Double Indemnity · 1944 — 第 14 / 21 章 · 4'47" · B2

Norton Says It Wasn't an Accident, Explained:got the ball

Walter Neff, sick with guilt after the murder, narrates a walk he can't shake: the sound of a dead man's footsteps. At the office, Keyes lays out the autopsy and the double-indemnity policy, then goes strangely quiet. The boss, Norton, has the one opinion nobody expected: "I know it was not an accident."

あらすじ

After the murder, Walter Neff is haunted and off balance. The death is in the papers, and at the office Keyes briefs the boss, Mr. Norton, on the autopsy, the witnesses, and the double-indemnity clause in Dietrichson's policy. Neff explains his role in the sale. Then Norton surprises them: he has a theory of his own.

Talking to the bossInvestigationExplainingConfrontingBoss & employeeB2fastamericanClean
IMDb ↗

注目の表現

sore at mecome over someonekept my hands in my pocketscost someone dough

00:00 / 04:47
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いま
  1. ❝ 独白Neff's confession16 行練習ページ ↗
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このシーンの表現

got the ball

it is your turn to act

Norton hands the case back to Keyes, saying the ball is now in his hands.

You've got the ball now, so we'll follow your call.

このシーンの他の表現

  • sore at me

    upset with me

  • come over someone

    suddenly struck me

  • kept my hands in my pockets

    kept hands hidden in pockets

  • cost someone dough

    will cost us money

  • the legal position

    where the law stands

このシーンのメモ一覧

93 行のセリフに 21 件のメモ

表現 · A2see someone again

meet someone once more

I had to go down to the garage. I wanted Charlie to see me again.
表現 · B1after all

in the end

You gonna use your car, after all? I'm not quite through.
表現 · B2be sore at someone

upset with me

Neff blames his stomach for being sore at him, covering a night of scheming.

Been working upstairs all night. My stomach's getting a little sore at me.
表現 · B1live through something

survived an ordeal

That was the longest night I ever lived through, Keyes...
表現 · A2keep your hands in your pockets

kept hands hidden in pockets

Afraid people would see his hands shake, he keeps them buried in his pockets.

I kept my hands in my pockets because I thought they were shaking.
表現 · B2pull someone to pieces

completely apart

I could feel my nerves pulling me to pieces.
スラング · A2guy

the man — Offhand way to say a man, too loose for formal talk.

Anything wrong? Well, the guy is dead.
表現 · B1cost someone dough

will cost us money

Keyes grumbles that the claim will cost the company money, which is always bad.

We had him insured and it's gonna cost us dough. That's always wrong.
スラング · B1dough

money — Casual word for money, not for contracts.

We had him insured and it's gonna cost us dough. That's always wrong.
表現 · A2die of something

died from

Died of a broken neck.
表現 · B2get tangled up in something

got caught in

That he got tangled up in his crutches and fell off the train.
表現 · B2the legal position on something

where the law stands

Norton closes the file by saying the legal position is now clear, hinting they can refuse.

I believe the legal position is now clear.
表現 · B1talk long distance

on a long-distance call

I just talked to this Jackson long distance, up in Medford, Oregon.
表現 · A2on the tracks

on the railway line

They found Dietrichson's body on the tracks near Burbank.
表現 · B1think something over

consider it again

Mr. Dietrichson opposed it. He said he'd think it over.
表現 · B2push someone around

bossing someone about

Well, there's no sense in pushing Neff around.
表現 · A2fall off something

dropped from

Fall off a train? Are we sure Dietrichson fell off the train?
表現 · C1a double indemnity clause

double-payout clause

As you know, it contains a double indemnity clause.
スラング · A2Nope

no — A very casual no, fine with friends only.

Nope. Not even a hunch.
表現 · A2in fact

actually

I think I know. In fact, I know I know what happened to Dietrichson.
表現 · B2run with something

take it and go

Well, you've got the ball. Let's see you run with it.

「Norton Says It Wasn't an Accident」を読み解く

What's really going on

The scene turns on a question of who is allowed to have a theory. Keyes, the investigator, has been probing the claim for days, and here he refuses to commit: 'No opinion at all,' he says, 'Not even a hunch.' Norton, the man with the large office, is the one who states it flatly — 'I know it was not an accident' — and the irony is deliberate, since Keyes had just mocked the assumption that a big office makes a man an idiot. Handing Keyes the lead, Norton says, "Well, you've got the ball. Let's see you run with it." Walter, meanwhile, is quietly falling apart in the same room, narrating his own nerves while the men around him argue about his crime as a matter of company money.

Theme

GuiltWalter narrates his own unraveling — shaking hands, hidden eyes, the 'walk of a dead man' — while he sits through a meeting about his crime.
DeceptionA murder is discussed as a claims problem; Keyes withholds suspicion while Norton names the truth no one will prove.

このチャプターで学べること

  • Keyes reads a clean report and still smells a murder.
  • Dough is money in the mouths of insurance men who hate paying out.
  • The double indemnity clause is what makes this death so expensive.
  • Norton's football talk hands the case to Keyes as a dare.
Nothing had slipped, nothing had been overlooked.

Walter reassures himself that the plan was flawless — no loose ends, no gaps — just before his nerve begins to fail.

It was the walk of a dead man.

Walter describes the sound of his own footsteps after the murder: as if he is already a dead man walking.

I could feel my nerves pulling me to pieces.

Walter says his composure is breaking down under the strain of the secret, even though nothing in the case has exposed him.

Well, you've got the ball. Let's see you run with it.

Norton hands the case to Keyes: the lead is his, and everyone will now watch how he plays it.

このシーンについての質問

Why does Walter narrate his own nerves?

He is confessing the story into a dictaphone, and the guilt is the point. The murder went perfectly, yet he says he feels like 'the walk of a dead man,' which shows the toll the secret takes.

Why does Keyes claim he has no opinion?

He is holding back in front of the boss. He admits he has no hunch at all, even though earlier he was the one digging into the claim, and Norton notices the evasion.

Why does Norton say it was not an accident?

Norton has read the same facts — the double-indemnity policy, the timing, Neff's sale — and reaches the conclusion Keyes will not state aloud. He says it is not an accident without giving proof.

What does 'you've got the ball' mean here?

It's a sports metaphor. Norton tells Keyes the case is now his to run, and that everyone will watch how he handles it.

Why does Norton mention an 'uncomfortably warm day'?

He is teasing Keyes about his informal clothes. It shows Norton's dry, needling manner before the meeting turns serious.

深夜の告白 · 全 21 章

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