later. "That was part of my alibi," he says, and the small card rigged inside the phone is the same idea: a way to know whether anyone came. The scene's power is in its calm. He even frets about a bus, because "there was always the chance that someone might remember seeing me on it." By the time he lies down in the back of the car, the audience has watched him think like the insurance investigator he will have to fool, and the line that sums him up is simple: "I was being that careful."

Theme

DeceptionWalter builds a chain of small, traceable actions so that later he can prove he was somewhere he never was.
BetrayalEvery careful step is groundwork for killing a man, taken calmly and without hesitation.

このチャプターで学べること

  • The staged rate book is the first move of a planned alibi.
  • A long-distance call is chosen because it leaves a trail.
  • The honeysuckle returns to mark how close the crime has come.
  • His calm narration makes the preparation sound almost routine.
I was being that careful.

Walter's summary of his own caution: every small precaution in the scene exists because he refused to leave anything to chance.

I could smell that honeysuckle again.

Returning to the Dietrichson house at night, Walter notices the same honeysuckle, tying the house to his desire for Phyllis.

All the time I was thinking about that dark street on the way to the station...

Even hidden in the car, Walter's mind is fixed on the murder spot and the three honks that will signal it.

From here on, it was a question of following the timetable...

Walter frames the night as a schedule to be executed, turning the killing into a task with steps in order.

このシーンについての質問

Why does Walter leave his rate book at the office?

He wants it noticed. If people remember him leaving it behind, they will assume he was absent-minded and that nothing was planned, which supports his alibi.

Why does Walter call Lou Schwartz from his apartment?

Because Schwartz lives in Westwood, the call is a toll call, so the phone company will keep a record of it. That record later proves Walter was home that evening.

Why does Walter put a card in the telephone box?

If anyone calls while he is out, the ringing bell will knock the card down, so he can tell on returning whether the phone was used.

Why does Walter walk instead of taking the bus?

He is afraid a passenger or driver might remember seeing him on the bus. Walking leaves no one who could place him out that night.

Why does Walter have Phyllis back the sedan into the garage?

He wants the car facing out so that if her husband gets in before she drives away, he will not be seen or blocked, which keeps the plan safer.

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