WinkLingo
ログイン

Deathtrap · 1982 — 第 29 / 30 章 · 2'59" · C1

Clifford Turns the Tables on Sidney, Explained：a snap

Clifford isn't just pitching a play—he's explaining how he played Sidney all along. He left his draft in the drawer to lure the old master in, wrote deliberately wooden lines to keep him comfortable, then thanks him for Act Two while rejecting his ideas: "But we're not going to have a Long Island detective."

あらすじ

What happens: Clifford Anderson, once Sidney Bruhl's student, calmly reveals how he manipulated his old teacher. He left a first act in a drawer to bait Sidney, then handed him fake dialogue to keep him busy while he plotted his own moves. Now he describes the real Deathtrap, a play that mirrors what's happening between them.

ArgumentsMonologuesExplainingConfessingTeacher & studentC1fastamerican
IMDb ↗

注目の表現

a snapshare bed and boardtwigprick

00:00 / 02:59
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Clifford explains the con17 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

a snap

very easy

Clifford admits to his rival that dialogue comes easily to him while plotting defeats him.

The test was a snap for her.

このシーンの他の表現

  • share bed and board

    live together

  • twig

    suddenly understand

  • prick

    a crude insult for a man

  • elephantine

    clumsily heavy

  • dummy dialogue

    placeholder lines

このシーンのメモ一覧

48 行のセリフに 26 件のメモ

表現 · A2on the first day

day one

You stressed it in the seminar, first day.
表現 · B1what comes next

what follows

I had this terrific first act, I just couldn't think of what came next.
表現 · B1have a problem with something

struggle a bit with

Dialogue's a snap for me, but I still have a little problem with plotting.
発音a little

The t in a little flaps between vowels.

Dialogue's a snap for me, but I still have a little problem with plotting.
表現 · B1a 42 Regular

size 42, regular fit

Let's see. I think you're about a 42 Regular.
表現 · B2not voluntarily

not of his own will

See, Sidney's not going to help me, not voluntarily.
表現 · B2This I know

this much I know

This I know 'cause Sidney uses three kinds of mouthwash...
発音'cause

Because is clipped to 'cause, sounding like kuz.

This I know 'cause Sidney uses three kinds of mouthwash...
文法 · B2a way that maybe I can

that-clause: A that-clause after way spells out the method, with maybe softening it.

Is there a way that maybe I can harness that 17-jewel brain...
表現 · A2go on doing something

keep doing

So I go on drafting Act One...
表現 · A2every time ...

whenever

And every time I leave the room, I put it inconspicuously in the drawer.
文法 · B1every time I leave the room

time clause: Every time introduces a time clause; the main action repeats whenever it happens.

And every time I leave the room, I put it inconspicuously in the drawer.
表現 · B1not even notice

fails to see at all

That for a day-and-a-half, smart old Sidney doesn't even notice.
スラング · C1twigs

suddenly gets it — British and casual; fine between friends.

And then dull old Porter comes in and twigs right away.
表現 · C1confront someone with something

face someone with proof

You rifling my desk, confronting me with the evidence, etc.
スラング · C1prick

a crude insult for a man — A crude insult saved for real fights.

-You're a prick, you know that? -Sticks and stones, Sidney.
表現 · B2not get a wink of sleep

sleep a little

I hardly got a wink with all your elephantine tiptoeing around.
表現 · C1a wooden line

stiff, lifeless wording

For every wooden line I wrote there, there's an aerial one up here.
発音there's an

Link there's an so the s slides into an.

For every wooden line I wrote there, there's an aerial one up here.
スラング · C1this shit

this junk, crudely — Casual venting; keep it out of formal talk.

I mean, I am going to burn this shit myself when I leave here.
表現 · A2give someone the key

hand me the key

Now you give me the key, please.
表現 · A2thank someone for something

be grateful for

And I do thank you for Act Two, Sidney...
表現 · A2the arm of the chair

the chair's armrest

Don't be stupid. Put the handcuffs through the arm of the chair.
表現 · B2check up on someone

investigate someone

Meanwhile, he has his lawyer do some checking up on Victor...
文法 · B2has his lawyer do

causative have: Have someone do something means getting another person to carry it out.

Meanwhile, he has his lawyer do some checking up on Victor...
表現 · A2very unfair

deeply unjust

Most of them very, very unfair.

「Clifford Turns the Tables on Sidney」を読み解く

What's really going on

Under the pitch is a power reversal. Clifford, the student, now controls the room, and every polite line carries a blade. "Dialogue's a snap for me, but I still have a little problem with plotting" sounds humble, but it sets up the confession that he used Sidney's own vanity to make him useful. Clifford admits he wrote "dummy dialogue" on purpose, telling Sidney, "That was dummy dialogue, dummy! To keep you comfy while you're plotting." The flattery was bait. Even the thanks are a dismissal: "And I do thank you for Act Two, Sidney... But we're not going to have a Long Island detective." He takes what he wants from the old master and discards the rest. Sidney's insult, "You're a prick, you know that?" only confirms who is now in charge.

Theme

PowerThe student flips the hierarchy, using the master's vanity to control him.
DeceptionClifford's innocent act is a deliberate con, revealed line by line.

このチャプターで学べること

  • A stalled draft can be bait, not a failure.
  • The student wins by letting the master feel clever.
  • Praise and confession sit in the same sentence here.
  • Handcuffs turn a storyteller into the story.

発音のポイント

  • a little — The t in a little flaps between vowels.
  • 'cause — Because is clipped to 'cause, sounding like kuz.
  • there's an — Link there's an so the s slides into an.
Dialogue's a snap for me, but I still have a little problem with plotting.

Writing dialogue comes easily to him, but he can't build a plot—exactly the skill he needs from Sidney.

I hardly got a wink with all your elephantine tiptoeing around.

He mocks Sidney's loud, clumsy attempts to sneak around, blaming him for a sleepless night.

For every wooden line I wrote there, there's an aerial one up here.

The draft's stiff dialogue was on purpose; the real, better lines exist only in his head.

And four kinds of deodorant. Not for him the whiff of scandal.

Sidney is obsessed with appearances and avoiding even a hint of scandal.

このシーンについての質問

Why does Clifford leave his play in the drawer?

To bait Sidney. He knows the old master can't resist a plotting problem, so he makes the manuscript easy to find and lets Sidney's ego do the work.

Who is actually in control in this scene?

Clifford. The former student has turned the tables: he takes the key, has Sidney put the handcuffs on, and rewrites the story on his own terms.

What is the "real Deathtrap" Clifford describes?

A new play that mirrors their own situation—Victor writing about Doris's murder, a lawyer digging up charges, and a fake collaboration used as a trap.

Does Clifford actually respect Sidney's advice?

No. He thanks Sidney for Act Two but immediately rejects the Long Island detective, keeping only what serves his own play.

デストラップ・死の罠 · 全 30 章

すべて見る →
次のチャプター · 第 30 章a can of wormsClifford Spares Sidney
第 1 章truth in advertisingSidney's Play Flops on Opening Night第 2 章add insult to injurySidney Rants About Being Written Out第 3 章top billingSidney Plots to Steal a Play第 4 章a god-sent opportunityMyra Urges Sidney to Call Anderson第 5 章all the makingsSidney Calls Clifford About His Play第 6 章got hooked onClifford Anderson Visits the Bruhls第 7 章feet on the groundMyra Pushes Sidney to Collaborate第 8 章go out of your wayClifford Asks for a Second Opinion第 9 章hit a snagSidney Handcuffs Clifford第 10 章untypical of meClifford Is Handcuffed第 11 章the envy ofSidney Kills Clifford第 12 章night and dayMyra Finally Tells Sidney to Leave第 13 章guilt-riddenHelga Ten Dorp Arrives第 14 章keep uncloudedHelga Foresees the Knife第 15 章skeptical aboutHelga Predicts the Deathtrap第 16 章once and for allMyra Hears Something Downstairs第 17 章be my doingSidney Promises Nothing Will Go Wrong第 18 章for future referenceThe Fake Murder Kills Myra第 19 章lay an eggPorter Milgrim Meets the Secretary第 20 章on the agendaPorter Reviews Sidney's Will第 21 章a death wishSidney Pitches Deathtrap第 22 章knock offClifford Wants a Shortcut第 23 章be in on itClifford Talks Sidney Into Deathtrap第 24 章kid a kidderBruhl and Anderson Team Up第 25 章psychicHelga Meets the Man in Boots第 26 章fed up withHelga Warns Sidney Again第 27 章spill the beansThe Rehearsal Turns Deadly第 28 章send someone packingClifford Turns the Gun on Sidney再生中 · 第 29 章a snapClifford Turns the Tables on Sidney第 30 章a can of wormsClifford Spares Sidney
第 29 / 30 章 · 残り約 2 分